FEATURED MUSEUM MAINE MUSEUM OF PHOTOGRAPHIC ARTS USM GLICKMAN FAMILY LIBRARY 314 FOREST AVENUE PORTLAND, MAINE THROUGH JANUARY 27 by Taryn Plumb At first, it appears to be a touching image of mourning: A man lies on his belly in a pastoral cemetery, leaning in so close to a gravestone that his head nearly grazes it. But take a closer look and you see that, well — he’s taking a closer look. Not at the headstone engraved with the surname “HUNT” but, rather, at a small patch of white flowers that have sprung up out of the ground at its base. He is a botanist at work; the grave is purely incidental. Captured by photographer S.B. Walker, the black-and-white image is part of a series taken in and around Walden Pond in Concord, Mass. It is among a variety of works in an exhibit honoring the 200th anniversary of the birth of the celebrated transcendentalist Henry … [Read more...] about LIVING DELIBERATELY IN MAINE: CELEBRATING THE IDEA OF THOREAU
Current Exhibits
MASTERFUL INFLUENCE: THIERRY’S TRIBUTE TO MONET
REVIEW GABRIELLE THIERRY: THE MUSICALITY OF THE WATER LILIES — COLORED MUSICAL SCORES INSPIRED BY CLAUDE MONET WATER LANDSCAPES IRIS AND B. GERALD CANTOR ART GALLERY COLLEGE OF THE HOLY CROSS ONE COLLEGE STREET, WORCESTER, MA THROUGH OCTOBER 7 by Beth Neville A French artist, Gabrielle Thierry deserves a warm welcome in the United States for her colorful and enchanting large-scale paintings inspired by Claude Monet’s “Water Lilies” murals. Shipped directly from Paris, France, her eight oil-on-canvas paintings are on exhibit through early October at the Cantor Art Gallery at the College of the Holy Cross. Thierry employs a complex theoretical system of her own invention to “translate” Monet’s late works into a personal vision involving art and music. But to appreciate Thierry’s art, the viewer must look directly at the paintings without considering her theories. … [Read more...] about MASTERFUL INFLUENCE: THIERRY’S TRIBUTE TO MONET
Art Makes the World Go Around: First Day at the Venice Biennale
By Nancy Nesvet Surrounded by water, filled with foreigners speaking different languages, in a city where getting lost in ancient alleyways is a regular occurrence, Venice provides the perfect venue for the most famous of the World’s Biennales. Almost every exhibit at the Venice Biennale deals with risks to our changing world, whether they be political or environmental. Located at ground zero, with the risk of inundation by water if global warming continues to produce floods and facing refugees arriving in Italy every day, Venice is the perfect place for government-sponsored art projects seen by an international public. On my first day at the Biennale, coming by vaporetto boat down the grand canal, I entered the former Arsenale grounds, where an arsenal of weapons was once housed. Walking further, I surveyed what Paolo Buratta notes in the “Introduction to Biennale Arte 2017 Short … [Read more...] about Art Makes the World Go Around: First Day at the Venice Biennale
ARTSCOPE’S GUIDE TO BASEL ART FAIRS 2017
by Nancy Nesvet In the wake of nations attempting to close their borders, the Basel Art Fairs have expanded the world of art and art’s very definition to become the most inclusive ever in art’s history. Including not only ideas but the process by which those ideas are expressed, these shows amaze in the variety of sensual experience, including sound, vision, physical feeling, taste (and I don’t mean the food kind) and more. Art Basel, Basel’s oldest and best Art Fair, includes eight sectors; Unlimited, shows 76 projects, unlimited in size and scale including interventions, installations and other non-scaled pieces. Parcours, from the French meaning "journeys", offsite at the Cathedral Square and throughout the old city of Basel, offers current work of contemporary living artists including installations, guided journeys, interventions and repurposed sculpture. The Film Sector offers … [Read more...] about ARTSCOPE’S GUIDE TO BASEL ART FAIRS 2017
ARTSCOPE AT ART BASEL SWITZERLAND: DAY TWO
by Nancy Nesvet TUESDAY, JUNE 13, 2017 Day two at Art Basel. In this wonderland of art, I am still totally at play, seeing the installations at Parcours, in the cathedral square and down by the Rhine River, but coming around to reality via some installations and sculpture at "Unlimited" in the city square called Messerplatz. First confronted by Al Wei Wei’s “Iron Tree” (2016), which changes patina as it ages, it also brings nature and the manmade relationship with nature into perspective. That relationship seems a theme of Parcours, curator Samuel Leuenberger’s brilliant trek through the city through the following of artwork installations. Reza Aramsh recreates Michelangelo’s “Slave” in resin, but tiesits hands behind his back with a rope, making him captive and towering on a plinth over the river. Katinka Bock’s “Parasite Fountain” (2017) creates ametal fish that draws water … [Read more...] about ARTSCOPE AT ART BASEL SWITZERLAND: DAY TWO