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Artscope Magazine | September/October 2024

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Current Exhibits

Alexander Sokurov, 2017, giclee (photograph by Nancy Nesvet).

FALSE FACTS ON DISPLAY BY ARTISTS: DAY TWO AT THE VENICE BIENNALE

// Artscope Online, Current Exhibits, Visual Arts

by Nancy Nesvet

VENICE, ITALY, MAY 9, 2019 — I spent my second day at the Venice Biennale touring the national pavilions at the Giardini site and in other areas in Venice. The most beautiful exhibit I saw was on the second floor of the Russia pavilion, where the director of the 2004 film, Russian Ark and the 2011 winner of the Golden Lion at Venice, “Faust,” directed an exhibit that featured a life-size giclée of a Rembrandt painting, “The Return of the Prodigal Son” on permanent display at the Hermitage, here along with the biblical verse, The Parable of the Prodigal Son from the Gospel of Luke, and Chapter 15 of the Gospel of Luke, that speaks of property deeded to a son by a father, squandered by the son, further illustrated with statues of biblical figures. On two video screens were a vision of fires burning down buildings in present and biblical times, with Jesus sitting on a rock watching the … [Read more...] about FALSE FACTS ON DISPLAY BY ARTISTS: DAY TWO AT THE VENICE BIENNALE

Under the Surface: Nedret Andre’s ‘Seagrass: Ecological Engineers’ at Hess

// Artscope Online, Current Exhibits, Exhibits, Featured, Visual Arts

by Olivia MacDonald

Bold, whimsical lines and color travel across the canvases in Nedret Andre’s exhibit at Chestnut Hill’s Hess Galley. Stormy blues and fiery corals swirl and collide into each other, creating abstract forms and shapes. Andre’s oil paintings in the collection “Seagrass: Ecological Engineers” delve into the ethereal world of one of the most quickly deteriorating ecosystems on the planet—seagrass. When snorkeling, Andre witnessed this flowering plant thriving off of the sunlight cascading into the waters, giving life to thousands of sea creatures with its production of carbon for food and its safe habitat. This plant so vital to the health of coral reefs and estuaries unfortunately experiences the loss of two football fields worth each hour due to industrial fishing, invasive species and pollution. Andre captures the fragility, interconnectedness and enchantment of seagrass in “Bridge to … [Read more...] about Under the Surface: Nedret Andre’s ‘Seagrass: Ecological Engineers’ at Hess

Re-stitching Pieces of the Past: Howardena Pindell’s ‘What Remains to be Seen’ at the Rose

// Artscope Online, Current Exhibits, Exhibits, Visual Arts

by Olivia MacDonald

Art is an extension of oneself, a release that travels from the mind, through the arm and out the fingertips to pour onto the canvas. After a car crash in 1979 that left New York-based artist, Howardena Pindell, with a dented skull and short-term memory loss, she began to explore her own body and identity, as well as the politically-charged environment that rejected, denied and broke her in the past, just because of her skin color. Art was a way to mend the wounds, both within and outside of herself, a way to heal. It was a way to embrace her blackness, her femininity and her capabilities. Pindell’s exhibition at Brandeis University’s Rose Art Museum, “What Remains to be Seen,” showcases much more than just what remains, but holds entire stories deep in the threads and paint of each piece. Her 1988 work, “Autobiography: Air (CS560),” incorporates the many parts and layers that … [Read more...] about Re-stitching Pieces of the Past: Howardena Pindell’s ‘What Remains to be Seen’ at the Rose

Julia Galloway, “The Endangered Species Project: New England,” 2019, view of exhibit with urns on stands and walls, at Gallery 224, Allston, Massachusetts.

Vessels of Change: Julia Galloway’s Endangered Species Project at Gallery 224

// Artscope Online, Current Exhibits, Exhibits, Featured, Visual Arts

by Olivia MacDonald

Allston, MA - We are constantly plugged into our cellphones, computers, and tablets, watching the world through a screen and living our busy lives that we may become disconnected with nature. We may forget that we are a part of it and just as vulnerable as birds, moths, fish and turtles endangered by habitat loss from urbanization, overfishing or pollution, side effects of an industrial world. Within Julia Galloway’s new exhibition, “The Endangered Species Project: New England,” at Harvard University’s Gallery 224, nature confronts visitors. Through 305 handmade porcelain urns on tables and shelved on the walls, Galloway’s art creates a space of reflection and memorialization of endangered and extinct species of each state in New England. They are brought together and individually remembered on vessels traditionally used to hold cremated ashes. As a Bostonian, now living and teaching … [Read more...] about Vessels of Change: Julia Galloway’s Endangered Species Project at Gallery 224

Claude Monet, French, 1840-1926, “Waterloo Bridge,” 1903, oil on canvas, Worcester Art Museum collection, Museum Purchase, 1910.37. Photograph courtesy of the Worcester Art Museum.

MONET’S WATERLOO BRIDGE: VISION AND PROCESS AT WORCESTER ART MUSEUM

// Artscope Online, Current Exhibits, Exhibits, Featured, Visual Arts

by Brian Goslow

Having a single work by a master on display in your museum can be a major attraction in its own right. Have nine of them — especially from a single series — and you’ve got a once-in-a-lifetime opportunity and event. That’s the case with “Monet’s Waterloo Bridge: Vision and Process,” which features nine paintings created from 1899 through 1901 by French Impressionist Claude Monet at the Savoy Hotel in London and completed back at his studio in Giverny that are on display through April 28 at the Worcester Art Museum. Local residents who have long had the honor of having a 1903 work from the series on permanent display at WAM have been basking in the limelight of having themselves surrounded by a strong representation of the series, much in the way Monet saw them when he created them in two rooms at the Savoy. The unique coupling is possible through loans from the Milwaukee Art … [Read more...] about MONET’S WATERLOO BRIDGE: VISION AND PROCESS AT WORCESTER ART MUSEUM

TOP ROW LEFT TO RIGHT: Laurie Bonner, "Midnight Mermaid," 2017, digital image capture, 12" x 12"; Deborah Baye, "Night & Day," 2018, mixed media with high resin finish, 24" x 24" x 1.5"; Bror Hultgren, "Runes of Time's Passage 2," 2016, cast paper pulp on handmade paper, 39" x 30" x 2.5"; Diana Barker Price, "Conscious," 2016, digital image capture, 12" x 12". BOTTOM ROW LEFT TO RIGHT: Susan Denniston, "Shroud," 2017, monotypes on both sides of translucent Japanese papers, sewn with black thread, hung with magnets, 50" x 60" x 1"; Stephen Sheffield, "Going Away For A While," 2018, archival print from original collage, 14" x 11" x 1"; Erin Juliana, "Idiopathic," 2018, paper cut or cut paper interwoven, 17" x 21" x 2"; Deb Hall, "Crack in The Ground," 2018, digital and hand printmaking, 15" x 15" x 2".

Works on Paper at the South Shore Art Center

// Artscope Online, Current Exhibits, Exhibits, Visual Arts

by Bryanna F. Drew

The Bancroft Gallery at South Shore Art Center’s current show is “Works on Paper,” juried by Andrew Witkin of Krakow Witkin Gallery. “Works on Paper” has a diverse set of pieces, the only common denominator of them being that they are paper. From hyper realistic watercolor to abstract cut-paper works, the show was dominated by a mix of media. Out of hundreds of artists’ submissions, only 50 works were picked by Witkin for the show, and seven of them given awards. “I was amazed at the breadth of exploration and the depth of involvement,” Witkin’s juror statement expressed. “My decisions are balanced between personal preferences and respect for the specifics of the wonderful diversity of art presented. The works show incredible creativity, dedication and skill.” Witkin asked that the award winners be honored equally; “In this era of intense judgement and separation, I hope this group … [Read more...] about Works on Paper at the South Shore Art Center