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Artscope Magazine | July/August 2019

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TASTEFUL CONFRONTATION IN THE NATIONAL OPEN JURIED EXHIBITION AT PROVIDENCE ART CLU

// Artscope Online, Exhibits, Featured, Visual Arts

by J. Fatima Martins

On view now through July 19, this year’s National Open Juried Exhibition (NOJE) offers a satisfying view of contemporary voices ranging, as expected from Providence Art Club (PAC), from the traditional to the experimental. There is only one problem, which hopefully Michael Rose and this team will correct next year: the NOJE needs examples of new media including digital and video/film and installation within the mixed-media and new technology formats. This year’s presentation is slightly smaller in the number of works, more manageable, and is less aggressive concerning subject matter with overt political and cultural commentary. Unlike last year in which the feeling of political activism was obvious, this year, the works on view offer more subtle and elegant visual remarks about ongoing relevant social and cultural concerns. The work that marks the exhibition with the tone of tasteful … [Read more...] about TASTEFUL CONFRONTATION IN THE NATIONAL OPEN JURIED EXHIBITION AT PROVIDENCE ART CLU

Wandering in the Crossroads: Qian Wu

// Artscope Online, Exhibits, Featured, Visual Arts

by Nancy Nesvet

“Wandering in the Crossroads,” an exhibition of Qian Wu’s latest works, co-curated by Lan Zhan and Elga Wimmer, opened at Elga Wimmer PCC, New York, on June 19.  From the city of Xiamen in Fujian province, China, Wu has been painting since the age of six. His practice stems from academic studies, including an undergraduate major in social and cultural analysis and a master’s degree from Columbia University’s Weatherhead East Asian Institute as well as studio courses. The removal of boundaries of eastern and western iconography, and an integration of traditional Chinese painting with the bold strokes of western abstraction and the combination of different media signify his work. Rather than the marks and architectural patterning of Franz Kline or Hans Hofmann, who Wu cited as influences, these canvases ( mixing concepts and media: oil, acrylic, ink and watercolor) resemble the early … [Read more...] about Wandering in the Crossroads: Qian Wu

BASEL 2019 DAY FOUR: VOLTA AND LISTE

// Art Basel Switzerland, Artscope Online, Featured, Visual Arts

by Nancy Nesvet

Day four in Basel, Switzerland, took me to the Volta and Liste art fairs. Volta, Basel’s art fair that declares itself the show of “new international positions”, made good on the name. Paying close attention to the precarious predicament of the world’s inhabitants due to climate change and political upheaval, Volta subtly informed and involved those who viewed the work at the fair. Geraldine Swayne’s, oil and acrylic canvas painting, “Queer Altarpiece,” 2019, at CHARLIE SMITH LONDON’s booth was perhaps the most beautiful figurative work on view. Depicting a seated woman, looking off to the side, the figure’s haircut, clothes and mood recalled artists’ work of 1930s Germany, explaining the title. A quiet, thoughtful work, it allowed painting, done in a contemporary way, to elicit empathy for the subject. Valerie Hegarty’s “Five Tulips with Frame Elegy,” 2019, made of wood, wire and … [Read more...] about BASEL 2019 DAY FOUR: VOLTA AND LISTE

Art Against the Weymouth Compressor Station

// Artscope Online, Featured, News

by Bryanna F. Drew

For a fun family day of art and political activism, join the Fore River Residents Against the Compressor Station (FRRACS), the Braintree Art Association and other environmentally conscious South Shore residents and artists on Sunday, June 23 for their Painting in the Park event at King’s Cove Park in Weymouth, Massachusetts. The event’s purpose is to raise awareness of the environmental and public safety concerns surrounding the proposed frack-gas compressor station planned to be constructed next to the Fore River Bridge. Frack-gas compressor stations are typically constructed in less-populated rural areas due to the high risks associated with these structures. The purpose of a compressor station is to increase the pressure in the pipes to increase the speed of the natural gas in order for it to be able to travel further distances. The goal for this specific compressor station … [Read more...] about Art Against the Weymouth Compressor Station

NAVIGATING THE DIGITAL MURKY WATERS OF COMMERCIALIZING ONE’S ARTWORK

// Artscope Online, Featured, News

by Bryanna F. Drew

Today’s day and age of commercialism is marked by ethically dubious fast-fashion markets, Ikea furniture, next-day shipping and low prices chosen over quality. Brick-and-mortar galleries struggle to gain business and no one wants to shell out hundreds of dollars on original pieces of art. In this world where cheap, mass-produced goods are the products of choice, where does that leave artists? In the modern technological age, it would make sense that artists have more opportunities than ever to have their work noticed, yet the marketplace has just become that much more ruthless in now-worldwide competition. Print-on-demand (POD) websites are the current popular trend in attempting to make money by commercializing one’s art. An artist can create a profile, upload their works and select the products that they wish their designs to be printed on (t-shirts, cups, calendars, classic … [Read more...] about NAVIGATING THE DIGITAL MURKY WATERS OF COMMERCIALIZING ONE’S ARTWORK

ART BASEL 2019 DAY THREE: GALLERIES, AND STATEMENTS

// Art Basel Switzerland, Artscope Online, Exhibits, Featured, Visual Arts

by Nancy Nesvet

The work in Galleries, the biggest sector of the Art Basel 2019 art fair, with 273 galleries displaying artwork, ranged from very bad to superlative. From large, childlike, messy, grease crayon drawings and similarly unfinished paintings to the refined glitz, and smooth stainless steel and optic glasswork, this sector provided the low and high points of the fair. Not surprisingly, there was much handmade textile work, the best being Sheila Hicks’ “Calligraphy Sauvages,” a 2019 sculpture of 15 chords of silk, wool, linen, bamboo and synthetic fiber — in bright, coordinated colors. Her 2018 linen line drawing, “Je veux être seul,” reminded me of 1930s Bauhaus geometric work. Robert Mapplethorpe’s “Stars,” created in 1983, of stained wood and carpet, presented a rare foray into Mapplethorpe’s textured relief sculptures. At Sperone Westwater’s, New York, New York, booth, Emil Lukas’ “Twin … [Read more...] about ART BASEL 2019 DAY THREE: GALLERIES, AND STATEMENTS