Through March 22, 2020
“A New England State of Mind: The Pioneering Collector, Clara Sears”
May 11–March 22, 2020
“Visions of Design: Parallels in Mid-Century Modern and Shaker Furniture”

Hours: Mon. & Wed.–Fri. 10a.m.–4 p.m., Sat. & Sun. 12–5p.m. Closed Tuesdays.

102 Prospect Hill Road
Harvard, MA 01451
(978) 456-3924
thetrustees.org/fruitlands

Through March 14
“Required Reading: Reimagining a Colonial Library” Come explore Boston’s history, the fine crafts of bookbinding and furniture-making, and the meaning of “essential knowledge” at an exhibit that showcases and reconsiders the King’s Chapel Collection, a rarely-seen Boston treasure.

“In the Midst of Something Splendid: Recent Paintings by Colleen Randall”

This exhibition features abstract paintings on canvas and paper by this well-respected member of the Dartmouth studio art faculty, including new works from her Immanence series alongside slightly earlier works from the Syncope series.

January 2 – May 31

Hours: Wed. 11 a.m. – 5 p.m., Thu.-Fri. 11 a.m. – 5 p.m., Sat.-Sun. 11 a.m.- 5 p.m.

Hood Museum of Art, Dartmouth

6 East Wheelock Street

Hanover, NH 03755

hoodmuseum.dartmouth.edu

hood.museum@dartmouth.edu

“School Photos and Their Afterlives”

An array of school photos from across photography’s histories and geographies are set in dialogue with works by contemporary artists who have reframed them. The exhibition looks critically at how a ubiquitous yet unremarked vernacular genre has been used to advance ideologies of assimilation and exclusion but also to inspire social and political change.

January 2–April 12

Hours: Wed. 11 a.m. – 5 p.m., Thu.-Fri. 11 a.m. – 5 p.m., Sat.-Sun. 11 a.m.- 5 p.m.

Hood Museum of Art, Dartmouth

6 East Wheelock Street

Hanover, NH 03755

hoodmuseum.dartmouth.edu

hood.museum@dartmouth.edu

Through March 3

“Reconstitution” Institutional spaces have long privileged Euro-American narratives, which has had powerful, even dangerous consequences in our culture and society. Artists in Reconstitution foster the evolution of previously entrenched narratives as they remind us that we are all responsible agents in the complicated processes of writing current and future histories.

Hours: Wed. 11 a.m. – 5 p.m., Thu.-Fri. 11 a.m. – 5 p.m., Sat.-Sun. 11 a.m.- 5 p.m.

Hood Museum of Art, Dartmouth

6 East Wheelock Street

Hanover, NH 03755

hoodmuseum.dartmouth.edu

hood.museum@dartmouth.edu

Through April 5

“Man Up! Visualizing Masculinity in 19th-Century America”

“Oncea Kingdom: Animal Portraits from D. R. Wakefield and Zoo New England”

A striking tour ofthe creatures lost and found on a changing planet, our new exhibit pairs engravingsand professional photographs highlighting endangered and extinct animals withoriginal paintings by the Zoo’s gorillas.

Hours: Mon.-Fri.9:30a.m.-5:30p.m., Sat. 11a.m.-3p.m.

Through March 29

“All the MarvelousSurfaces: Photography Since Karl Blossfeldt.” 

“PeterHutchinson: Landscapes of My Life.”

“Truthiness and theNews.”

Hours: Wed-Fri 10a.m.-4 p.m., Sat-Sun 10 a.m.-5 p.m.

Through Spring 2020

“Highlights fromthe Permanent Collection”

Permanent

“In the Studio: TheMeta Vaux Warrick Fuller Collection”

Hours: Tue.–Fri. 10a.m.–5 p.m. Sat.-Sun. 12–5 p.m.

 Through March 22

“Drawn from Life:Little Women at FruitlandsMuseum.”

Ongoing: “PastoralPresent: Wilhelm Neusser; ANew England State ofMind: The PioneeringCollector, Clara Sears,” with art byKirstin Lamb;

“Visions of Design:Parallels in Mid-Century Modernand Shaker Furniture.”

Hours: Sat.-Sun.1-5 p.m., closed weekdays duringwinter hours.

Through May 24

“A Dust Bowl of DogSoup: Picturing the Great Depression”

Through June 21

“Buddhas |Buddhisms: Across and Beyond Asia”

Through June 21

“Object Histories:From the African Continent to the SCMA Galleries”

Hours: Tue.–Sat. 10a.m.–4 p.m., Thu. 10 a.m.– 8 p.m., Sun. 12–4 p.m.

Through March 8

“Emil Otto Hoppé: Photographs ofthe Ballets Russes.”

80 platinum prints by renownedphotographer Emil Hoppé celebrate the dancers of the illustrious company andfamed Russian impresario Sergei Diaghilev who founded the Ballets Russes morethan a century ago.

Hours: Tue.-Fri. 11 a.m.-4 p.m.,Sat.-Sun. 11 a.m.-5 p.m. First Sunday of the month: free admission. ClosedMondays.

Through March 22

WARMED BY SUNSHINE, LIT BYSTARLIGHT 

Art Ballelli & Roy St. Christopher Rossow 

Through May 15

“De Wind is Op! Climate, Cultureand Innovation in Dutch Maritime Painting” Golden Age Dutch and Flemishpaintings reveal how wind, climate, and sea were drivers behind a uniquelyDutch national identity of this period. Funded, in part, by the MassachusettsOffice of Travel & Tourism.

Hours: Mon.-Sun. 9 am.-5 p.m.through December. January-March Tue.-Sat. 9 a.m.-4 p.m., Sun. 11 a.m.-4 p.m.

Winter GroupExhibition featuring works by Paul Rousso, Robert Mars, Lucrecia Waggoner,Pascal Pierme, Henry Mandel, & Carrie McGee.

Hours: Tue.–Sat. 11a.m.– 6 p.m., Sun. 12–4 p.m. (May–October).

Through March 14

“Required Reading: Reimagining aColonial Library”

Come explore Boston’s history, thefine crafts of bookbinding and furniture-making, and the meaning of “essentialknowledge” at an exhibit that showcases and reconsiders the King’s ChapelCollection, a rarely-seen Boston treasure.

The Gallery’sencyclopedic holdings range from ancient times to the present day and representcultures from around the globe.

Through June 21

“Place, Nations,Generations, Beings: 200 Years of Indigenous North American Art.“ 

Through March 29

“Collecting Reimagined: A2D Curiosity Cabinet”

February 1 – May 24

“On the Edge of theWorld: Masterworks by Laurits Andersen Ring from SMK—the National Gallery ofDenmark”

February 1 – July 19“Under the Skin”

Hours: Tue.–Sun. 12–5p.m.

January 9-February 22

“20/20: The Photography Show:” Wecelebrate the new decade with works by 13 fine art photographers whose imagesspan the wide arc of this changing medium. From traditional to contemporary,studio to landscape, alternative processes and mixed media, the variety in thisshow explores how photographs are created, what they can convey, and the versatilityof this medium.

Photographers: Monika Andersson,Ko Baryiames, Aliisa Gray, Cynthia Katz, Rob Houghton, Robin Glass, RichardHiggins, Brandon James, Jennifer M Johnston, Rachel Jump, John Kennard, JordanKessler, Rickie Krug.

Hours: Tue.–Fri. 11 a.m.–6 p.m.Sat.– Sun. 11 a.m.–5 p.m.

January 10-February 23

Features art in any medium inspired by the many life-altering effects of this basic element.

Sponsored by Martha Mayo.

Reception: Saturday, February 1, 4-6 p.m.

Hours: Wed.–Sat. 12–6 p.m., Sun. 12–4 p.m.

January 10-February 20

“Societas”

Lawrence Academy welcomes the work of Angela Alés

Opening reception: January 10, 6 – 7:30 p.m. Live music and refreshments.

Hours: Mon.-Fri. 9 a.m.-4 p.m., Sat. & Sun. 12-4 p.m.

January 10-February 23

“Water, Water Everywhere”Curated by Mary Dondero

Reception: January 10,6-8 p.m.

Hours: Thu.-Sun. 1-4 p.m.Admission: $5 General Public | FREE for Members, Students, and Children.

January 11-April 5

“Liz Albert: FamilyFictions” The anonymous nature of the found snapshot is highlighted in LizAlbert’s work, where she

uses unidentifiedphotographs to create pointed narratives that define a specific social and culturaltime and place.

Hours: Tue.–Fri. 10a.m.–5 p.m. Sat.-Sun. 12–5 p.m.

January 14–March 14

“Gateway Makers”

 Exhibition organizers, Lorri Berenberg andMartha Richardson, inspired by the Maker’s Movement, have chosen eclectic worksfrom weaving, ceramics, fabric, and folk art studios. Each maker’s hand ishighly distinguishable–be it in a delicate embroidery by Yasmin Arshad orSidney Perry, boldly modelled clay by Barbara Brown, or playful papier mâché byCharles Hurvitz. Everyday Exhibitions objects, often discarded, repurposed byapproximately 20 artists.

Reception: Thursday, February 13,5 p.m.-7 p.m.

Gallery Hours: Mon.-Fri. 9a.m.-4:30 p.m., Sat. 12-5 p.m. Gateway Arts, a Vinfen Service, is a Studio ArtCenter serving 100+ artists with disabilities.

January 16–February 22

“Burning Manhood,” Group showfeaturing artwork exploring the topic of the downgrading of the masculine rolein our evolving society.

Opening Reception: Thursday,January 16, 6-9 p.m. Closing Reception: Thursday, February 20, 6-9 p.m. 

Hours:Fri.-Sat. 2-6 p.m. or by appointment.

January 16-February 28

“Eugene Dorgan – Mindful Gaze” Aretrospective of charcoal portraits by Cambridge artist Gene Dorgan, thisexhibition features contemporary images of children, adolescents, and youngadults, captured in a quattrocento light.

Opening reception: Thursday,January 16, 5:30-7p.m.

Artist Talk: Wednesday, February26, 8:55-9:45 a.m.

King Theater Hours: Mon.-Fri. 9a.m.-4 p.m

Opening January 17

Bellarmine HallGalleries: “Gifts of Gold: The Art of Japanese Lacquer Boxes”

Opening January 23 WalshGallery (Quick Center) “Archives of Consciousness: Six Cuban Artists”

Hours: Tue.-Sat. 11a.m.–4 p.m.

The Gallery’sencyclopedic holdings range from ancient times to the present day and representcultures from around the globe. 

Opening January 17

Reckoning with “TheIncident”: John Wilson’s Studies for a Lynching Mural.

Opening February 14“James Prosek: Art, Artifact, Artifice.”

Free and open to thepublic.

 Hours: Tue.–Fri. 10 a.m.–5 p.m., Thu. 10a.m.–8 p.m. from September to June, Sat.–Sun. 11 a.m.–5 p.m.

January 18-May 10

“Family Circle”

Explore thecomplexities of family past and present and the lineage of family stories—whatis forgotten,remembered, and reinterpreted. Work by Lisa Barthelson, Jenny Carpenter,Jasmine Chen, Kristen Joy Emack, Lee Kilpatrick, Mary Morazzi-Henderson, andClaudia Ruiz-Gustafson.

Hours: Tue.–Fri. 10a.m.–5 p.m. Sat.-Sun. 12–5 p.m.

January 20–March 14

Bless Mazarura, Carol Schlosberg Alumni Gallery 

January 21 — April 4

Dan Mills: Human Topographies Amy Stacey Curtis: Transfer

Reception: Thursday, February 6, 5–7 p.m.

Hours: Mon.–Wed., Fri.-Sat. 10 a.m.–4 p.m., Thu. 10 a.m.-6 p.m. Closed Sun.

30 Academic Way

Durham, NH 03824

(603)862-3712

January 21 – March 4

“Cut Up/Cut Out” features works by national and international artists who explore the practice of “cutting” in various ways – from cut paper to plastic to metal. 

Reception: January 23.

Hours: Tue.–Fri. 9 a.m.–5 p.m. Sat. 10 a.m.–4 p.m.

Phillips Exeter Academy

11 Tan Lane

Exeter, NH 03833

(603) 777-3461

exeter.edu/lamontgallery

January 21–March 6

Reception: Tuesday, February, 25Panel discussion 4-5:30 p.m. (location TBA)

Reception follows in theUniversity Gallery from 5:30–7 p.m.

Artists: Dan Borelli, MariaMagdalena Campos-Pons, Duy Hoàng, Sarah Kanouse + Nicholas Brown, Plotform(Jane Marsching + Andi Sutton), Matthew Mazzotta, Evelyn Rydz, and Andrew S.Yang.

Hours: Mon. 12–4 p.m., Tue. 10a.m.–4 p.m., Wed.–Thu. 10 a.m.–9 p.m., Fri.-Sat. 10 a.m.-3 p.m. After December19, please email Deborah_Santoro@uml. edu for appointment.

January 22-February 29

“Peter Moriarty: Warm Room” 

With his portfolio of gelatinsilver prints, Peter Moriarty explores the architecture and collections of aseries of historic European and American greenhouses. Taken over the course ofmore than 20 years, Moriarty’s evocative works explore the interactions offamiliar architectural forms with the lush, exotic, organic, and oftendisorienting collections housed within. See website for further information onprogramming.

Hours: Mon.–Fri. 10 a.m.–5 p.m. Sat.–Sun. 12–5 p.m. 

January 23-June 16 

Water: Medium &Mirror

We build our citiesaround water, and search the galaxy for signs of its presence. Six localartists allude to this essential fluid from which all known life has arisen.

Reception: January23, 6-8 p.m.

Hours: Sat. 12-4p.m.

January 23-February22

“SEEING NUMBERS:Using Visual Metaphors to Explain Data,” curated by Andrew Tang

Hours: Thu.–Sat. 12–5 p.m.

February 8-June 14

paperwork: Works on Paperfrom the Permanent Collection

February 8-April 19Somaflora: Recent work by Maggie Nowinski

January 25-April 26 TheNewport Annual

Tue.–Sat. 10 a.m.–5 p.m.,Thu. 10 a.m.–7 p.m., Sun. 12–5 p.m.

January 26-February28

Sloan Tomlinson’s photographicself-portraits create an engaging narrative transporting the viewer into themiddle of a story and a different time. Nancy Johnson’s self-portrait paintingsexhibit an insular, intimate quality. Christine Texiera uses flight and transportationas a metaphor for personal change in this series of mixed-media work utilizinglayers of clear medium over images rendered in acrylic paint.

Opening Reception:Sunday, January 26, 2-4 p.m.

Hours: Tue.–Fri. 1–6p.m. Sun. 2–5 p.m. (Closed academic breaks).

January 28 – February 29

“Art Sparks”

6 visual artists explore connections with varying artistic disciplines including music, literature, performing arts and video.

Reception: February 8, 6-8 p.m.

77 Main Street

Maynard, MA 01754

(978) 897-3825

6bridgesgallery@gmail.com

6bridgesgallery.com

January 29 – May 17

EXCAVATION: LAYERS OF MEANING

 Curated by Catherine Carter Adria Arch, TracyBarbosa, Resa Blatman, Alma Cummings, Mary Dondero, Steven Duede, AnthonyFalcetta, Lisa Granata, Nancy Hayes, and Jeannie Motherwell. 

January 30-March 28

“a nerve is not a nerve but a bundle of fibers” showcases contemporary artists working with textiles in innovative ways. Though textiles are traditionally thought of as decorative or functional, the artists in this exhibition address complex ideas of identity and cultural history with large-scale crochet, public sewing circles, and unconventional materials.

Reception: January 30, 5-7p.m.

Hours: Tue., Wed., Fri., Sat. 1–5 p.m., Thu. 1–8 p.m.

January 30-February 28

“Outside the Lines”featuring nine emerging, self-taught artists: Burden, Cox, DeRosa, DeSista,Easton, Stevens, Thibault, Vacation, Walters II.

Opening event: February8, 4-8 p.m.

Snow Date: February 15.

January 31-April 26

“Roni Horn.”

The 45 photographs in the work 72JAN/FEB 2020 Exhibitions Pi were taken along the Arctic Circle in Norway.Combining portraits and landscapes, Pi charts a mode of living in a specificplace.

Hours: Tue.–Fri., 11 a.m.–4:30p.m., Sat & Sun: 2–5 p.m., open until 8 p.m. every first Thursday of themonth (closed academic breaks).

February 1 – April 26

“Gordon Parks: The New Tide, Early Work 1940–1950”

February 1 – March 1

“Expanding the Narrative: Recent Acquisitions”

February 25–March 10

“The Thing Is,” 301 Gallery

February 2 – April 18

Duxbury Art Association Winter

Juried Show

Rotations: Hamada Shōji at the Intersections of Culture

Hours: Wed.–Sun. 1–4 p.m.

February 3-24

Painter, educator and Hampden Gallery director LaPrade Seuthe exhibits paintings examining the inner and outer limits of worlds we know.

Opening Reception:

Monday, February 3, 5 – 7 p.m.

Hours: Mon., Tue. 1–7 p.m. Wed.–Fri.1–5 p.m. (Closed academic breaks)

February 3 – March 30

“Mardi Gras Indians and OtherWorks” Robert Freeman

February 4-March 1

“Signature MembersShow at the Guild of Boston Artists”

NEWS, founded in 1885as the Boston Watercolor Society, is one of the oldest and most prestigiousnon-profit watercolor societies in the USA. Exhibit Juror: Stephen Quiller,AWS, NWS.

Reception and Awards:February 8, 2-4 p.m. Sunday Free Watercolor Demonstrations, 1-3 p.m.

February 9 – SethBerkowitz

February 16 – BobNoreika

 February 23 – Carolyn Latanision

Saturday Free GalleryTalks, 1 p.m.

February 15 – IrenaRoman

February 22 – RobinBeckwith

February 29 – JackHaran

Hours: Tue.-Sat. 10:30a.m.-5:30 p.m., Sun. 12-4 p.m.

February 4-22

Different StrokesReception: Sunday, February 9, 3–5 p.m.

 Participating artists: Patricia Burson, EllenFisher, Claire Gerard, Bror Hultgren, Susan B. Jones, Elaine Sapochetti, ClaireSasahara, Barbara Trachtenberg and Leonora Wolfeld. Curated by Lois Tarlow.

Hours: Tue.–Sat. 1–4p.m.

February 5 – July 26.

SHE PERSISTED: WOMEN ARTISTS OFNEW BEDFORD, 1900-2019.

Works from the New Bedford FreePublic Library Collection Curated by Allie Copeland

“Lust After.”

NAWA exhibition of 2D and 3Dworks.

Reception: Friday, February 7, 6–8p.m.

February 5-March 1

Demetrius Wilson: “Dirty Brushes,Wine & the Untold”. Christine Palamidessi: “Icons & Talismans”. JaneParadise: “Art for the Heart”.

Reception: February 7, 6-8 p.m.

Hours: Wed.–Sun. 12–5 p.m. &by appointment.

February 5 – March 1

“On-Kyeong Seong:Embedment” “Vaughn Sills: Inside Outside”

Reception: Friday,February 7, 5-8 p.m.

Hours: Wed.–Sun. 12–5p.m.

February 7 – April 26

“Procheta Mukherjee Olson:Palimpsest.”

Olson’s miniature paintingsdepicting social events in India are presented alongside Yun Fei Ji’s “ThreeGorges Dam Migration,” a magnificent 32-footlong hand scroll.

Hours: Tue.–Fri., 11 a.m.–4:30p.m., Sat & Sun: 2–5 p.m., open until 8 p.m. every first Thursday of themonth (closed academic breaks).

February 8–June 7

“AfterSpiritualism: Loss and Transcendencein Contemporary Art,”offers an occasion to reflecton personal and shared lossesthrough contemporary art.This special group exhibition isinspired by Spiritualism’s aimto connect the living with thedead for comfort,guidance, and enlightenment.

Hours: Wed.–Fri. 12–4p.m., Sat.–Sun. 11 a.m.–5p.m.

February 8-May 3

“The Essence of Nature Paintings”by Marlene T. Yu (Green Movement in Art)

Hours: Mon.–Sat. 10 a.m.–5 p.m.,Sun. 11 a.m.–5 p.m.

February 8 – March 14

“Biological Collages andContemporary Landscapes”

Sarah Gindel + Barry HazardOpening

Reception: Saturday, February 8,3-6 p.m. Hours: Fri.-Sat., 12 – 5 p.m. MonThu. by appointment

February 8-29

“29th Biennial Children’sExhibition” Works from K-8 students of Rhode Island.

Reception: February 8, 11a.m.-2 p.m.

Hours: Wed.–Fri. 1–5p.m., Sat. 10 a.m.–4 p.m.

February 13 – March 29

Bancroft Gallery: “The DrawingRoom Curated by William Flynn”

Opening Reception: Thursday,February 13, 6-8 p.m.

Manning Gallery: Desmond O’Neill

February 13–March 4

“Intercalary Event” Worksby Katie Bullock, Sean Salstrom and Jocelyne Prince Satellite venues: LaddObservatory, Willis Reading Room, Hay Library, Providence, Rhode Island.

Reception: Thursday,February 13, 5–7 p.m.

Hours: Tue.-Sat. 11a.m.–4 p.m., Sun 2–4 p.m.

February 14-April 26

Out of the Box: ArtSpace Artist Object Art

Reception: February 14, 5-7 p.m.

Hours: Wed.-Sat. 11 a.m.-3 p.m.

“Shifting the Lens: Contemporary Indigenous Australian Photography”

Drawing from the Hood Museum’s collection of Indigenous Australian art, Shifting the Lens features photography by Christian Thompson, Fiona Foley, Bindi Cole, Michael Cook, Darren Siwes, Tony Albert, and Michael Riley that interrogates and conveys the multidimensionality of Indigenous Australian experiences.

February 15 – June 21

Hours: Wed. 11 a.m. – 5 p.m., Thu.-Fri. 11 a.m. – 5 p.m., Sat.-Sun. 11 a.m.- 5 p.m.

Hood Museum of Art, Dartmouth

6 East Wheelock Street

Hanover, NH 03755

hoodmuseum.dartmouth.edu

hood.museum@dartmouth.edu

February 16-March 6

All Galleries: “WinterMembers’ Exhibition”

Receptions: Sunday,February 16, 2-4 p.m.

Galleries always free andopen to the public. Special Extended Gallery Hours: Open Daily 12–5 p.m.Galleries may also be opened by appointment.

Through May 8, 2020
“River Works: Whistler and theIndustrial Thames”“Seed-O-Matic”

Through Spring 2020
“De Wind is Op! Climate, Cultureand Innovation in Dutch MaritimePainting”Golden Age Dutch and Flemishpaintings reveal how wind,climate, and sea were driversbehind a uniquely Dutch nationalidentity of this period. Funded, inpart, by the Massachusetts Officeof Travel & Tourism.Hours: Mon.-Sun. 9 am.-5 p.m.through December.January-March Tue.-Sat. 9 a.m.-4 p.m., Sun. 11 a.m.-4 p.m.

Through November 11“Fragile Earth”Through December 8“Defiant Vision: Prints & Poetryby Munio Makuuchi”November 22-May 24“A Dust Bowl of Dog Soup:Picturing the Great Depression”Through June 21“Buddhas | Buddhisms: Acrossand Beyond Asia”Through June 21“Object Histories: From theAfrican Continent to the SCMAGalleries”Hours: Tue.–Sat. 10 a.m.–4 p.m.,Thu. 10 a.m.– 8 p.m., Sun. 12–4 p.m.

Through December 8
“Contemporary Chinese
Brushwork”
November 7
“Rewind/Fast-Forward: Celebrating
the Artist Documentaries of
Olympia Stone”
December 5
“Can Art Drive Change on Climate
Change? An Evening with Alexis
Rockman”
December 15 – March 29, 2020
“Collecting Reimagined: A 2D
Cabinet of Curiosities”
Hours: Tue.–Sun. 12–5 p.m.

November 9 – March 8, 2020
“Time Lapse: Contemporary Analog Photography” Ten minutes south of Burlington.

November 14–March 8, 2020
“Emil Otto Hoppé: Photographsof the Ballets Russes.”73 platinum prints by renownedphotographer Emil Hoppécelebrate the dancers of theillustrious company and famedRussian impresario SergeiDiaghilev who founded theBallets Russes more than acentury ago.Hours: Tue.-Fri. 11 a.m.-4 p.m.,Sat.-Sun. 11 a.m.-5 p.m.First Sunday of the month: freeadmission.Closed Mondays.

January 2–April 12, 2020
“School Photos and TheirAfterlives”An array of school photosfrom across photography’shistories and geographies areset in dialogue with worksby contemporary artists whohave reframed them. Theexhibition looks critically at howa ubiquitous yet unremarkedvernacular genre has beenused to advance ideologiesof assimilation and exclusionbut also to inspire social andpolitical change.Hours: Wed. 11 a.m. – 5 p.m.,Thu.-Fri. 11 a.m. – 5 p.m., Sat.-Sun.11 a.m.- 5 p.m.

January 15 – March 29, 2020
“CIPX Dartmouth with Kali
Spitzer and Will Wilson”Conceptualized by photographerWill Wilson, the collaborativeproject Critical IndigenousPhotographic Exchange(CIPX) responds to the widelycirculated ethnographic photography of NativeAmericans beginning at theturn of the twentieth century.During a ten-day residencyat the museum, Kali Spitzer(Kaska Dena) and Will Wilson(Diné) will take tintype portraitsof Dartmouth communitymembers, then exhibit selectedimages.