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STILL CONFRONTING INJUSTICE: ELIZABETH CATLETT’S TIMELESS WORKS AT CANTOR GALLERY
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A COLLECTION OF MAINE RICHES: BATES UNVEILS COSTELLO WELLEHAN COLLECTION
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GAME ON: ART BASEL MIAMI BEACH 2021 PREVIEW
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A SPACE FOR DIALOGUE: HOOD EXHIBITION CONFRONTS DISABILITY BIASES
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34TH SÃO PAULO BIENNIAL OPENS ITS DOORS: CELEBRATING A RETURN TO CULTURAL LIFE IN STYLE
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Welcome November/December 2021: From Brian Goslow
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SERENITY, BEAUTY & PEACE: THE GUILD’S SISTERS OF THE BRUSH PROVIDE NEEDED WARMTH
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QUARANTINE, GRIEF, REGROWTH: PETLER FINDS COMFORT THROUGH PHOTOGRAPHY AT PINE MANOR
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PAINTING A DAILY SHOW OF STRENGTH: DONALD LANGOSY’S HOME AT MULTICULTURAL ART CENTER
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A REBELLIOUS ELOQUENCE: “NEW PHOTOGRAPHY” ON DISPLAY AT ADDISON GALLERY
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CAPSULE PREVIEWS FOR ARTSCOPE 95
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A RETURN TO COMMUNITY: KIMBALL JENKINS HOSTS PROVOCATIVE KELLEY STELLING SHOW
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DOUBLE MEANINGS AT WORK: ROY AND LAU’S ABSTRACT CONNECTIONS AT MONTSERRAT
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A BLURRING OF EDGES: MATTHEW’S IMAGES OF SOCIAL COMMENTARY AT NEWPORT
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DISCOVERY & REINVENTION: BRIDGEPORT RETURNS FOR IN-PERSON EXPLORATION
