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MICHELLE BENOIT: VISUALLY COOL AND CRISP TO THE EYE
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PROCESS PURISTS: TEMPERA’S SENSE OF SUSPENDED VISUAL MOMENT
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ROBERT BRODESKY: A SCREAMING SILENCE YOU SEE LOUD AND CLEAR
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STELLA JOHNSON: EXPLORING GENERATIONAL FAMILY AND FRIENDSHIP BONDS
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JESS HURLEY SCOTT: HAND-PAINTED TRICKERY IS PICTURE PERFECT
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TURNING PLASTIC POLLUTION INTO ART: SMITH EXHIBITION ASKS ‘WHERE DO WE GO FROM HERE?’
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THINGS ARE HAPPENING HERE: CHALKBOARD STUDIOS CELEBRATES ITS 10TH ANNIVERSARY
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JULIE A. DEROSA: ASSEMBLING HAPPINESS PIECE BY PIECE
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A CONVERSATION STARTER: THE DAVIS’ LATIN AMERICAN SURVEY SHOW SPARKLES
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JEFFREY P’AN: AN AESTHETIC INSTINCT THAT CANNOT BE TAUGHT
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XYLOR JANE: AN EXTRAORDINARY ARTIST WITH A NATIONAL REPUTATION
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RODIN; MODERNIST GENIUS, 1840–1917: DYNAMIC WORKS PROVE SCULPTOR’S LASTING GREATNESS
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LOCAL CONNECTIONS: PIENE’S ETERNAL FIRE LIGHTS UP FITCHBURG
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SOFT UNCERTAIN SPACES: SCULLY GIVES ABSTRACTION BACK TO THE PEOPLE
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DAVID ARSENAULT: A LOVE OF TRANSFORMATIVE LIGHT AND LANDSCAPE
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WELCOME: FROM BRIAN GOSLOW
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MUTUAL RESPECT SOCIETY: SCHERER AND ABRAMS CREATE A NEW HUMAN TEXTURE
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JULIA JENSEN: CAPTURING NORTHERN LIGHT IN ALL ITS VARIATIONS
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KYUNGMIN PARK: CERAMIC STORYTELLER SEES THE WORLD THROUGH HER FIGURES
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DEATH, DESTRUCTION, REGENERATION: MATT BARNEY’S TEMPORARY FORTIFICATION AT YALE
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VISUAL DIPLOMACY: GLOBAL EMBASSIES OPEN GALLERIES TO U.S. VISITORS
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EMERGING THEMES: YEAR OF THE WOMAN CONTINUES IN CAA MEMBERS SHOW
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BECCI DAVIS: RECONCILING PAST ERASURES THROUGH DIRECT ACTION
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CAPSULE PREVIEWS
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CRAIG ALTOBELLO: FINDING MARQUETRY’S BEAUTY BENEATH THE BARK
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SAMURAI WHITE: HEAVY METAL AND MUERTOS NUTCRACKERS FIND LOVE
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MAKING CONNECTIONS WHILE ON AN ART-THEMED VACATION
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FILLING A CREATIVE VOID: EAST PROVIDENCE’S NON-TRADITIONAL HEARTSPOT
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A PLACE FOR ACTIVE ENGAGEMENT: EXPANSION ALLOWS THE HOOD SPACE FOR DIALOGUE
