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FROM PALESTINE WITH ART: A COLLATERAL EXHIBITION OF SURVIVAL AT LA BIENNALE D’ ARTE, VENICE
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CAPSULE PREVIEWS: May/June 2022
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‘MY PICTURES TAKE TIME’: HAMMERSTEIN’S IMPROVISATIONAL TONES AT MILLER WHITE
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A NEW BEGINNING: MARJORIE KAYE FINDS INSPIRATION IN NORTH ADAMS
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EXPRESSING WHAT WORDS COULD NOT: CRETELLA HODGE’S UKRAINE SERIES AT GALLERY 55
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‘THE NEXUS OF CONTEMPORARY CRAFT’: MCGOUGH LEADS FULLER CRAFT TO ITS NEXT CHAPTER
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RETURN TO VACATIONLAND: COASTAL MAINE ARTISTS HOPE FOR A BANNER SUMMER
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POIGNANT REFLECTIONS: 400 YEARS OF METHODS AND TECHNIQUES AT RISD MUSEUM
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TRULY EXCEPTIONAL: ARGHAVAN KHOSRAVI’S POTENT PAINTINGS AT THE CURRIER
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WATCHING THE RIVER FLOW: KANNENSTINE’S ART PRESERVES OUR NATURAL SETTINGS
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PRINT INSPIRING MORE PRINT: MARK TWAIN HOUSE & MUSEUM HOSTS PNSNE PRINTMAKERS
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WELCOME May/June 2022: From Brian Goslow
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A TIME & PLACE FOR CELEBRATION: PAO ARTS CENTER’S ANNIVERSARY HONORS AAPI COMMUNITY
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A BELATED CELEBRATION: ART COMPLEX 50+1 INCLUDES JACKIE REEVES’ BIG PLANS
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INSPIRATION AND ENCOURAGEMENT: DOVER’S ART CENTER BUILDS VIBRANT ARTS COMMUNITY
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DISPLACEMENT ACROSS CULTURES: SELF-REFLECTION & HEALING AT MOSESIAN CENTER FOR THE ARTS
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BALANCING NATURE AND ART: GLASSMAKER AARON SLATER RESETTLES IN VERMONT
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‘A PAINTING IS A PRACTICE’: KIRSTIN LAMB’S FLORAL REMIX AT THE TERZIAN GALLERY
