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Artscope Magazine | July/August 2019

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BASEL 2019 DAY FOUR: VOLTA AND LISTE

// Art Basel Switzerland, Artscope Online, Featured, Visual Arts

by Nancy Nesvet

Day four in Basel, Switzerland, took me to the Volta and Liste art fairs. Volta, Basel’s art fair that declares itself the show of “new international positions”, made good on the name. Paying close attention to the precarious predicament of the world’s inhabitants due to climate change and political upheaval, Volta subtly informed and involved those who viewed the work at the fair. Geraldine Swayne’s, oil and acrylic canvas painting, “Queer Altarpiece,” 2019, at CHARLIE SMITH LONDON’s booth was perhaps the most beautiful figurative work on view. Depicting a seated woman, looking off to the side, the figure’s haircut, clothes and mood recalled artists’ work of 1930s Germany, explaining the title. A quiet, thoughtful work, it allowed painting, done in a contemporary way, to elicit empathy for the subject. Valerie Hegarty’s “Five Tulips with Frame Elegy,” 2019, made of wood, wire and … [Read more...] about BASEL 2019 DAY FOUR: VOLTA AND LISTE

Art Against the Weymouth Compressor Station

// Artscope Online, Featured, News

by Bryanna F. Drew

For a fun family day of art and political activism, join the Fore River Residents Against the Compressor Station (FRRACS), the Braintree Art Association and other environmentally conscious South Shore residents and artists on Sunday, June 23 for their Painting in the Park event at King’s Cove Park in Weymouth, Massachusetts. The event’s purpose is to raise awareness of the environmental and public safety concerns surrounding the proposed frack-gas compressor station planned to be constructed next to the Fore River Bridge. Frack-gas compressor stations are typically constructed in less-populated rural areas due to the high risks associated with these structures. The purpose of a compressor station is to increase the pressure in the pipes to increase the speed of the natural gas in order for it to be able to travel further distances. The goal for this specific compressor station … [Read more...] about Art Against the Weymouth Compressor Station

NAVIGATING THE DIGITAL MURKY WATERS OF COMMERCIALIZING ONE’S ARTWORK

// Artscope Online, Featured, News

by Bryanna F. Drew

Today’s day and age of commercialism is marked by ethically dubious fast-fashion markets, Ikea furniture, next-day shipping and low prices chosen over quality. Brick-and-mortar galleries struggle to gain business and no one wants to shell out hundreds of dollars on original pieces of art. In this world where cheap, mass-produced goods are the products of choice, where does that leave artists? In the modern technological age, it would make sense that artists have more opportunities than ever to have their work noticed, yet the marketplace has just become that much more ruthless in now-worldwide competition. Print-on-demand (POD) websites are the current popular trend in attempting to make money by commercializing one’s art. An artist can create a profile, upload their works and select the products that they wish their designs to be printed on (t-shirts, cups, calendars, classic … [Read more...] about NAVIGATING THE DIGITAL MURKY WATERS OF COMMERCIALIZING ONE’S ARTWORK

ART BASEL 2019 DAY THREE: GALLERIES, AND STATEMENTS

// Art Basel Switzerland, Artscope Online, Exhibits, Featured, Visual Arts

by Nancy Nesvet

The work in Galleries, the biggest sector of the Art Basel 2019 art fair, with 273 galleries displaying artwork, ranged from very bad to superlative. From large, childlike, messy, grease crayon drawings and similarly unfinished paintings to the refined glitz, and smooth stainless steel and optic glasswork, this sector provided the low and high points of the fair. Not surprisingly, there was much handmade textile work, the best being Sheila Hicks’ “Calligraphy Sauvages,” a 2019 sculpture of 15 chords of silk, wool, linen, bamboo and synthetic fiber — in bright, coordinated colors. Her 2018 linen line drawing, “Je veux être seul,” reminded me of 1930s Bauhaus geometric work. Robert Mapplethorpe’s “Stars,” created in 1983, of stained wood and carpet, presented a rare foray into Mapplethorpe’s textured relief sculptures. At Sperone Westwater’s, New York, New York, booth, Emil Lukas’ “Twin … [Read more...] about ART BASEL 2019 DAY THREE: GALLERIES, AND STATEMENTS

ART BASEL SWITZERLAND 2019 DAY TWO: THE BEST OF UNLIMITED

// Art Basel Switzerland, Artscope Online, Exhibits, Featured, Visual Arts

by Nancy Nesvet

Unlimited, a sector of the Art Basel art fair, took up most of my second day there. Earlier in the day, at the Art Basel press conference, Marc Spiegler, the global director, pointed out that this year’s artists were more open-minded with broader practices than 10 to 15 years ago. He noted that “our old notions of borders are broken down.” Spiegler referred to art’s borders — those of materials and labels. It is difficult, if not impossible, to label installations — sculptures or paintings — with the overarching mixed media category prevalent, and installation being the preferred term to include sculpture and two-dimensional work. It seems that as new borders are erected and maintained between nations, art’s boundaries have widened to include diverse practices, subject matter and artists. That subject matter includes references to — current and in the recent past — events and … [Read more...] about ART BASEL SWITZERLAND 2019 DAY TWO: THE BEST OF UNLIMITED

ART BASEL 2019: FIRST DAY AT PARCOURS

// Art Basel Switzerland, Artscope Online, Exhibits, Featured, Visual Arts

by Nancy Nesvet

Amidst pouring rain, carefully walking on the cobblestones of the Messeplatz in Basel, Switzerland, I explored Parcours at Art Basel. The exhibits in buildings leading up to and surrounding the Messeplatz were concerned with environmental and political issues but did not have the impact of the similarly concerned exhibits I recently saw at the Venice Biennale 2019. Rather, they slowly caused me to think about the concerns presented. The best of them, Lawrence Abu Hamdan’s “The Recovered Manifesto of Wissam (inaudible),” a 2017 arrangement of artificial orange trees, mini-cassettes, speakers painted to look like stones, printed sheets and 3-channel audio, explored the intersection of sound and politics. The accompanying literature pointed out that old cassette tapes are wrapped around fruit trees to keep birds and insects from eating the fruit. One day, Abu Hamdan discovered a … [Read more...] about ART BASEL 2019: FIRST DAY AT PARCOURS