Artscope Magazine

New England's Culture Magazine

Artscope Magazine | January/February 2020

Subscribe to the Magazine

A vibrant, dynamic magazine with arts news, reviews and info you can use, delivered right to your door!

Subscribe now

Sign up for our Email Blasts!

Special Artscope updates in your inbox every two weeks!

Sign up

Current Exhibits

FLORALISM AT COASTAL CONTEMPORARY GALLERY

// Artscope Online, Current Exhibits, Visual Arts

by Suzanne Volmer

Barbara Owen, Alicia Renadette and Kate Blacklock are the artists included in “Floralism” at Newport’s Coastal Contemporary Gallery. Continuing through December 8, the exhibition is a clever exploration of botanical excess and blooming. Gallerist Shari Wechsler approaches the topic as a feminist platform acknowledging nature’s ability to flourish and prevail. As a whole, the content includes fascinating statement art that is also certainly intimate enough for audiences to take home. For client convenience, Wechsler offers the option of purchasing with Art Money that advertises itself as a vehicle to “buy now, pay later.” Before the exhibition, I made a point to visit Alicia Renadette’s studio at Atlantic Mills in Providence specifically to watch the artist and art dealer select for “Floralism.” It was impossible not to notice the volume of materials organized and ready to be … [Read more...] about FLORALISM AT COASTAL CONTEMPORARY GALLERY

NATURAL SURROUNDINGS AT THREE STONES GALLERY

// Artscope Online, Current Exhibits, Visual Arts

by Olivia MacDonald

Like a brook trout swimming towards a feathery fly lure in a Berkshire stream, visitors of Three Stones Gallery in Concord, Massachusetts will find themselves reeled into the colorful watercolor paintings of such delicate flies by Gail Burr. Each painting is unique, featuring a hyper-realistic rendition of fishing flies with their reflective metal hooks, poly-yarn and feather quills. Some look spiky and menacing, like “Sparkle Soft Hackle” with long dark strands protruding from its body of green fibers, while others like “Backcountry Kinky Muddler” appear softer with a light gray fur deep green eye at the front. Three Stones gallery manager Lyca Blume described how watercolor paintings generally cover a larger area or landscape with noticeable brush strokes, but Burr’s collection uses watercolor in each careful detail. The artist herself “appreciate[s] that each fly is a tiny unique … [Read more...] about NATURAL SURROUNDINGS AT THREE STONES GALLERY

ROOTED/UPROOTED: TREES AND ARTISTS AT ELGA WIMMER PCC GALLERY

// Artscope Online, Current Exhibits, Visual Arts

by Nancy Nesvet

Rooted/UpRooted, curated by Roya Khadjavi and Massoud Nader, which is on view from November 12 through 25 at Elga Wimmer PCC Gallery, New York, New York, connects trees, whose roots are secured deep in the earth with those who come from a place, in this case Iran, whose roots also run deep. Whereas tree roots remain in one place, the Iranian artists whose work is displayed here have been uprooted from their land, but maintain their cultural and historical roots, showing their memories and history in their work. In Omid Mohkami’s “Absence Series, a heart-rending photograph of a curved road with an unoccupied chair in its center and a dress stuck on barbed wire makes us wonder where the road leads and carries those who follow it, as they say in Maine, away. In another of Mohkami’s black and white photographs, a circle of chairs, occupied by no one, looking as if the master and his … [Read more...] about ROOTED/UPROOTED: TREES AND ARTISTS AT ELGA WIMMER PCC GALLERY

NANCY NESVET AND LARRY RINGGOLD: ENDANGERD AT ZENITH GALLERY

// Artscope Online, Current Exhibits, Exhibits, Visual Arts

by Elizabeth Ashe

Nancy Nesvet’s photographs and large-scale oil paintings, on view alongside sculptures by Larry Ringgold in “enDANGERd” through November 16 at Washington, D.C.’s Zenith Gallery, take entirely different turns of portraying the sea. In the paintings, the sea is vast, changing and tumultuous: in the photographs, murky depths pull me to look closely at the details. Those details are both threatening and beautiful, making the photographs look like a coming environmental apocalypse. There is a masterful handle on scale in her paintings. We know polar bears to be substantial, but in Nesvet’s eight paintings, they are microscopic, appearing in the far distance, unreachable and not treacherous at all. The bears are stranded on icebergs broken off from the mother glacier, with strong seas pushing them apart. “If but all the seas rise up,” 48” x 58”, the unending seascape shows two polar bears, … [Read more...] about NANCY NESVET AND LARRY RINGGOLD: ENDANGERD AT ZENITH GALLERY

WHERE ART IS MADE: WALTHAM OPEN STUDIOS NOVEMBER 2 AND 3

// Artscope Online, Current Exhibits, Visual Arts

by Olivia MacDonald

This brisk, fall weekend, November 2 and 3, from noon-6 p.m. is a perfect time to step into a piece of history and art at the Waltham Mills. Located at 144 and 289 Moody Street in Waltham, Massachusetts, the brick buildings used to house textile mills in the Industrial Revolution of the 19th century, but today houses the studios of over 85 artists in a community environment with a variety of art on each floor. Visitors can make their way across the wooden floorboards, observing the colorful paintings, drawings and sculptural pieces on the walls with sunlight flooding into the studios through the wall-sized windows. Speak to artists first-hand about their processes, inspirations and lives as creators. Take the old-style open elevator up to the third floor of 144 Moody Street, building 4, to enter Roberta Nigro Hall’s space in studio 3, where the white walls are filled with large … [Read more...] about WHERE ART IS MADE: WALTHAM OPEN STUDIOS NOVEMBER 2 AND 3

ETHICAL CONSIDERATIONS: SOURCE OF DONORS’ WEALTH ROCKS THE ART WORLD

// Current Exhibits, Featured, November/December 2019, November/December 2019, Visual Arts

by Nancy Nesvet

Pittsburgh’s Carnegie family, Maine’s Farnsworths and Arkansas’ Waltons founded museums to enlighten and educate the workers on their railroads and in their steel mills that produced and sold the goods that made their families wealthy, exposing them to the arts. Money from an inheritance earned through the Irish linen trade and investment in mining opportunities by her father, David Stewart, allowed Isabella Stewart Gardner to amass a fabulous art collection that became so large it needed its own museum. Subsequently, the owners of these private collections generously opened their doors to the public. The Morgans cleaned out their attic of treasures taken from colonial outposts to fill multiple large galleries comprising the decorative arts wing at New York’s Metropolitan Museum of Art. They donated Roman sculptures, casts taken from sculptures at Karnak, the Parthenon and Notre-Dame … [Read more...] about ETHICAL CONSIDERATIONS: SOURCE OF DONORS’ WEALTH ROCKS THE ART WORLD