Showing at Highfield Hall and Gardens in Falmouth as part of the Boston Sculptors Gallery’s 30th anniversary is an exhibition of 50 pieces of the genius of these artists, diverse in race, class, gender, styles and media. (Many of the pieces are for sale.) It’s a mind-boggling burst of talent almost too much to take in at one go. You can take an hour’s stroll outdoors through enchanted wild woods and formal gardens, and then cool off indoors for part of the exhibit — which is on two floors of the high ceilinged, antique 19th century Queen Anne mansion. The indoors exhibit ends August 21, the outdoors one on October 30. Starting with an homage to a fallen ancient beech tree by Ed Andrews, constructed of a tower of rusted laddered steel, with live sapling atop, the path takes you past a centerpiece of story-high white aluminum structures by Andy Zimmermann, “Seven Sprouts.” It, like … [Read more...] about HIGHFIELD HALL HOSTS BOSTON SCULPTORS AT 30 IN FALMOUTH
Exhibit Openings
DONNA DODSON’S AMAZONS AMONG US & ANDY MOERLEIN’S WOOD STONE POEM AT BOSTON SCULPTORS GALLERY
As we left the two solo shows just opened at Boston Sculptors Gallery, my wife Madeleine exclaimed with an eloquent and breathy sigh: “Whew! What imagination! How are you going to review that?” Indeed, it is strenuous, albeit delightfully so, to hitch your own imagination to the flights of two sculptors who share a studio and a life in nearby Maynard, Massachusetts. The trick is to husband your strength. Take advantage of pauses, sit, look out the window. Say to your over-heating imagination: “It’s only wood, after all.” Then, plunge in, once again. Andy Moerlein’s wood is both found and transformed. Since Moerlein was present at the gallery, as he expects to be every Saturday, he mimed for me a trip through local woods, a metaphorical axe over his shoulder, on the lookout for wood with the kind of sinuous life-path he favors. Not just any wood, but wood that bulges and curves with … [Read more...] about DONNA DODSON’S AMAZONS AMONG US & ANDY MOERLEIN’S WOOD STONE POEM AT BOSTON SCULPTORS GALLERY
SOCIAL RECONNECTION IN THE TIME OF QUARANTINE
In a time where feelings of isolation seem perpetually never-ending and society has sat silent for months, people are seeking out ways to re-connect with both neighbors and the art community alike. As the world slowly and hesitantly wakes up from the seven-plus-month quarantine we have been hibernating within, many New England galleries and art exhibits have begun the process of opening back up. Curious to see how these local organizations have adapted to follow COVID-19 precautions while providing exhibits that are fresh and engaging, I jumped at the opportunity to become emerged in the virtual arts community. Whether it be bidding on local artist’s pieces or the unveiling of new exhibits, there is something to be enjoyed by everyone. The Zoom link worked as my gallery ticket, an entrance into the New England art scene that I had been separated from for far too long. As I sat waiting … [Read more...] about SOCIAL RECONNECTION IN THE TIME OF QUARANTINE
The Impossible Dream At ZENITH GALLERY
“The Impossible Dream,” a new exhibition at Zenith Gallery’s Sculpture Space at 1111 Pennsylvania Avenue, Washington, D.C. introduces the best of the Palestine Museum US’s artwork. “The Impossible Dream” is a celebration of color and form by an often-overlooked group of artists. COVID-19 threatens further economic and social devastation – threats to homes, land and loss of agricultural products for sale or even individual consumption. As shown in this exhibition, artists in Palestine and the Palestinian diaspora carry on, depicting hope and joy, as their painted figures dance and work. In a Covid-era visual embrace, Sana Farah Bishara’s bronze sculptures are reduced to a more essential form -- face and arms angle towards an inner reflection but a missing second body keeps its distance -- marking negative spaces as a gesture of love and longing. Rarely shown in the US, Sana Farah … [Read more...] about The Impossible Dream At ZENITH GALLERY
Discovering Identity, to Benefit All
Roya Khadjavi Projects has courageously opened a show, including online images and a physical display of work at High Line Nine Gallery 9.1, 507 West 27th Street, Chelsea, New York City, online beginning September 1; at the Gallery from September 15-29, daily except Sunday and Monday, from 10 AM-6 PM, by appointment only. Opening receptions are September 16-17, 5-8 PM, September 1`8 and 19, 4-7 PM, by appointment. Generously, Curator Roya Khadjavi Heidari will donate part of the proceeds to Artist Relief to support artists during the Covid 19 crisis. Overall, the twenty-one artists project a feeling of missing pieces, accentuated, during this lonely time, even more than the disconnection often felt by those who have adopted another country and culture. When we cover half of our faces with masks, so we only smile with our eyes, and dare not speak or laugh, it is difficult to project … [Read more...] about Discovering Identity, to Benefit All
GALATEA FINE ART’S GRAND RETURN: LIGHT FROM ABOVE: EMERGING OUT OF ISOLATION
On the evening of April 14, a large water main break in Boston’s South End flooded a huge part of the neighborhood, turning parking lots and the basement galleries at 460 Harrison Ave. into swimming pools. This week, Galatea Fine Art will reopen for the first time since that night with “Light from Above: Emerging Out of Isolation,” a two-month, 38 artists, exhibition that will run through October 31. A limited occupancy, social distancing and mask wearing, opening reception takes place this Friday, September 4 from 6-8 p.m. Current normal gallery hours will be Saturday and Sunday from noon-4 p.m. and by appointment. In gathering information for our September/October 2020 issue, managing editor Brian Goslow asked Galatea director Marjorie Kaye to share her thoughts on finally returning to the gallery, the work in the show and which art pieces initially grabbed her … [Read more...] about GALATEA FINE ART’S GRAND RETURN: LIGHT FROM ABOVE: EMERGING OUT OF ISOLATION