Running through May 23 at Copley Society of Art, “Meditations on Paper” features the paper works and collages of Sandra Samaha, a juried member of the association. This is Samaha’s first show in Boston and marks a return to a New England audience after most recently having an exhibition in California where Samaha has a second, Pacific, home. Currently, Samaha works out of a home-studio in Kittery, Maine. About two-thirds of the exhibition are new works alongside a selection of pieces from years prior. Samaha collages using acid-free, fine art paper, archival quality glue, and a standard pair of scissors. Her work shows clear, precise and technical skill. Each collage can stand alone or can be part of a lifelong series that are a thematic whole. Her works reflect a type of introspection that only comes through a meditation and discernment, whether creating or observing, in a hypnotic … [Read more...] about MEDITATION AND DISCERNMENT AT COPLEY Society: THE COLLAGES OF SANDRA SAMAHA
Exhibits
ADAPT OR DIE
“Adapt or Die: Dancing Between Art and Coexisting on Earth,” on view through this Sunday, September 28 at the Piano Craft Gallery in Boston, features artworks by members of the National Association of Women Artists, Massachusetts Chapter (NAWAMA). The show was juried by Althea Bennett (BFA Parsons School of Design and MAT Massachusetts College of Art) and artist Rebecca Rose Greene, curated by Piano Craft Director Kamal Ahmad and installed by Erik Grau. NAWAMA President Jean Okumura’s painting “Adapt or Die” is the clarion call for the entire selection. She courage gallery visitors to “Waltz around cultural barriers, be nowhere and everywhere, express boundaries and beliefs through form and energy” in her artist statement, laying the seeds for all the works in the exhibit. When you enter the gallery, you pass by Erica Joy Sloan’s photograph“Alpine Solitude,” which like Ansel Adam’s … [Read more...] about ADAPT OR DIE
CURRENTS OF HUMANITY
The 36th Bienal de São Paulo “Nem todo viandante anda estradas – Da humanidade como prática” (“Not All Travellers Walk Roads – Of Humanity as Practice”) opened this September at the iconic Ciccillo Matarazzo Pavilion in Ibirapuera Park. Running through January 11, 2026, it’s transforming the Bienal into a living harbor of ideas, where more than 120 artists and collectives from Brazil and around the world gather to explore humanity, coexistence, and collective memory. Curated by Bonaventure Soh Bejeng Ndikung with an international team of co-curators, this edition reaches far beyond paintings on walls. Performances, public programs, and site-specific interventions spill throughout the pavilion, while its guiding metaphor, the estuary, invites us to see art as a place where different currents meet, mingle, and transform. Admission is free, turning the Bienal into a true gift to the city. … [Read more...] about CURRENTS OF HUMANITY
A GADJE ENLIGHTENMENT IN DOWNTOWN WINCHESTER
The Griffin Museum’s Sixth annual summer showcase, “Vision(ary),” highlights 33 artists whose works are installed throughout downtown Winchester, Massachusetts in partnership with Photoville. The collection weaves together past cultural influences with inventions of today, creating an international and immersive experience that highlights each artist’s unique perspective and style, free for the public now through September 13. This series I found to be singularly captivating was Ukrainian-born photographer Michael Dorohovich’s black and white portrait series. With an emphasis on home and heritage, Dorohovich reveals the previously unseen members of an already underrepresented region in “Unique Families of the Roma Community of Keldelari.” If language is how we understand one another through spoken word, then art is how we understand one another through the lack of it. … [Read more...] about A GADJE ENLIGHTENMENT IN DOWNTOWN WINCHESTER
CELEBRATING OUR INVISIBLE THREADS
Multiculturalism is the jewel of America. Diversity is like facets of a diamond, the more facets, the more brilliant. When you eliminate and deface those facets, dehumanizing “the other,” you have a pane of dirty glass left, the jewel is harmed. The photographs taken by Julia Cumes and Lipe Borges of people who have emigrated to Cape Cod that are being shown in the current “Invisible Threads: Portraits and Stories of Our Global Neighbors” exhibition at the Cape Cod Museum of Art are jewellike. (Though the metaphor not of jewels but of threads tying us together is their intention.) Whether the migrants, many of whom are now citizens (but all of whom are legally documented) came here by marrying a beloved American; through the arduous visa process; lucking out on the green card lottery; seeking political asylum; or travelling from Latin America through the Darien Gap to the … [Read more...] about CELEBRATING OUR INVISIBLE THREADS
Paint and Poetry As Reassurance
Curated by artist and director Ellen Wineberg, “Paint and Poetry” is a collaborative show at Storefront Art Projects in Watertown, featuring the poems of Edison Dupree, and the abstract paintings of Pam Rajpal and James Kinny. Wineberg is skilled in organizing communities in the New England arts scene, knowing how to throw a small and intimate soirée of artists and writers. Wineberg described herself as a matchmaker in a past life. The small space is elongated by the abstract art and concise, stanza poetry on the wall. At first glance, it may seem like Kinny’s work is on one side while Rajpal’s is on the opposing, but the paintings are in every corner and crevice of the space, including a painting of Rajpals in a back hallway entering Wineberg’s own studio space. In addition to the full-scale paintings, sketches from Rajpal and Kinny are displayed under their works, … [Read more...] about Paint and Poetry As Reassurance






