Visual Arts

Kristina Goransson, “Depletion,” 2019, felted and indigo dyed wool, 36” x 28” x 7”, 2019.

TAKING FORM: FIBERS & FABRIC AT GALATEA FINE ART

Tuesday, March 26th, 2019 // Artscope Online, Exhibits, Visual Arts

by Isabel Barbi

In collaboration with The Eliot School of Fine & Applied Arts, Galatea Fine Art is currently presenting the works of internationally established artists who teach at the school. Jodi Colella, Merill Comeau and Kristina Goransson show their pieces in the “Taking Form: Fibers & Fabric” exhibition. All of the work on display employs fabric, fibers and textiles in an inimitable manner. Each artist brings an entirely different aspect to the intimate space through their variant works, while showing their dedication to craftsmanship. From creating and dying wool fabric from scratch; quilting with various textiles; and sculpting with taxidermy, toys and fabric, the dedication and passion for uncommon material is clear throughout the exhibition. The Eliot School of Fine & Applied Arts, located in Boston, Massachusetts, partners with Galatea twice a year, once in the Fall and once … [Read more...] about TAKING FORM: FIBERS & FABRIC AT GALATEA FINE ART

Residence of the Irish Ambassador to the US, Washington, D.C.

A VISIT TO THE EMBASSY OF IRELAND AND THE RESIDENCE OF THE IRISH AMBASSADOR, WASHINGTON, D.C.

Friday, March 22nd, 2019 // Artscope Online, Featured, News, Visual Arts

by Nancy Nesvet

Washington, D.C. - The government shutdown of United States government institutions, including museums, during the end of last year and start of 2019, encouraged me to find the best art then available for free, public viewing in Washington, D.C. Ministerial visits at the Irish embassy prevented me from seeing the collection during February, but Ms. Siobhan Miley kindly arranged a visit in early March. It was worth the wait. The Embassy of Ireland’s site was purchased by Henrietta Halliday in 1906, with the mansion built by architect William Penn Cresson between 1908 and 1909. The semi-detached limestone building at 2234 Massachusetts Avenue NW, at the intersection of Massachusetts Avenue and Sheridan Circle, was purchased by the government of Ireland in 1949. From my first visit at Passport DC, an annual tour, open to the public, of EU embassies during a May weekend, and other … [Read more...] about A VISIT TO THE EMBASSY OF IRELAND AND THE RESIDENCE OF THE IRISH AMBASSADOR, WASHINGTON, D.C.

Julia Galloway, “The Endangered Species Project: New England,” 2019, view of exhibit with urns on stands and walls, at Gallery 224, Allston, Massachusetts.

Vessels of Change: Julia Galloway’s Endangered Species Project at Gallery 224

Friday, March 22nd, 2019 // Artscope Online, Current Exhibits, Exhibits, Featured, Visual Arts

by Olivia MacDonald

Allston, MA - We are constantly plugged into our cellphones, computers, and tablets, watching the world through a screen and living our busy lives that we may become disconnected with nature. We may forget that we are a part of it and just as vulnerable as birds, moths, fish and turtles endangered by habitat loss from urbanization, overfishing or pollution, side effects of an industrial world. Within Julia Galloway’s new exhibition, “The Endangered Species Project: New England,” at Harvard University’s Gallery 224, nature confronts visitors. Through 305 handmade porcelain urns on tables and shelved on the walls, Galloway’s art creates a space of reflection and memorialization of endangered and extinct species of each state in New England. They are brought together and individually remembered on vessels traditionally used to hold cremated ashes. As a Bostonian, now living and teaching … [Read more...] about Vessels of Change: Julia Galloway’s Endangered Species Project at Gallery 224

Ellen Grobman, Last Minute, 2017, oil on wood.

CORNERED: ELLEN GROBMAN AT HAMPDEN GALLERY, UMASS AMHERST

Wednesday, March 20th, 2019 // Artscope Online, Cornered, Exhibits, Interview, Visual Arts

by Brian Goslow

Amherst, MA - For Amherst, Massachusetts-based painter Ellen Grobman, painting sounds like an exhausting and exhilarating process in which she starts with an idea, aims to pull it in a new direction and then sees what’s left when she tries to leave as little of the original thought as possible by the time she’s finish. Her website describes her work as being powered by, “This drive to bring something into being, disrupt it, and then flirt with its destruction — the boundary of something existing and then not.” Depending on the piece, there are touches of 19th century furniture wallpaper patterns, abstract expressionism, fauvism, symbolism and whatever connections each swash of paint ignites in her mind. These explorations continue in her current exhibition, “There, Not There,” on view through March 31 at Hampden Gallery in the Southwest Residential Area at the University of … [Read more...] about CORNERED: ELLEN GROBMAN AT HAMPDEN GALLERY, UMASS AMHERST

Claude Monet, French, 1840-1926, “Waterloo Bridge,” 1903, oil on canvas, Worcester Art Museum collection, Museum Purchase, 1910.37. Photograph courtesy of the Worcester Art Museum.

MONET’S WATERLOO BRIDGE: VISION AND PROCESS AT WORCESTER ART MUSEUM

Thursday, March 14th, 2019 // Artscope Online, Current Exhibits, Exhibits, Featured, Visual Arts

by Brian Goslow

Having a single work by a master on display in your museum can be a major attraction in its own right. Have nine of them — especially from a single series — and you’ve got a once-in-a-lifetime opportunity and event. That’s the case with “Monet’s Waterloo Bridge: Vision and Process,” which features nine paintings created from 1899 through 1901 by French Impressionist Claude Monet at the Savoy Hotel in London and completed back at his studio in Giverny that are on display through April 28 at the Worcester Art Museum. Local residents who have long had the honor of having a 1903 work from the series on permanent display at WAM have been basking in the limelight of having themselves surrounded by a strong representation of the series, much in the way Monet saw them when he created them in two rooms at the Savoy. The unique coupling is possible through loans from the Milwaukee Art … [Read more...] about MONET’S WATERLOO BRIDGE: VISION AND PROCESS AT WORCESTER ART MUSEUM

OLAFUR ELIASSON: NORTHWEST PASSAGE

Thursday, March 14th, 2019 // Artscope Online, Exhibits, Visual Arts

by Donna Dodson

Olafur Eliasson has a long history with MIT and many local fans have been fortunate to hear him speak, attend a lecture or meet him in person over the years. In 2014, he received the Eugene McDermott Award in the Arts that included a residency at the institution. At that time, he brought his “Little Suns,” a portable solar energy light source that he developed in 2012, to campus for support, development and innovation. His recent public art project, “Northwest Passage,” brings together his environmental concerns with the work he has done with his colleagues at MIT. Eliasson’s artist talk and sculpture dedication on February 26, 2019 offered up a window into his practice and way of thinking. Trained as an architect, he thinks about the big picture. For example, “Northwest Passage” refers to the sea route to the Pacific Ocean through the Arctic Ocean, along the northern coast of North … [Read more...] about OLAFUR ELIASSON: NORTHWEST PASSAGE

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