by Nancy Nesvet TUESDAY, JUNE 13, 2017 Day two at Art Basel. In this wonderland of art, I am still totally at play, seeing the installations at Parcours, in the cathedral square and down by the Rhine River, but coming around to reality via some installations and sculpture at "Unlimited" in the city square called Messerplatz. First confronted by Al Wei Wei’s “Iron Tree” (2016), which changes patina as it ages, it also brings nature and the manmade relationship with nature into perspective. That relationship seems a theme of Parcours, curator Samuel Leuenberger’s brilliant trek through the city through the following of artwork installations. Reza Aramsh recreates Michelangelo’s “Slave” in resin, but tiesits hands behind his back with a rope, making him captive and towering on a plinth over the river. Katinka Bock’s “Parasite Fountain” (2017) creates ametal fish that draws water … [Read more...] about ARTSCOPE AT ART BASEL SWITZERLAND: DAY TWO
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ARTSCOPE AT ART BASEL SWITZERLAND: DAY ONE
by Nancy Nesvet MONDAY, JUNE 12, 2017 With Art Basel, in Switzerland and The Venice Biennale and Documenta in Kassel, in Germany and Athens, Greece respectively, happening all at the same time, it is the trifecta for art shows, and so far, I’m betting on Art Basel. Having seen all of the Liste show yesterday, when it opened, and Art Basel Design, I can tell you the art aficionados are coming out for art, beauty and fun. Done with the hard-hitting political landscape of last year’s work here, and taking a breather, maybe literally, everyone’s happier seeing fewer political statement or in your face art. A lot is concentrating on the process, the materials and the bringing in of concrete, beads, aluminum screening and more for innovative treatments of material. Watch Artscope’s Instagram and Facebook pages for Prem Sahib’s Concrete Lion reproductions (of the originals in front … [Read more...] about ARTSCOPE AT ART BASEL SWITZERLAND: DAY ONE