Exhibition titles are crafted to encapsulate evocative meaning as descriptors of content. Newport Art Museum’s appropriation of Bob Dylan’s song title of “Forever Young” is intended to maximize the sensory impact of a show about childhood and adolescence. “Forever Young: Representations of Childhood and Adolescence,” the museum’s current exhibition, is a massive survey across two buildings and shown in multiple gallery rooms. It is a comprehensive exploration perhaps with too much included, but the museum has a large board of trustees with diverse interests and the show can be seen in deference to that fact by relating a something-for-everyone strategy. A suggestion for audiences to rein in the exhibit visually is to start at the museum’s John N.A. Griswold House, then step outside for a break before continuing onward for the rest of the show next door in the museum’s Cushing/Morris … [Read more...] about PLANNED ADOLESCENCE: CONNECTING THE DOTS OF CHILDHOOD IN NEWPORT
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LIFE’S DECISIVE MOMENTS: MALEK CELEBRATES PEOPLE AT WORK
Photographer Tad Malek knows a bit about patience. With a background in color landscape photography, Malek has spent full days immersed in natural surroundings, waiting for the perfect still. Malek’s current exhibition, “People at Work and Other Environmental Portraits,” on view at Springfield Museums, marks a departure from the restraint of waiting for that consummate shot into the realm of portraiture in the moment, with all its alluring fallibility and epiphanic fulfillment. Choosing almost exclusively black-and-white images for “People at Work and Other Environmental Portraits,” Malek has deliberately shifted media to capture the rich textures and nuanced variations within each piece. Sharp exposure delineates the finest detail, whether it be the lines along the walkway of the “Brooklyn Bridge Lady in the Shade,” 2008; the sculpted musculature of a male bather in “Rio de Janeiro … [Read more...] about LIFE’S DECISIVE MOMENTS: MALEK CELEBRATES PEOPLE AT WORK
REVIEW OF ‘ANSEL ADAMS: IN OUR TIME’ AT MFA BOSTON
Ansel Adams’s Manzanar photos “burn one’s eyes.” Twice in 1943, Ansel Adams ventured to the desert of east central California, to focus his lens, not on some magnificent landscape, but on the desolate Manzanar War Relocation Center to document the life of the Japanese interred there. The result was the 1944 publication of Born Free and Equal, a 112-book that presented a selection of his Manzanar photos with text by Adams. The MFA exhibition “Ansel Adams: In Our Time” thoughtfully and beautifully demonstrates Adams’ influence on the work of several 21st-century photographers. But the exhibition (which ended February 24) offers up only four small photos and a brief explanation about this little-known chapter in his life’s work. Adams’s Manzanar photos, which warrant further exploration, are strongly “of our time,” a time when once again “the other” is being demonized. On February … [Read more...] about REVIEW OF ‘ANSEL ADAMS: IN OUR TIME’ AT MFA BOSTON