It is fitting that on my last day at the Venice Biennale, as on my first, it is raining buckets, only underscoring what I perceived as the themes of the biennale: false facts and the implications of global warming on climate change. Regarding false facts, the Indigenous Peoples exhibit, “Volume 0,” establishing its place as an original document, was held at the Zuecca Project Space outside the Giardini grounds. Sponsored by the Venezia Fondamenta Sant’Anna, organized by Dr. Max Carocci, the “Indigenous Peoples” pavilion showed a video on four medicine-ball size spheres, sequentially narrating the story of Venice’s impact on 16th century North American settlements. It said that trade and the necessity of acquiring gold and gems for trade provided the impetus for invading other lands, and Venice was a crossroads of trade. The video’s narration began, “We think of these explorers, taught … [Read more...] about TOWARD AWARENESS AND SOLUTIONS: CONSIDERING CLIMATE CHANGE AT THE VENICE BIENNALE — DAY THREE
La Biennale di Venezia 2019
FALSE FACTS ON DISPLAY BY ARTISTS: DAY TWO AT THE VENICE BIENNALE
VENICE, ITALY, MAY 9, 2019 — I spent my second day at the Venice Biennale touring the national pavilions at the Giardini site and in other areas in Venice. The most beautiful exhibit I saw was on the second floor of the Russia pavilion, where the director of the 2004 film, Russian Ark and the 2011 winner of the Golden Lion at Venice, “Faust,” directed an exhibit that featured a life-size giclée of a Rembrandt painting, “The Return of the Prodigal Son” on permanent display at the Hermitage, here along with the biblical verse, The Parable of the Prodigal Son from the Gospel of Luke, and Chapter 15 of the Gospel of Luke, that speaks of property deeded to a son by a father, squandered by the son, further illustrated with statues of biblical figures. On two video screens were a vision of fires burning down buildings in present and biblical times, with Jesus sitting on a rock watching the … [Read more...] about FALSE FACTS ON DISPLAY BY ARTISTS: DAY TWO AT THE VENICE BIENNALE
EVEN BETTER THAN 2017: VENICE BIENNALE 2019
VENICE, ITALY, MAY 8, 2019 -- Venice has bested its last biennale. This morning, at the press opening, Ralph Rugoff, director of the Hayward Gallery in London since 2006, spoke along with Paolo Baratta, president of the Biennale de Venezia and the director of Swatch, about the biennale. Even more than the theme of the 2017 biennale, which announced “Arte Viva” and made sure there were no barriers to crossing borders, Rugoff’s message was right on, and important. Responding to politics around the world, he said, “In art, there is no simple truth — there is a complexity of voices — a double format and a plurality of voices.” But then, he went on even further, saying that, “each artist’s voice must also be a plurality.” This plurality was demonstrated in Rugoff’s decision to locate some artists’ work in both venues of the Biennale: the Arsenale and the Giardini. I asked him what dictated … [Read more...] about EVEN BETTER THAN 2017: VENICE BIENNALE 2019