Table of Contents

In This Issue

01Current Issue

Welcome from Brian Goslow

The early months of the year are unpredictable, with the usual cold temperatures and nasty weather typically making it tougher to travel from place to place. On the other hand, […]

By Brian Goslow
02
Current Issue

BEHIND EVERY GREAT ARTIST: ARTISTS AND THEIR PARTNERS

I came up with this story concept during a gathering of friends, classmates and fellow artists. We’ve been getting together as often as possible after a hiatus of about 40 […]

By Ron Fortier
Gail and Jim Nauen in the Adirondacks.
03
Current Issue

SHINING IN THE SEAPORT: WEARABLE ART AT THE SOCIETY OF ARTS + CRAFTS

Currently on view in Boston’s Seaport District on the second floor of one of that neighborhood’s sheathed-in-glass high-rise buildings is: “Adorning Boston and Beyond: Contemporary Studio Jewelry Then + Now.” Guest […]

By Suzanne Volmer
Tanya Crane, Pangea, 2014, copper, nu gold, sterling silver, sea grass, courtesy of the artist.
04
Current Issue

SURFACE DESIGN: LANGUAGE AS A MEDIUM AT FULLER CRAFT

“Context: Language, Media and Meaning,” a juried exhibition at the Fuller Craft Museum, showcases 30 works predominantly of fiber, handmade paper and textile from members of the Surface Design Association’s […]

By Elizabeth Michelman
Carol Anne Grotrian, MELTING: Arctic Circle, 2018, cotton handdyed fabrics patterned in Japanese shibori techniques, layered and hand-stitched with Japanese boro technique, 27” x 30”.
07
Current Issue

A DOUBLE SOLO: 2019 SOLO COMPETITION AT BROMFIELD

“The only competition worthy of a wise man is with himself.” — Washington Allston When Howard Yezerski, owner of Howard Yezerski Gallery, was asked to be juror of the Bromfield […]

By Marguerite Serkin
Patricia Kelliher, from the “Closing the Sea” series, 16” x 20”.
09
Current Issue

CONFIDENCE AT ARTPROV: A SOPHISTICATED PRESENTATION

Marjorie Hellman, Ken Steinkamp and Adam Waimon exhibit in solo situations at ArtProv Gallery through January 19. For collectors and other visitors, this means one artist per room. The arrangement […]

By Suzanne Volmer
Adam Waimon, Forms of Alchemy (Orbit), blown and carved glass, 24K gold, silver, 17” x 17”.
10
Current Issue

WORKING CLASS HERO: CROTTY MAKES THE GRITTY MAGNIFICENT

Twenty-five years ago, Vincent Crotty left his native Ireland and emigrated to Dorchester where he discovered a “land of opportunity” and a mentor who recognized his painting talents and counseled, […]

By Beth Neville
Neponset Bridge, 2017, oil on canvas, 16” x 20”.
11
Current Issue

ART ESTATES: THE RISING TIDE OF THE WORK LEFT BEHIND

American architect Thom Mayne once said, “The huge problem in our society is the enormous ignorance of the ideas that underlie modern art.” You would think that was bad enough. […]

By Ron Fortier
Dr. Richard Connor in his home in front of Peter Shroud paintings.
12
Current Issue

IMPACT ON INNOCENCE: THE BLACK & WHITE OF MASS INCARCERATION

Deborah McDuff’s exhibition, “Impact on Innocence: Mass Incarceration,” on show from February 1 through 22 at the Augusta Savage Gallery at the University of Massachusetts Amherst, couldn’t be more timely […]

By Elayne Clift
Mother.
14
Current Issue

INTERSECTION OF SCALE: NEW PERSPECTIVES AT THE WHEELER SCHOOL

“Intersection of Scale,” on view January 17 through February 6 at the Chazan Gallery at Wheeler in Providence, Rhode Island presents a macro discussion about micro-scale, evidence-based art practices featuring […]

By Suzanne Volmer
Damon Campagna, Two Hundred Sixty-eight Marks over Two Dark Fields in a Square, 2018, copperplate spitbite etching with red pencil on Hahnemühle paper, typed documentation; typed documentation, carbon paper, paper, plate size: 5-7/8” x 5-7/8”.
20
Current Issue

CAPSULE PREVIEWS

“Migration: A Curated Fiber Arts Exhibition” runs from January 10 through February 28 at the Umbrella Community Arts Center, 40 Stow St., Concord, Massachusetts. The show, curated by the Umbrella […]

By Brian Goslow
Eleanor Kipping, Strange Fruit, at the Maine Center for Contemporary Art.
21
Issue Articles

Making Connections with Donna Dodson

“Half-Silvered,” the current exhibition in the Women’s Studies Research Center’s Kniznick Gallery at Brandeis University, features photographs by Karin Rosenthal and kinetic sculptures by Anne Lilly that explore the relationship […]

By Donna Dodson
Karin Rosenthal, "Brilliant Day," 2003, gelatin silverprint, 16” x 20”.