We set out putting together the first Artscope of 2021 to serve as an introduction to as many new artists as possible through the covering of group exhibitions with the understanding and expectation that there would be government- ordered shutdowns and the lowering of capacities at those galleries and museums that were open. In doing so, we worked to confirm that the shows at these venues would have a physical as well as strong online and virtual presence so that the participating artists received the best maximum exposure possible while visitors could also have a chance to attend in-person. In the long run, we’re hopefully helping to lay the groundwork for a stronger arts community in New England and the world. We know that it isn’t going to be easy. “The old ways and attitudes in society weren’t working,” Artscope publisher Kaveh Mojtabai told me as we explored what to expect … [Read more...] about WELCOME: FROM BRIAN GOSLOW
Welcome
Welcome: From Brian Goslow: SEPTEMBER/OCTOBER 2020
One of the things we all miss the most due to the pandemic is our one-on-one meetings at gallery and museum openings, whether with old friends or someone whose work screams out getting to know this person better. With everyone missing that regular communication, it seemed fitting, as the months add up, to include a series of “visits” to find out how people, regions and the business of art was getting on. Ron Fortier talked with three South Coast artists: David Baggarly on looking after his parents while recovering from a detached retina and back surgery that has kept him from his love of, and need to, paint and worrying about his wife, Abby, who works as a nurse; Jamaican-born, wheelchair bound Roy St. Christopher Rossow, who’s been working on commissioned and exhibition-bound works while reflecting on his life;Vermont-born, Dartmouth, Massachusetts-based Stephen Remick on putting … [Read more...] about Welcome: From Brian Goslow: SEPTEMBER/OCTOBER 2020
WELCOME: FROM BRIAN GOSLOW
“Art may yet save the world.” Thus writes Nancy Nesvet in her wrap-up of this year’s Art Basel international art fair in Basel, Switzerland, in this issue. She’s addressing what she sees as a need for the world’s citizens — and especially its artists — to “band together to work to solve environmental and political problems if we are to survive as a people.” Much of the artwork she reports on takes on these concerns as does some of the exhibitions covered in this issue of Artscope. How those messages will be conveyed remains to be seen. We work hard in giving a voice to artists, addressing their societal concerns through their artwork and share them to create public participation. That also means constantly opening the ways we get those messages out to you. The loss of traditional media publications and journalism outlets available for artists and art organizations and … [Read more...] about WELCOME: FROM BRIAN GOSLOW
WELCOME: FROM BRIAN GOSLOW
As we were putting the final touches on this issue, our 80th, our publisher, Kaveh Mojtabai, told me, “The fashion work on our cover harkens back to an era of family, honor and Sufi creed (compassion, love, patience and peace with all religions and people) to keep unity within tribes and clans for the betterment of future generations. It reminds me of one the most popular shows in the world on Netflix, Diriliş — or ‘Resurrection’ in Turkish, taking place in the 13th century during the founding of the Ottoman Empire.” The storyline follows a nomadic Kayı tribe caught “in the designs of a violent world that has lost its way,” with different tribes pitted against one another and innocent villagers being plundered in the process. “Eventually, the tribe can settle and create a new era based on its cultural humanitarian values.” It doesn’t sound too different from how today’s arts … [Read more...] about WELCOME: FROM BRIAN GOSLOW
WELCOME: FROM BRIAN GOSLOW
Welcome to the 79th issue of Artscope Magazine, which celebrates our 13th anniversary. It features our annual special section in which we’ve asked our writers which artists they may have wanted to write about over the past year but the chance hasn’t presented itself. This year’s “13 for Our 13th” features a wide variety of New England artists that work in landscape and light, sculpture and color fields, marquetry and performance art, assemblage and mathematically-based constructions, documentary photography, and oil, glass and ceramic — and “heavy metal” nutcrackers. Some of these artists’ work will be on view as part of regional exhibitions in the months ahead, others can be seen in their workspaces during open studio weekends and others are regularly showcased in galleries and showrooms. One of the most pleasurable aspects of overseeing Artscope over the years has been following … [Read more...] about WELCOME: FROM BRIAN GOSLOW
Welcome from Brian Goslow
The early months of the year are unpredictable, with the usual cold temperatures and nasty weather typically making it tougher to travel from place to place. On the other hand, it encourages picking a single place or district to settle into for the day and playing closer attention to the exhibitions they visit. It’s also a good time for artists and artisans to settle in to address those projects they’ve put up during the warm weather season. Over the past few months, during the holiday fair season, I’ve contemplated the lasting value of a work created by furniture and jewelry makers, potters, sculptors and fiber artists, especially at a time where communities herald their roles in the maker culture. How does one truly judge which work being created today will find itself part of a museum display centuries from now? Or will that be up to the curators of 2219 to decide? With these … [Read more...] about Welcome from Brian Goslow