Welcome to our 106th issue! Like many of you, we’ve spent the past few months catching up on long delayed projects and getting to see the artists, galleries and museums we’ve been away from for far too long. After hearing reports of strong sales in Boston’s SoWa District, especially during First Friday and Sundays during SoWa Open Market,when large crowds are in the neighborhood, it seemed like a good idea to start the fall previewing several of the exhibitions taking place there this September and October. Just as we arrive on the streets, Krystle Brown’s “Better Homes Than Gardens” exhibition which explores displacement, on both a global and local scale, opens for a September run at Kingston Gallery. Marjorie Kaye, who recently announced that she’s stepping down from her longtime position as director of Galatea Fine Art, profiles sculptor Christine Palamidessi and previews her … [Read more...] about WELCOME September/October 2023: FROM BRIAN GOSLOW
September/October 2023
CAPSULE PREVIEWS: SEPTEMBER/OCTOBER 2023
Photographers Bremner Benedict, Ville Kansanen, Ellen Konar, Steve Goldband, Jason Lindsey, Connie Lowell, Simon Norfolk and Camille Seaman seek “to shed light on the critical issues of climate change and the water cycle, using the power of photography to evoke awareness, empathy and action” in “Ceding Ground” that opens September 8 and continues through October 15 at the reopened Griffin Museum of Photography, 67 Shore Rd., Winchester, Massachusetts. “Through their distinct lenses, these artists explore the intricate relationship between human activity, climate patterns, and the earth's life-giving waters.” “Portrait of an Unlikely Space,” a historical-contemporary exhibition “bringing together small-scale portraits — from miniatures and daguerreotypes to silhouettes on paper and engravings in books — of African American women, men, and children from the pre-Emancipation era,” will be … [Read more...] about CAPSULE PREVIEWS: SEPTEMBER/OCTOBER 2023
CULTURAL CATALYSTS AT TUFTS: INDIGENOUS ART AND EQUITY IN THE CONTEMPORARY LANDSCAPE
Since arts organizations began emphasizing equity, diversity, and inclusion, commendable efforts have emerged, resulting in tangible changes, often at the institutional level. These efforts have led to the opening of doors, the dismantling of barriers, and the establishment of genuinely welcoming environments that offer opportunities to ethnic minorities, women, Black artists, and neglected communities, as well as authentic stories about nations. However, a critical question remains: how prepared are these art organizations to fully commit to advancing equity and implementing actions that speak louder than land acknowledgement words? Are measures being taken on national and international levels to move such efforts forward and prevent them from stagnating in the past? Is developing an action plan enough, or is more concrete action required? Recent years witnessed a growing recognition … [Read more...] about CULTURAL CATALYSTS AT TUFTS: INDIGENOUS ART AND EQUITY IN THE CONTEMPORARY LANDSCAPE
UNPREDICTABLE VISUAL ERRORS: ALLISON TANENHAUS BRINGS HER GLITCHKRAFT TO SIMMONS COLLEGE
Allison Tanenhaus is here to make friends. Glitch artist extraordinaire, she collaborates with musicians, sculptors and other glitch and digital artists to bring immersive, dynamic and other worldly art to audiences around New England. What is glitch art? Several decades old, it began with artists experimenting with altering analog signals, manipulating them with magnets and messing with wiring to intentionally create unpredictable visual “errors.” Tanenhaus started to be curious about glitch art when her computer crashed, and jagged lines appeared on the screen. Her reaction was contradictory, “Gorgeous! Terrible!” (because her computer was broken), but then willed the screen to stay still so she could grab her camera. After a lifetime of searching for her visual medium, she had finally found it in a computer glitch. Tanenhaus began her artistic journey with words and humor, composing … [Read more...] about UNPREDICTABLE VISUAL ERRORS: ALLISON TANENHAUS BRINGS HER GLITCHKRAFT TO SIMMONS COLLEGE
BRANCHING OUT INTO SCULPTURE: JO NANAJIAN, KLEDIA SPIRO & FEDA EID’S HEAVY LOAD
“Bag lady, you gon' hurt your back / Dragging all them bags like that / I guess nobody ever told you / All you must hold on to / Is you, is you, is you” — Erykah Badu, “Bag Lady” My hand reaches for my shoulders. Sure, I often have a tote bag on one side, a backpack, or if I am trying to look sophisticated, a handbag like the movie depictions of 20-something women in the workforce, but I found out that this area of my body carries my stress, anxiety and socio-political cargo. Although it is important to mention that I am not first-generation, I understand when the parasympathetic system is out of whack from the invisible burdens we carry. Every time I describe this, I think of Ernie Barnes’s “Miss America” with elongated limbs, carrying buckets with an unknown substance, an uneven stride into a forced contrapposto; for a while, she was the profile image of “Elbow Grease,” an Instagram … [Read more...] about BRANCHING OUT INTO SCULPTURE: JO NANAJIAN, KLEDIA SPIRO & FEDA EID’S HEAVY LOAD
NBMAA’S EXPANDING COLOR FIELD: CAREY & GOURLAY SHOWCASED IN NEW BRITAIN & WEST HARTFORD
The large format experimental photography in “Ellen Carey: Struck by Light,” on view at New Britain Museum of American Art (NBMAA) through January 28, 2024, delivers a feast of process for the eyes. Her work has the sensibility of color-field painting brought into photographic context relating similar minimalist simplicity, elegance and color-saturation. It is remarkable to see the physicality of Carey’s nearly floor-to-ceiling unframed polaroid prints. The artist’s “pulls” are installed pinned to the walls and hanging unframed, exposed and tactile. The beauty of her photographic experimentation keys to size and color, and the positive/negative aspect of showing both print and emulsion sheets side-by-side with equal emphasis. Remembering NBMAA Director Brett Abbott’s specialization in photography from my interview with him for Artscope’s March/April 2022 issue, I asked NBMAA curator … [Read more...] about NBMAA’S EXPANDING COLOR FIELD: CAREY & GOURLAY SHOWCASED IN NEW BRITAIN & WEST HARTFORD