“Used” is the intentionally provocative title for the 2023 National Juried Exhibition that’s on view at the Attleboro Arts Museum through July 14. The name for the show was conceived of internally at the museum a year ago, as a starting point to spark a dialogue of visual possibilities and pertinent aesthetic connections that charge the air currently. The word “Used” implies material process and emotional connection and like a lot of four-letter words is exceptionally rife with connotations. It is a verb and a feeling. It is a concept rooted in some of the same unresolved conditions that caused Jack Kerouac, in a different historic moment but not dissimilar era, to suddenly label himself and friends as “beat” — meaning forgotten misfits — which was about identity, lack of identity, and later coined into the term “Beat Generation,” indicating scale of the discontent. The selected … [Read more...] about INTENTIONALLY PROVOCATIVE: ‘USED’ SPARKS A DIALOGUE AT ATTLEBORO ARTS MUSEUM
July/August 2023
SUBLIMINAL MESSAGES: DANFORTH’S ANNUAL SHOWS NOT SO QUIET SOCIAL ACTIVISM
Always one of my favorite exhibitions, thanks to its constant combination of new artists and the latest career progression by familiar names, the 2023 Annual Danforth Juried Exhibition did not disappoint. Juried by Rachel Passannante, Collection Curator, Danforth Art Museum; Leslie Starobin, Professor of Art, Framingham State University; and Erin Becker, Executive Director, Norma Jean Calderwood Director of the Cambridge Art Association, its imminent opening was announced through a Danforth Art Facebook page featuring a picture of C.A. Stigliano helping to install his “Galatea” sculpture. Named after a sculpture by the legendary Greek sculptor Pygmalion, held Pinocchio-style by four strings from the ceiling, it was awarded the exhibition’s First Prize. Standing face to face with it, exploring its marking and tattoos, one looks into eyes that feel real and that contain a soul that’s … [Read more...] about SUBLIMINAL MESSAGES: DANFORTH’S ANNUAL SHOWS NOT SO QUIET SOCIAL ACTIVISM
WELL-DOCUMENTED GROWTH: CASILIO TRIIIBE CONTINUES TO EXPLORE OUR DIFFERENCES
If you love political art, you will love TRIIIBE. Identical triplets, Alicia, Kelly and Sara Casilio and their late photographer Cary Wolinsky’s 3’ by 4’ and larger photographs with a social conscience titled “Repeat Offenders: TRIIIBE Returns,” is on view at the South Shore Art Center through July 22. Wolinsky, a National Geographic photographer for 35 years, with a spectacularly original eye and vast portfolio, discovered the triplets at a retirement party for their professor at Massachusetts College of Art & Design (where they created their own major of Public Art) — at which they dressed like him, including beard and frumpy clothing. They were street performers doing such physical tableaus as identical capitalist businesswomen marching to work, or three dying victims of Bush’s Iraq war: an Iraqi woman, a 9/11 victim and a soldier. Wolinsky suggested they take their art inside, … [Read more...] about WELL-DOCUMENTED GROWTH: CASILIO TRIIIBE CONTINUES TO EXPLORE OUR DIFFERENCES
A SPIRITUAL EVOLUTION: NAWAMA EXPANDS ITS MESSAGE TO THE BERKSHIRES
The collaboration between the Berkshire Art Museum and NAWAMA (The National Association of Women Artists, Massachusetts Chapter) is a natural one; the director of the BAM, Eric Rudd, bore witness to the issue of the inclusion of women in the art world, having been involved through his years of teaching at the Corcoran College of Art in Washington, D.C. in the 1970s. A visual artist as well, Rudd reflects on the fact that Washington in the 1960s was an exception to the rule of the male-dominated landscape of museum and gallery directors in the area. When he was out of the gate beginning his long exhibition history, he cites many galleries or museums that were run by women. Rudd’s experience is in line with the manifesto of NAWAMA, through the eyes and leadership of its Massachusetts Chapter’s president, Jennifer Jean Okumura. In her catalog entry, Okumura reflects on the … [Read more...] about A SPIRITUAL EVOLUTION: NAWAMA EXPANDS ITS MESSAGE TO THE BERKSHIRES
RE-DEFINING AMERICAN ART: SHELBURNE’S PUEBLO POTTERY SHOW IS THE FIRST STEP
The Shelburne Museum, best known regionally for its extensive collection of American arts from the last two centuries, is about to redefine the very term American by establishing an important home for Indigenous art as part of its Native American Initiative. “Built From the Earth: Pueblo Pottery from the Anthony and Teressa Perry Collection,” currently on view at the Shelburne, is the first glimpse into the vast collection from the Museum’s own holdings as well as the addition of more than 240 examples from the Perry Collection recently donated to the Museum. The exhibit consists of 23 large-scale water jars, dough bowls and grain vessels, all from the Southwest, mostly from communities in New Mexico. Unique to this exhibit is the active involvement of members from the eight tribes represented, who worked with Museum staff and the curator to contextualize the examples on display. For … [Read more...] about RE-DEFINING AMERICAN ART: SHELBURNE’S PUEBLO POTTERY SHOW IS THE FIRST STEP
GREATEST OF ALL TIME?: ‘WATERCOLORS UNBOXED’ ASKS THE QUESTION IN WORCESTER
Who is the “GOAT” watercolor artist, Winslow Homer or John Singer Sargent? (For non-sports fans, “GOAT” is the acronym for who is the “greatest of all time.”) No other painter has ever come close to their Olympian heights for mastery of devilishly tricky watercolor, their ability to capture an immediate moment with a drawn line, their diversity of subject matter, nor their depiction of light and shadow in nature. In addition to Homer and Sargent’s watercolor skills, they were masters of oil painting. Spoiler: I’ll argue that Homer is “GOAT” over Sargent every time because Homer addresses alienation and loss, the major human problems of our modern age. Curator of “Watercolors Unboxed,” Nancy Kathryn Burns places paintings by Homer and Sargent side-by-side with similar topics, therefore, the comparison between the two is easy to make. To add to the competitive fun, “The Rope” by … [Read more...] about GREATEST OF ALL TIME?: ‘WATERCOLORS UNBOXED’ ASKS THE QUESTION IN WORCESTER






