Robert Henry, one of the nation’s most original artists, will show “Solo Moments” at one of New England’s most renowned art spaces, the Berta Walker Gallery in Provincetown. (Walker could open a museum, so many notable American artists are in her archived collections.) Henry is an American extension of the late 19th and early 20th century European painters like Edvard Munch, Egon Schiele and Emil Nolde — a figural/figurative expressionist whose canvases swing with massive color and motion. His Hans Hofmann influenced push-me-pull-you style (he studied with the master) brings us to extremes of emotion — from joy to occasional terror. No matter how Henry’s subject matter or technique changes, what is consistent is the force of painting, the visceral reactions the works invoke; they are participatory. That force, Henry said, happens as a result of the process of drawing and painting, … [Read more...] about SOLO MOMENTS AT BERTA WALKER: HENRY CAPTURES THE ESSENCE OF HUMANITY
Current Exhibits
CULTIVATING THE ART OF WATERCOLORS: CONNECTICUT’S ARTS CENTER EAST TO HOST REGIONAL BIENNIAL
The venerable biennial juried show of the New England Watercolor Society (NEWS) is being held from October 3 through 31 at Arts Center East in Vernon, Connecticut, and its 66 selected works promise to shine light, color and quite possibly the rather elusive gift of hope to people who come to see the region’s reflections. Adjudicated by the renowned wildlife painter, Anni Crouter, the mix of subjects and styles on display reflect New England’s complexity. By electing to mount this biennial in varied locales, NEWS hopes to cultivate both new members and new audiences. (To read more, pick up a copy of our latest issue! Find a pick-up location near you or Subscribe Here.) … [Read more...] about CULTIVATING THE ART OF WATERCOLORS: CONNECTICUT’S ARTS CENTER EAST TO HOST REGIONAL BIENNIAL
WONDERFULLY DIVERSE AND ECLECTIC: 1O ARTIST SHOW AT SOUTHERN VERMONT ARTS CENTER
If one word could describe the Southern Vermont Arts Center “Yester House 2021 Solo Exhibitions,” it is eclectic. In two words, wonderfully diverse. On view until September 26, the popular exhibition includes work by 10 artists selected to have their work shown in individually dedicated galleries. Works ranging across various media share the creative use of photography, welded metal art, egg tempera painting, ceramics, Japanese woodblock printing and more. Charlotte Ghiorse’s work, with its large installation “Polling Place” and black-and-white images about poverty, convey social justice art. She was inspired by her relationship with the Fire Department of New York in the 1990s, which led to her portrayal of the events of 9/11 in Manhattan. Christian Schoenig’s “Forged Scales” reveal fish sculptures and welded metal art that transforms industrial bits and cast-off metal pieces … [Read more...] about WONDERFULLY DIVERSE AND ECLECTIC: 1O ARTIST SHOW AT SOUTHERN VERMONT ARTS CENTER
“AN ARTIST’S WORK IS NEVER DONE”: FARRELL’S TEMPORARY ROOTS AT THE KINGSTON
Born and bred in New Orleans, 34-year-old sculptor Louise Farrell was a newly-single mother of two when she arrived in Brookline, Massachusetts. Her path had led from a Catholic women’s college outside Chicago to Omaha, Nebraska, to Boulder, Colorado, and then the Five College area around Amherst, Massachusetts. Along the way, she was a resident artist at Creighton University, campaigned for Eugene McCarthy, started an underground newspaper, married a fellow activist, opened a bookstore and raised prize-winning English mastiffs. Before getting her masters at Mass College of Art in the late 1980s, her figurative forms cast in bronze and polyester resin were already feminist in their themes and environmental in their formal demands. “Fate,” Farrell’s opus of the last three years, will hang floor-to- ceiling at Kingston Gallery in Boston’s SoWa District in September. An imposing … [Read more...] about “AN ARTIST’S WORK IS NEVER DONE”: FARRELL’S TEMPORARY ROOTS AT THE KINGSTON
SEASONAL WARMTH AT CASTLE HILL: JOHNSON CAPTURES TRURO’S SPECIAL TEXTURES AND COLORS
Purple, green, pink and turquoise are colors you think you may see on the sharp gem facet edges of North Truro’s colonial houses, because when Mitchell Johnson paints them, they seem logical, not fanciful, but real. Indeed, color and shape seem to be the point rather than the subjects themselves. The houses and landscapes Johnson paints are, in a way, excuses to express colors. One wonders, is he suggesting our world is just color and form? And yet those colors and forms evoke the essence of place: his European vistas are somehow, well, so European. His vistas of New York, are utterly New York; those of San Francisco as from Russian Hill, could only be San Francisco. So, too, his Cape Cod vistas essentialize the Cape. You can inhale the sea and the musty scent of a pearly gray-blue sky. You can see Johnson’s homage to the Cape’s town of Truro at his exhibit, “Sixteen Years in … [Read more...] about SEASONAL WARMTH AT CASTLE HILL: JOHNSON CAPTURES TRURO’S SPECIAL TEXTURES AND COLORS
PEELING BACK THE CURTAIN: AI WEIWEI’S HUMANITARIAN ART ACTIVISM IN SPRINGFIELD
“Once you’ve tasted freedom, it stays in your heart and no one can take it. Then, you can be more powerful than a whole country.” — Ai Weiwei The life of Ai Weiwei (b. 1957) speaks to the beauty and resilience of the poetic soul. Born in Beijing, China, Ai Weiwei’s mother is writer Gao Ying. Ai Weiwei’s father, Ai Qing (1910-1996), was a noted poet and intellectual, active under the Communist rule of chairman Mao Zedong. In retaliation for the elder Ai’s perceived political beliefs, the family was sent into exile in northwest China when Ai Weiwei was barely one year old; first to a labor camp, then to Shihezi, Xinjiang, in the Gobi Desert where the family lived until Ai Weiwei was 17. He has described the conditions while in exile as “extremely harsh.” His father was forced to perform hard labor, including cleaning the communal latrines. The family was allowed to keep one book, an … [Read more...] about PEELING BACK THE CURTAIN: AI WEIWEI’S HUMANITARIAN ART ACTIVISM IN SPRINGFIELD