NO PLACE LIKE HOME: RICHARD NEAL’S COMFORT ZONE AT MILLER WHITE

I confess that I am a huge fan of Richard Neal. His powerful and provocative works always draw me into their theatrical mystery. (Indeed, I’d like to create a new label for his work: dynamic existential constructionist art! Art Deca.)
The “Jones House” exhibit at Miller White Gallery shows Neal’s quintessential uniqueness. From constructed pieces, to pieces about construction, moderately abstract to discernibly figural, the work uses many means and methods.
(To read more, pick up a copy of our latest issue! Find a pick-up location near you or Subscribe Here.)
More from This Issue

KITTERY’S NEWEST TOURIST STOP: LOOMIS GALLERY SUPPORTS, EXPOSES, REGION’S ARTISTS
“God whispers to us in our pleasures, but shouts in our pain.” — C.S. Lewis, Oxford scholar, theologian and author of many books, including “The Chronicles of Narnia.” We’re all […]

SCOPED OUT: A DAY OF ART, NIGHT OF FUN, IN THE BERKSHIRES
It’s summer in the Berkshires, and after a year of isolation, crisis and uncertainty, all are looking forward to what new opportunities for connection and celebration summer 2021 will bring. […]

THE SECRET LIFE OF PLASTIC: MICHELLE LOUGEE’S ENVIRONMENTAL ART IN ARLINGTON
We often think of plastic as a nuisance, a pollutant or as an unnecessary evil. Plastic is everywhere, introduced to us the moment we’re born. Necessary and overused, contradictory and […]