
After visiting the “New Gilded Age: A Theatrical Installation by B. Lynch” exhibition at the College of the Holy Cross, Artscope managing editor Brian Goslow exchanged email questions with Iris and B. Gerald Cantor Art Gallery Director Meredith Fluke and Bridget “B.” Lynch about how the show came together, how they adapted to the challenges of a semester where the Holy Cross campus opened, and then soon shut down, turning the show into a by appointment only exhibition, and how in the process, explored numerous new ways to present an exhibition that normally would serve as a backdrop to the college’s art programs.
(To read more, pick up a copy of our latest issue! Find a pick-up location near you or Subscribe Here.)
More from This Issue

AMERICAN PORTRAITURE TODAY: REGIONAL & NATIONAL SHOWCASE AT SPRINGFIELD
During a time when we are constrained by rules of distancing, and in some cases, by forced interaction with others, it is uplifting to find an immersive visual experience which […]

A VIRTUAL INTRODUCTION: COPLEY SOCIETY DIVERSIFIES ITS MEMBERSHIP
In an innovative move, Newbury Street’s Copley Society of Art, the oldest nonprofit art association in the United States, has decided to present this year’s New Members Show virtually. We […]

SPLENDIDLY UNCOMMON: POLLANS & SWAN SAIL AT BOSTON SCULPTORS
I like to think the lights never go out in the Boston Sculptors Gallery. It’s a place I’ve loved to haunt from where I’m situated in Cambridge by either floating […]