On first view, “Waste Not,” an exhibition featuring works by Lorraine Sullivan, Anne Plaisance, Stephen Martin and Kim Triedman (the show’s curator), holds many elements of life — or past life — that I’m quite fond of, especially pieces from old storefronts and corner stores and weathered buildings that I attach to feelings of warmth. Old windows are turned into picture frames, store fixtures become statues and a partially disembodied mannequin sits in a pre-prefabrication wooden wheelchair seems to have been positioned to ensure no one visits the exhibition feeling alone (the work is Plaisance’s “No Love Lost.”). And, indeed, in late 2018, a gallery is the one place many artisans don’t feel alone. A closer look, however revealed some works that could — and perhaps should — feel disturbing. Three works by Plaisance, who came to the United States from Paris three years ago, … [Read more...] about Love is Louder: Open Borders at Artspace Maynard
Lorraine Sullivan
EIGHT VISIONS: VISCERAL VIEWS AT ATTLEBORO ARTS
Juried shows are what you make of them, whether you’re an artist, the sponsoring venue or the juror. They can provide a chance to reach a new audience, expand your portfolio, or find out which artists you’ve not previously been aware of who are making work that deserves your attention — and possibly a place in your collection. The selection process for “8 Visions,” opening at the Attleboro Arts Museum on August 1, began during last December’s members’ exhibition at the museum, when juror Sarah Swift, gallery director at Hera Gallery in Wakefield, Rhode Island, reviewed portfolios from over 60 submitting artists. “I am a sucker for texture and materiality, particularly in application,” said Swift, explaining her selection process. “I looked for artists whose use of material seemed not just thoughtful, but ‘necessary’ to the contextual completion of their piece. I also looked for … [Read more...] about EIGHT VISIONS: VISCERAL VIEWS AT ATTLEBORO ARTS