In “Packing for Mars,” Jessica Straus reminds us that taking planet Earth for granted can no longer be an option.
Jessica Straus’s solo exhibition presents a captivating fusion of black humor, nostalgia, longing and regret, echoing the timeless wisdom of Antoine de Saint-Exupéry’s “The Little Prince,” which suggests that adults often lose touch with the essential innocence of childhood. Set against the backdrop of the Boston Sculpture Gallery, located in Boston, Massachusetts, from April 4 to May 5, Straus’s showcase invites viewers on a reflective journey, delving into themes of memory, human connection and environmental stewardship.
Through a masterful blend of woodwork, mixed media and intricate craftsmanship, Straus imbues her pieces with a characteristic wit that opposes the more profound, sometimes melancholic narratives they convey. The exhibition is a futuristic reference to the time we collectively made our Earth uninhabitable. We have wrecked the world, and now we look back. Her creations, predominantly featuring small hand- carved basswood figures, exude a sense of performance as if poised to engage viewers in a silent dialogue. Indeed, one can envision the exhibition unfolding as a moving stage production, with each figure directing audiences into introspection and contemplation.
Straus’s work is a profound exploration of childhood recollections, particularly her symbiotic relationship with nature, juxtaposed against the lens of adult comprehension and responsibility. Through her art, she navigates a spectrum of emotions — from critical analysis to irreverent reinterpretation — layering her works with depth and resonance.