How does one curate a show that marks 200 years of statehood? One that honors place, people and history most authentically as possible? Assistant Curator of American Art Diana Greenwold and her collaborators from the Portland Museum of Art and the Maine Humanities Council (MHC) might have an answer.

In pushing against the trap of a master narrative, “Stories of Maine: An Incomplete History” is inclusive in scope and content, breaking the barriers of traditional museum exhibitions in more ways than first meet the eye. The museum’s partnership with MHC, and ultimate inclusion of community voices alongside the curated works, have ensured a powerful result — the show juggles its many tasks well. It acknowledges the near-arbitrary marking of statehood; the long and varied histories; and the traumas and dreams that continue to shape the state. It knows there is so much left to say and that which won’t likely be said, and perhaps most importantly creates space for further community input through an online form where viewers can submit their own stories of Maine…