Fine Arts Work Center Fellows

3 min read
Untitled Mullen

ALEXANDRIA SMITH AND BRIDGET MULLEN

Provincetown’s Fine Arts Work Center’s Fellowship Program provides a unique opportunity for 10 artists and 10 writers to serve seven-month residencies during the developmental stages of their careers. Over 1,100 applications come in annually with the hope of being selected for the cherished experience that runs from October 1 through May 1. Over 800 fellowships have been served since FAWC’s inception in 1968.

There will be a FAWC Fellows at PAAM exhibition from January 23 through February 22 at the Provincetown Art Association and Museum, 460 Commercial Street, Provincetown.

Artscope’s Laura Shabott spoke with Alexandria Smith and Bridget Mullen, two second-year FAWC Fellows, about their experiences with the program, two months into their current residencies.

ALEXANDRIA SMITH

IN YOUR FIRST-YEAR RESIDENCY, DID YOU FIND OTHER PEOPLE COMING IN TO WORK WITH YOU, OR DID YOU FIND YOURSELF TO BE SOLITARY, AND THEN YOU WOULD PRESENT YOURSELF?

ALEXANDRIA SMITH: I was definitely solitary. I’ve never worked in a collaborative way. I’m interested in it, but the projects I’ve been working on haven’t really called for any type of collaboration. When I first got here, it was just me working and plugging away and making paintings in the studio, and collages, which is what I was doing before. And then some kind of shift happened and I started to create these collage installations that existed on the wall, which wasn’t confined to a rectangle or a square panel. Being here allowed for something new.

 

AN OUT-OF-THE-BOX WAY OF THINKING…

AS: Exactly.

 

SO YOUR FIRST RESIDENCY HERE WAS IN 2013?

AS: I was here till May, and then I went to New York. Once I found out that I got a second residency, I said, “Well, I just have to make it through the summer.” I sold a few paintings and made some small-scale stuff because I didn’t have a studio. But I had some shows coming up — some big shows — so I had to find a way to make art in an extra room at my parents. I had a solo show in New York City on the Lower East Side at Scaramouche Gallery — that was a big one — and I had an installation up here at Tim’s Used Books. That will be up through my residency. I had a group show at the Schomburg Center for Research in Black Culture in Harlem and that was a big show.

 

ALL IN THE LAST YEAR?

AS: This was all in August! I did all that for August. My solo show was works from here. I made one new painting, but everything else was from my time at FAWC.

 

Laura Shabott

More from This Issue

climate change

Community: Climate Change in Providence

FRESH CURATORIAL AND ARTISTIC PERSPECTIVES It is noticeable, looking at artwork made in Providence as we enter 2015, that the flavor of the city is changing. Facilitated by a re-branding […]

Legacy

Sight, Sound and Tactility

THE SENSES COALESCE AT BEARD AND WEIL Thanks to its cross-cultural and historically deep in-house permanent collection of approximately 6,000 objects in a wide variety of media, as well as […]

positive vibrations

Good Vibrations

NIHO KOZURU AT HESS GALLERY Niho Kozuru rides the razor’s edge between craft and sculpture in a purposeful and inquisitive way. Best known in Boston’s art circles for her otherworldly […]