THOU SHALT KNOT: CLIFFORD W. ASHLEY NEW BEDFORD WHALING MUSEUM 18 JOHNNY CAKE HILL NEW BEDFORD, MASSACHUSETTS THROUGH JUNE 2018 by Don Wilkinson In the 19th century, during a time of unprecedented opportunity and prosperity created by whaling and related endeavors — such as whale oil refinement — the City of New Bedford flourished. At one time, it was among the richest cities in the world. And with the wealth that the Yankee gentry had acquired, something else grew: a desire for the finer things in life, including architectural masterpieces of Victorian architecture, superbly crafted furniture, musical instruments and fine art. The 1800s saw the cultural ascension of a number of significant painters born in New Bedford and the surrounding towns of Acushnet and Fairhaven, including Albert Pinkham Ryder, William Bradford, Clement Nye Smith and Albert Bierstadt (born in … [Read more...] about WHY KNOT?: NEW BEDFORD’S FIT TO BE TIED
Victorian
Jeannie Motherwell: Pour. Push. Layer. at Rafius Fane Gallery
By James Foritano https://youtu.be/KJAkFb9NwNM Boston, MASS. -- Jeannie Motherwell’s, fluid, shape-shifting exhibition, “Pour. Push. Layer.” at the Rafius Fane Gallery through October 22, stands in piquant juxtaposition to its, solid, four-square surroundings at 460 Harrison Ave. The gallery is located in the eastern end of a long, grey, brawny stone building in the very heart of Boston’s SoWa district. Like its mate, 450 Harrison Ave., which sits just across a wide pedestrian alley filled with art watchers and people watchers, it is, block by block, dedicated to a Victorian love of heavy lifting and solid foundations. One can almost hear the grunts of the workmen as they unload railroad cars bearing laboriously quarried granite from near and far when it was first built; you almost sense the satisfaction of architect/engineers dusting off their hands to pronounce: “Well, that’s … [Read more...] about Jeannie Motherwell: Pour. Push. Layer. at Rafius Fane Gallery