Artscope Magazine had the pleasure of showcasing our November/December issue to the over 70,000 visitors of Art Basel Miami Beach 2019, an international fair bringing together artists, collectors and gallerists for five days of eating, sleeping and breathing art. For the first time, we had the opportunity of having our own booth in the Magazines sector decorated with a variety of work from East Coast-based Artscope artists, rather than our presence in the collective booth in previous years. Paul Pedulla’s “Beyond the Coral Sidewalk” magnetized guests to the booth with its rich colors and one-point perspective of Ocean Drive, free from cars and tourists. The acrylic painting acted as a window to the outdoors underneath Artscope’s logo on the wall, where trees lined the greenway beside Miami’s iconic pink sidewalks that trail out to endlessness. Pedulla voiced that this painting was … [Read more...] about WIDENING THE SCOPE: ARTSCOPE AT ART BASEL MIAMI BEACH
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ROOTED/UPROOTED: TREES AND ARTISTS AT ELGA WIMMER PCC GALLERY
Rooted/UpRooted, curated by Roya Khadjavi and Massoud Nader, which is on view from November 12 through 25 at Elga Wimmer PCC Gallery, New York, New York, connects trees, whose roots are secured deep in the earth with those who come from a place, in this case Iran, whose roots also run deep. Whereas tree roots remain in one place, the Iranian artists whose work is displayed here have been uprooted from their land, but maintain their cultural and historical roots, showing their memories and history in their work. In Omid Mohkami’s “Absence Series, a heart-rending photograph of a curved road with an unoccupied chair in its center and a dress stuck on barbed wire makes us wonder where the road leads and carries those who follow it, as they say in Maine, away. In another of Mohkami’s black and white photographs, a circle of chairs, occupied by no one, looking as if the master and his … [Read more...] about ROOTED/UPROOTED: TREES AND ARTISTS AT ELGA WIMMER PCC GALLERY
NANCY NESVET AND LARRY RINGGOLD: ENDANGERD AT ZENITH GALLERY
Nancy Nesvet’s photographs and large-scale oil paintings, on view alongside sculptures by Larry Ringgold in “enDANGERd” through November 16 at Washington, D.C.’s Zenith Gallery, take entirely different turns of portraying the sea. In the paintings, the sea is vast, changing and tumultuous: in the photographs, murky depths pull me to look closely at the details. Those details are both threatening and beautiful, making the photographs look like a coming environmental apocalypse. There is a masterful handle on scale in her paintings. We know polar bears to be substantial, but in Nesvet’s eight paintings, they are microscopic, appearing in the far distance, unreachable and not treacherous at all. The bears are stranded on icebergs broken off from the mother glacier, with strong seas pushing them apart. “If but all the seas rise up,” 48” x 58”, the unending seascape shows two polar bears, … [Read more...] about NANCY NESVET AND LARRY RINGGOLD: ENDANGERD AT ZENITH GALLERY
ESTELLE DISCH: MEMORY AND JUSTICE AT THE S & G PROJECT GALLERY NEW BEDFORD
“Memory and Justice: Impressions of Disappearance in Argentina,” an exhibition of photography by Estelle Disch at the S & G Project Gallery in the Hatch Street Studios in New Bedford’s north end, captures her experience and witnessed perspective of the aftermath of Argentina’s historic tragedy of Los Desaparecidos (The Disappeared), those who vanished after the March 24, 1976 coup when the military junta seized power in Argentina. The Junta launched a campaign to wipe out left-wing terrorism resulting in thousands of dissidents and, innocent civilians unconnected with terrorism, who were arrested. Many of them vanished or, disappeared, without a trace. They became known as los desaparecidos and fell victim to a methodic use of torture and murder. Disch’s exhibit, which runs from April 20 to May 15, explores the space of one of the sites of the tragedy of the disappeared that … [Read more...] about ESTELLE DISCH: MEMORY AND JUSTICE AT THE S & G PROJECT GALLERY NEW BEDFORD
Michals and Avery at Bennington
Making Their Own Rules by Marguerite Serkin DUANE MICHALS Duane Michals has never played by the rules. Almost exclusively self-taught, his storied approach to photog-raphy has grown out of years, now decades, of hard work and experience. On view at the Bennington Museum, “Duane Michals: Photographs from the Floating World” represents the photographer’s more recent work, from 2005 to the present. “A great wave of melancholy swept over Tanya” portrays a young woman in traditional Japanese garb, appearing in sharp deꔀnition against the softer focus of the trees and brook behind her. By contrast, in “Vincent Van Gogh,” sun똀owers dominate, with an almost incidental ꔀgure carrying a ladder, making his way among the blooms. This balance and counterbalance between human form and natural surroundings invite the viewer to look more closely, drawn in by the artist’s riveting … [Read more...] about Michals and Avery at Bennington