One of the highlights of any group exhibition opening reception is the taking of a photograph of all the participants together. When “Crossroads: 4 Perspectives,” opened on October 10 at the Mary Cosgrove Dolphin Gallery at Worcester State University, Patricia Gerkin was in Italy on a short vacation with her husband. A few days later, Debra Claffey would be in New Orleans attending Golden Paint’s Artist Educator Training Program, learning about their paints, grounds and mediums, Donna Hamil Talman in Marseille, France, and only Charyl Weissbach was at her normal workspace in Boston. The four make up the Elemental artist collaborative, the members of which first met through New England Wax, a group started in 2006 for New England artists working with wax. Finding a commonality, they set out to find opportunities for exhibitions for just the four of them. “We spent a good deal of time, … [Read more...] about ENCAUSTIC CROSSROADS: ADDRESSING ECOLOGICAL CONCERNS THROUGH WAX AT WSU
perspective
A STUNNING HOMECOMING: N.C. WYETH’S MASTERFUL PORTLAND RETROSPECTIVE
Boats both rowed and sailed converge on a distinctly Maine island: a hump of rock, with some scrubs of trees but mostly barren, a simple residence located at its central, northernmost point. The sailboats anchor in the turquoise sea; the rowboats dragged up by their mates clutter the drab sand of the shore; and several indistinct figures make their way to the house surrounded by a makeshift maze of stone walls, a muted, impassive sky above. It is a crisp, solemn depiction, the island version of one of life’s few sureties — death. But the 1939, egg tempera and oil on hardboard, “Island Funeral,” is also illustrative of its artist’s range of style and emotion. Described aptly as an “ideal marriage of illustration and modern painting,” it is one of the central pieces of “N.C. Wyeth: New Perspectives,” at the Portland Museum of Art. On view through January 12, 2020, the traveling … [Read more...] about A STUNNING HOMECOMING: N.C. WYETH’S MASTERFUL PORTLAND RETROSPECTIVE
DISORIENTATED VIEWS: DANIELA RIVERA’S LABORED LANDSCAPES
Daniela Rivera explores labor, landscape and identity in her exhibition “Labored Landscapes (where hand meets ground)” at the Fitchburg Art Museum (FAM), and with this exploration, Rivera presents the interconnectedness apparent in labor, laborer and what she designates as the labored surface — either the physical ground that is toiled, or the ground or surface of a painting. Born in Santiago, Chile, Rivera moved to the Boston area in 2002, received her MFA from the School of the Museum of Fine Arts at Tufts University, Boston, in 2006, and has been associate professor of studio art at Wellesley College for the past 11 years. Her native Chile provides the context for works that are both highly conceptual, visually commanding and intellectually provocative. Organized by FAM curator Lisa Crossman with Terrana Curatorial Fellow Marjorie Rawle, the exhibition is comprised of three … [Read more...] about DISORIENTATED VIEWS: DANIELA RIVERA’S LABORED LANDSCAPES