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New England's Culture Magazine

Artscope Magazine | March/April 2021

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Benjamin Britten

BACK TO THE GARDEN: FIELDS OF CHANGE AT BENNINGTON

// Current Issue, Issue Articles, July/August 2019

by Marguerite Serkin

Think of Vermont, and it may conjure images of bucolic hills dotted with fabled hamlets inhabited by eccentric intellectuals, passionate liberals, earth mothers and artists. This predominantly liberal-leaningtoward-radical state was not long ago staunchly republican, with a social fabric vastly different than that of today. Yet, many elements of Vermont’s traditional agrarian roots remain. Tolerance of opposing opinions, neighbor helping neighbor, a disdain for idle gossip and a love of the land are all hallmarks of the Vermont way of life. Vermonters are by and large good listeners, and will eschew the obvious for a more studied view of things, in politics and in life. The 1960s brought great change to Vermont, both demographically and politically. Phil Hoff was elected as the first Democratic governor since 1853. In 1965, the federal government ruled that Vermont must reapportion … [Read more...] about BACK TO THE GARDEN: FIELDS OF CHANGE AT BENNINGTON

Nurse Bianca (Margaret Lattimore, r.) consoles Lucretia (Kelley O’Connor) who pines for her husband Collatinus in Boston Lyric Opera’s production of “The Rape of Lucretia” March 11-17 at Artists for Humanity EpiCenter.

BOSTON LYRIC OPERA’S ‘THE RAPE OF LUCRETIA’

// Artscope Online, Boston Lyric Opera, Featured, Review, Theatre

by James Foritano

Excellence can seem such a simple achievement. Merely assemble practiced, solid parts such as singer/actors, music and libretto (on a timeless theme) and put them on a stage-in-the-round so all their virtues wrap the audience in easy accessibility — not to mention three electronic boards with the dialogue raised high so it’s readable from every angle — and continue, for the duration, to stay out of the way, for goodness sake, until the play is done! Actually, there is some meddling with this simple formula which is so professional that one barely notices, but feels, the enhancements it delivers, while watching Benjamin Britten’s new Boston Lyric Opera production of “The Rape of Lucretia.” Three toughs who also happen to be aristocrats occupy a steep flight of stairs at stage rear of the opening scene. Between battles with a Greek army threatening Rome, they are contemplating what … [Read more...] about BOSTON LYRIC OPERA’S ‘THE RAPE OF LUCRETIA’