It is fitting that on my last day at the Venice Biennale, as on my first, it is raining buckets, only underscoring what I perceived as the themes of the biennale: false facts and the implications of global warming on climate change. Regarding false facts, the Indigenous Peoples exhibit, “Volume 0,” establishing its place as an original document, was held at the Zuecca Project Space outside the Giardini grounds. Sponsored by the Venezia Fondamenta Sant’Anna, organized by Dr. Max Carocci, the “Indigenous Peoples” pavilion showed a video on four medicine-ball size spheres, sequentially narrating the story of Venice’s impact on 16th century North American settlements. It said that trade and the necessity of acquiring gold and gems for trade provided the impetus for invading other lands, and Venice was a crossroads of trade. The video’s narration began, “We think of these explorers, taught … [Read more...] about TOWARD AWARENESS AND SOLUTIONS: CONSIDERING CLIMATE CHANGE AT THE VENICE BIENNALE — DAY THREE
Arsenale
FALSE FACTS ON DISPLAY BY ARTISTS: DAY TWO AT THE VENICE BIENNALE
VENICE, ITALY, MAY 9, 2019 — I spent my second day at the Venice Biennale touring the national pavilions at the Giardini site and in other areas in Venice. The most beautiful exhibit I saw was on the second floor of the Russia pavilion, where the director of the 2004 film, Russian Ark and the 2011 winner of the Golden Lion at Venice, “Faust,” directed an exhibit that featured a life-size giclée of a Rembrandt painting, “The Return of the Prodigal Son” on permanent display at the Hermitage, here along with the biblical verse, The Parable of the Prodigal Son from the Gospel of Luke, and Chapter 15 of the Gospel of Luke, that speaks of property deeded to a son by a father, squandered by the son, further illustrated with statues of biblical figures. On two video screens were a vision of fires burning down buildings in present and biblical times, with Jesus sitting on a rock watching the … [Read more...] about FALSE FACTS ON DISPLAY BY ARTISTS: DAY TWO AT THE VENICE BIENNALE
Art Makes the World Go Around: First Day at the Venice Biennale
By Nancy Nesvet Surrounded by water, filled with foreigners speaking different languages, in a city where getting lost in ancient alleyways is a regular occurrence, Venice provides the perfect venue for the most famous of the World’s Biennales. Almost every exhibit at the Venice Biennale deals with risks to our changing world, whether they be political or environmental. Located at ground zero, with the risk of inundation by water if global warming continues to produce floods and facing refugees arriving in Italy every day, Venice is the perfect place for government-sponsored art projects seen by an international public. On my first day at the Biennale, coming by vaporetto boat down the grand canal, I entered the former Arsenale grounds, where an arsenal of weapons was once housed. Walking further, I surveyed what Paolo Buratta notes in the “Introduction to Biennale Arte 2017 Short … [Read more...] about Art Makes the World Go Around: First Day at the Venice Biennale