Articles

Reviews, features, interviews, and critical perspectives on art and culture across New England.

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LEFT: Paul Manship, Diana, casting 1925, bronze on marble base, 62” x 42”. Gift of anonymous donor. Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. RIGHT: Paul Manship, Actaeon, casting 1925, bronze on marble base, 49 1/2” x 52”. Gift of anonymous donor. Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts.
Issue Articles

Paul Manship: Generational Legacy Continues at Addison

By Flavia Cigliano

“From Starfield to MARS: Paul Manship and his Artistic Legacy” is an exhibit conceived in two parts: “Art Deco at the Addison” explores sculptor Paul Manship’s artistic legacy and historical […]

David A. Lang and his students who built this car out of found materials in the late 1970s at the Middlesex School in Concord, Massachusetts.
Issue Articles

Remembering David A. Lang: Teacher, Artist, Friend

By Katherine French

I first became acquainted with David Lang through his art, specifically with the large metal sculpture on the grounds of the Danforth Museum of Art where I once worked. Curvilinear […]

LEFT: Michael Pribich, American Spirit; CENTER: Nancy Roy-Meyer, Fair; RIGHT: Carol Sogard, Stop, reclaimed white plastic bags.
Issue Articles

Textual Healing: Finding Meaning at Art League Rhode Island

By J. Fatima Martins

Surprise! There’s human hair on display in “Parsing Sign and Image,” a diverse group exhibition of mixed-media art juried by Artscope Magazine’s founder and publisher, Kaveh Mojtabai, that engages with […]

LEFT: Black and Blue, 1958-1959, anodized aluminum and paint. The Isamu Noguchi Foundation and Garden Museum, New York. RIGHT: Memorial to Buddha, 1957 (partially reconstructed 1978), bronze, plaster and wood. The Isamu Noguchi Foundation and Garden Museum, New York.
Issue Articles

Isamu Noguchi: Groundbreaking Sculpture in Portland

By Jamie Thompson

The Japanese-American artist Isamu Noguchi displayed an impressive range throughout his decades-long career, producing not only traditional sculpture, but also stage sets, memorials and furniture. His forays into industrial, landscape […]

LEFT: Faig Ahmed, Epiphany, from the “Liquid” series, 2016, handmade woolen carpet, 74” x 79”. Courtesy of the artist and Sapar Contemporary, New York. Image courtesy of Ahmed Faig Studio. RIGHT: Samira Alikhanzadeh, No. 10, from the “Double” series, 2010, digital print, mirror fragments and acrylic on board, 35” x 50”. Lent by Azita Bina Seibel.
Issue Articles

The Shape of Birds: Bridging the Cultural Divide Through Art

By J. Fatima Martins

“The Shape of Birds” takes the theme of displacement, remembrance and adaption from Nizar Qabbani’s poem “A Lesson in Drawing” which begins with “My son placed a paint box in […]

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Issue Articles, Welcome

Welcome: From Brian Goslow

Earlier this fall, after our national correspondent, Nancy Nesvet posted pictures and video from a rally in Washington, D.C. on our Facebook page, someone asked us, “Are you a political […]

Farsad Labbauf, "Of Shirin and Superheroes," oil on canvas, 2018, 54" x 44" from "From My East to your West," at Blank Space Gallery, 30 Gansevoort St, New York, until October 28.
Artscope Online, Current Exhibits, Exhibits, Visual Arts

Farsad Labbauf: From My East to Your West

By Nancy Nesvet

In a layering of styles and content, east and west, Iran and America, past and present, Farsad Labbauf has used imagery from his youth in Iran combined with iconic imagery […]

LEFT: "5:30 a.m. In the Basement," oil painting on canvas overlaid with video projection, 60" x 36", 2018. CENTER: Safarani Sisters at interview, NY, Oct 19, with "Twilight reincarnation," oil painting on canvas overlaid with video projection, 108" x 72", 2018. RIGHT: "Late Afternoon Gaze 2," oil painting on canvas overlaid with video projection, 60" x 36", 2018.
Artscope Online, Current Exhibits, Exhibits, Visual Arts

From Two, One.

By Nancy Nesvet

Seeming to reference Edward Hopper’s interiors and Gerhard Richter’s “Woman Descending the Staircase” (1965, after Duchamp), with a bit of Vermeer’s Dutch Master technique and figurative expertise thrown in, the […]