Articles

Reviews, features, interviews, and critical perspectives on art and culture across New England.

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Mother.
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IMPACT ON INNOCENCE: THE BLACK & WHITE OF MASS INCARCERATION

By Elayne Clift

Deborah McDuff’s exhibition, “Impact on Innocence: Mass Incarceration,” on show from February 1 through 22 at the Augusta Savage Gallery at the University of Massachusetts Amherst, couldn’t be more timely […]

Dr. Richard Connor in his home in front of Peter Shroud paintings.
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ART ESTATES: THE RISING TIDE OF THE WORK LEFT BEHIND

By Ron Fortier

American architect Thom Mayne once said, “The huge problem in our society is the enormous ignorance of the ideas that underlie modern art.” You would think that was bad enough. […]

Neponset Bridge, 2017, oil on canvas, 16” x 20”.
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WORKING CLASS HERO: CROTTY MAKES THE GRITTY MAGNIFICENT

By Beth Neville

Twenty-five years ago, Vincent Crotty left his native Ireland and emigrated to Dorchester where he discovered a “land of opportunity” and a mentor who recognized his painting talents and counseled, […]

Adam Waimon, Forms of Alchemy (Orbit), blown and carved glass, 24K gold, silver, 17” x 17”.
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CONFIDENCE AT ARTPROV: A SOPHISTICATED PRESENTATION

By Suzanne Volmer

Marjorie Hellman, Ken Steinkamp and Adam Waimon exhibit in solo situations at ArtProv Gallery through January 19. For collectors and other visitors, this means one artist per room. The arrangement […]

Stephen Huneck, Hot Dogging, limited edition print.
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WORTH THE TRIP NORTH: 4TH ARTS CONNECT HAS A HOMETOWN FEEL

By Marta Pauer-Tursi

When it’s too cold to ski and you’re so over roasting chestnuts in an open fire, yet yearn for something to do that doesn’t involve staring at a device screen, […]

Patricia Kelliher, from the “Closing the Sea” series, 16” x 20”.
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A DOUBLE SOLO: 2019 SOLO COMPETITION AT BROMFIELD

By Marguerite Serkin

“The only competition worthy of a wise man is with himself.” — Washington Allston When Howard Yezerski, owner of Howard Yezerski Gallery, was asked to be juror of the Bromfield […]

Carol Anne Grotrian, MELTING: Arctic Circle, 2018, cotton handdyed fabrics patterned in Japanese shibori techniques, layered and hand-stitched with Japanese boro technique, 27” x 30”.
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SURFACE DESIGN: LANGUAGE AS A MEDIUM AT FULLER CRAFT

By Elizabeth Michelman

“Context: Language, Media and Meaning,” a juried exhibition at the Fuller Craft Museum, showcases 30 works predominantly of fiber, handmade paper and textile from members of the Surface Design Association’s […]

Tanya Crane, Pangea, 2014, copper, nu gold, sterling silver, sea grass, courtesy of the artist.
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SHINING IN THE SEAPORT: WEARABLE ART AT THE SOCIETY OF ARTS + CRAFTS

By Suzanne Volmer

Currently on view in Boston’s Seaport District on the second floor of one of that neighborhood’s sheathed-in-glass high-rise buildings is: “Adorning Boston and Beyond: Contemporary Studio Jewelry Then + Now.” Guest […]

Gail and Jim Nauen in the Adirondacks.
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BEHIND EVERY GREAT ARTIST: ARTISTS AND THEIR PARTNERS

By Ron Fortier

I came up with this story concept during a gathering of friends, classmates and fellow artists. We’ve been getting together as often as possible after a hiatus of about 40 […]