Articles

Reviews, features, interviews, and critical perspectives on art and culture across New England.

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Current Issue, Issue Articles, Welcome

WELCOME: FROM BRIAN GOSLOW

By Brian Goslow

Welcome to the 79th issue of Artscope Magazine, which celebrates our 13th anniversary. It features our annual special section in which we’ve asked our writers which artists they may have […]

Otto Piene, "Sulphur," 2001, oil and fire on canvas, 47 9/10” x 47 4/5”.
Current Issue, Issue Articles

LOCAL CONNECTIONS: PIENE’S ETERNAL FIRE LIGHTS UP FITCHBURG

By Brian Goslow

In 1983, German-born Otto Piene purchased a huge piece of property in Groton, Massachusetts, located approximately 40 miles northwest of Boston. He converted his new home into an “art farm” […]

Carole Bolsey, "Hudson River Backwater," 2019, mixed media on canvas, 7' 6" x 26' 10".
Artscope Online, News, Visual Arts

Carole Bolsey’s “Hudson River Backwater”

By Bryanna F. Drew

Carole Bolsey is known for her large-scale canvases. So, when VisionArt was looking for an artist to take up their monumental 8’ x 27’ task of creating a piece of […]

Karin Rosenthal, "Brilliant Day," 2003, gelatin silverprint, 16” x 20”.
Issue Articles

Making Connections with Donna Dodson

By Donna Dodson

“Half-Silvered,” the current exhibition in the Women’s Studies Research Center’s Kniznick Gallery at Brandeis University, features photographs by Karin Rosenthal and kinetic sculptures by Anne Lilly that explore the relationship […]

Eleanor Kipping, Strange Fruit, at the Maine Center for Contemporary Art.
Current Issue, Issue Articles

CAPSULE PREVIEWS

By Brian Goslow

“Migration: A Curated Fiber Arts Exhibition” runs from January 10 through February 28 at the Umbrella Community Arts Center, 40 Stow St., Concord, Massachusetts. The show, curated by the Umbrella […]

Yves Tanguy, Les Oiseaux Repentis, 1936, oil on canvas, 13 1/2” x 10 1/2”, at Landau Contemporary.
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TO THE DRAWING BOARD: ART EDUCATION AT ART BASEL MIAMI BEACH

By Nancy Nesvet

Art Basel Miami Beach 2018 was bustling with crowds of people and visitors at the VIP and public days were rewarded with phenomenal work, both current and historic. Painting is […]

Catherine Carter in her new art studio at Hatch Street Studios in New Bedford.
Current Issue, Issue Articles

DRAWING A CROWD: CARTER TURNS HER STUDIO INTO A CLASSROOM

By Bryanna F. Drew

Catherine Carter has always loved teaching. “The act of visual self-expression is the greatest joy I know, and I can never get enough of supporting others who seek that joy […]

Damon Campagna, Two Hundred Sixty-eight Marks over Two Dark Fields in a Square, 2018, copperplate spitbite etching with red pencil on Hahnemühle paper, typed documentation; typed documentation, carbon paper, paper, plate size: 5-7/8” x 5-7/8”.
Current Issue, Issue Articles

INTERSECTION OF SCALE: NEW PERSPECTIVES AT THE WHEELER SCHOOL

By Suzanne Volmer

“Intersection of Scale,” on view January 17 through February 6 at the Chazan Gallery at Wheeler in Providence, Rhode Island presents a macro discussion about micro-scale, evidence-based art practices featuring […]