Articles

Reviews, features, interviews, and critical perspectives on art and culture across New England.

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David Arsenault, "Eastern Point," 30” x 40”.
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DAVID ARSENAULT: A LOVE OF TRANSFORMATIVE LIGHT AND LANDSCAPE

By Elayne Clift

It was 1970 when artist David Arsenault first saw a reproduction of a painting by American Realist Edward Hopper. Called “Gas,” it depicted a rural gas station at dusk with […]

Craig Altobello, "Cliff Walk, Acadia National Park," 2019, 11 1/2” x 14”.
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CRAIG ALTOBELLO: FINDING MARQUETRY’S BEAUTY BENEATH THE BARK

By Linda Chestney

For artisan Craig Altobello of Peterborough, New Hampshire, marquetry, the art of assembling thin slices of wood to form an image, is an act of perfection and serendipity. His perfectionist […]

Sean Scully, "Landline Bend Triptych," 2017, oil on aluminum, private collection. © Sean Scully, photograph by Robert Bean.
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SOFT UNCERTAIN SPACES: SCULLY GIVES ABSTRACTION BACK TO THE PEOPLE

By Kristin Nord

Wadsworth Atheneum visitors are in for a treat: Sean Scully’s exquisite “Landline” series, just off a run at the Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C., has arrived […]

Michael Bergt, "Lotus," egg tempera, 24” x 18”.
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PROCESS PURISTS: TEMPERA’S SENSE OF SUSPENDED VISUAL MOMENT

By Suzanne Volmer

“Tempera — Nature and Narrative,” at Attleboro Arts Museum from April 6 to May 4, focuses on paintings by eight artists working with classic egg tempera as a medium of […]

Sally Bousquet, "Sun Spots," archival pigment print, 23” x 30”.
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EMERGING THEMES: YEAR OF THE WOMAN CONTINUES IN CAA MEMBERS SHOW

By Leah Hamilton French

Juror Lisa Crossman certainly had her work cut out for her. The Cambridge Art Association’s 2019 Members Prize show features paintings, photographs and sculpture by 60 regional artists. This year’s […]