Third National Exhibition of Monotypes and Monoprints at Gordon College

2 min read
2013 MGNEsmelser_s_1_littlebrother-300(1)
Sarah Smelser, “Little Brother.”

The Monotype Guild of New England’s “Third National Exhibition of Monotypes and Monoprints” featuring 94 unique prints selected by Mark Pascale, Curator of Prints and Drawings at the Art Institute of Chicago, is now on view at Gordon College’s Barrington Center for the Arts. The works reflect the range of techniques employed by artists from across the country to create contemporary one-of-a-kind prints.

The show’s opening reception is this Saturday, March 2 from 3:30-5:30 p.m. Pascale will be on-hand to discuss his selection of award-winning prints For a complete list of participating artists, visit http://www.mgne.org/2013NationalShowCFE.html#artists.

The Monotype Guild of New England is a non-profit organization founded in 1985 by Beverly Edwards and a group of artists working with her in monotype workshops at the Fuller Museum in Brockton and at the Cope Cod Conservatory in Barnstable, Massachusetts. The group needed to find sites to exhibit their work and exchange ideas with other artists working in this medium. Edwards formed the structure, purpose and by-laws of the Monotype Guild of New England (MGNE).

The purpose of the organization, dedicated to the art of the unique print, is to foster understanding and appreciation of monotypes and monoprints. To this end, the guild sponsors exhibitions, workshops, demonstrations and other special programs for its members and the public.

(The show continues through April 6 at the Barrington Center for the Arts, 255 Grapevine Road, Wenham, Mass. For more information, call (978) 927-2300 ext 4414.)

More from Artscope Online

West of the Sun_Sunlight
Exhibit Openings, Exhibits

Richard Kattman: Painted Abstractions at Fountain Street Fine Art

In advance of Richard Kattman’s month-long “Painted Abstractions” show at Fountain Street Fine Art, artscope magazine’s managing editor, Brian Goslow, exchanged questions with Richard about the show, his current projects and whether or not the world would get to see an exhibition of his fascinating

BSO1
Music

Boston Symphony Orchestra’s 132nd Season

Last Thursday the technically perfected sounds of the Boston Symphony Orchestra filled Boston Symphony Hall — the first of four performances that will consist of these two particular pieces of musical art. The first was the exciting and bouncy ballet in one act, “Pucinella” by Stravinsky, which was