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Samuel H. Levine and McKinley Belcher III in the Huntington Theatre Company's production of A Guide for the Homesick, directed by Colman Domingo. © Photo: T. Charles Erickson.


THE HUNTINGTON THEATER COMPANY PRESENTS A GUIDE FOR THE HOMESICK

By James Foritano BOSTON, MA — How best to introduce a play reeking with the ambiguities and ambivalences of the human situation is perhaps to start with a few paragraphs of bare facts. The title of the play under review is “A Guide for the Homesick” by playwright Ken Urban. Its current run takes place […]


Honk Fest 2017


Honk Fest 2017

Shem Tane   CAMBRIDGE, MA — This past weekend the city of Cambridge celebrated its 11th year of HonkFest, which is a three day festival of brass bands from around the U.S. performing in both Davis and Harvard Squares. The core of the festival is to bring the community together through music. As I witnessed […]


Welcome to Chatham

Welcome to Chatham


WANDERLUST: CHATHAM, MASSACHUSETTS

Chatham, Massachusetts sits on the elbow of the sandy spit that saves Massachusetts from being a rectangle. And while collard gingham shirts, golf clubs and yachts abound in this seaside town, there is an enduring art scene that has kept it from being square.


Entrance to Venice Biennale (photograph by Nancy Nesvet)


Art Makes the World Go Around: First Day at the Venice Biennale

Surrounded by water, filled with foreigners speaking different languages, in a city where getting lost in ancient alleyways is a regular occurrence, Venice provides the perfect venue for the most famous of the World’s Biennales. Almost every exhibit at the Venice Biennale deals with risks to our changing world, whether they be political or environmental. Located at ground zero, with the risk of inundation by water if global warming continues to produce floods and facing refugees arriving in Italy every day, Venice is the perfect place for government-sponsored art projects seen by an international public.


Images: LEFT: Liu Jianhua, Square, 2017, China, courtesy of Pace Gallery, Beijing and Hong Kong, At Venice Biennale 2017; RIGHT: Sislej Xhafa, Lost and Found, 2017, Pavilion of the Republic of Kosovo, Venice Biennale 2017.


Day Two: Venice Biennale 2017 Continues

Curator Christine Macel has judiciously assigned themes within the exhibition of artists’ work she has chosen; at the Giardini; Pavilion of Artists and Books, Pavilion of Joys and Fears and Pavilion of Time and Infinity (part 2). The Arsenale site includes Pavilion of the Common; Earth Pavilion; Pavilion of Traditions; Pavilion of Shamans; Dionysian Pavilion; Pavilion of Colors and Pavilion of Time and Infinity, part 1. Intentionally amorphous separations of the Pavilions without blatant markings allow unhampered flow. In her statement in the Short Guide, curator Macel explains that this flow is important. Flowing water crossed by refugees has no boundary signs; the flow of refugees must ignore boundary marks to progress.


Art Basel 2017 Art

(Clockwise, from top left) Reza Aramesh, Site of the Fall: Study of the Renaissance Garden, 2016-17, marble, topiary, Leila Heller, New York City, at Parcours, ArtBasel ; Sue Williamson, Messages from the Atlantic Passage, Goodman Gallery, Johannesburg, South Africa; Phyllida Barlow, untitled: 100banners2015, 2015, Hauser & Worth, Zurich; Thomas Struth, Paradise 28, Rio Madre de Dios, Peru 2005, 2005, chromogenic print, Galerie Max Hetzler, Berlin/Paris; Peter Regli, Reality Hacking No. 313, 2014, Levy Gorvy, New York.


THE MORNING AFTER: LOOKING BACK AT ART BASEL 2017

This year, Art Basel had something for everyone. Dominated by the motherlode of over 4,000 works of art shown by 226 exhibitors in the Galleries sector, Art Basel extended its universe to individual artist projects at Parcours, Unlimited, Statements and Features. The solo projects, the result of artist proposals, were politically aware, environmentally conscious and community oriented.


Subodh Gupta "Cooking the World”

Subodh Gupta, "Cooking the World” 2017, found aluminum utensils, monofilament line, steel, Gallery Continua, Italy.


ARTSCOPE’S GUIDE TO BASEL ART FAIRS 2017

It is a calmer year at Art Basel, but no less edgy. Escapist to a degree, the world sector-wide reflects a desire to hide under the covers, or at least spend time at a beach, eating a good meal or watching an entertaining, possibly animated film. Whereas the work last year implored us to speak an act, and sometimes revolt, we’ve now done it, and largely have had no effect. So, let’s have some fun. Many projects allow us just that.


Fixed/Fluxed

Fixed/Fluxed Installation by Thu Kim Vu


Far from Foolish: Family Fun at the Festival of Fools

By Meghan Richter Image: “Festival Host BCA’s Current Exhibition: Thu Kim Vu’s Fixed/Fluxed” Driving through the green mountains of Vermont is always a treat, especially in the summer when the city of Burlington is vibrant with engaging activity. This past weekend’s temperatures were about 75 degrees on average, sunny and breezy — the perfect escape […]



Peter Marcus for the Artscope Podcast Series

On July 23, Alex Bandoni interviewed Peter Marcus for the Artscope Podcast Series. In this episode, (which you can listen to here: https://soundcloud.com/ascopemagazine/peter-marcus-interview), Peter discusses his “The New American Family” exhibition that’s at the Newport Art Museum through August 11 and how the pieces for this exhibit came together. In addition, he explains how his work has changed over the years, his expansive teaching career and where he is headed in regards to his future artistic endeavors.