DaNice D. Marshall never intended to become a painter. For most of her life, she was a writer, a woman who lived within language, shaping stories with rhythm, cadence and the intimacy of thought. Writing had always been her home, her compass, her way of mapping both the inner and outer worlds. Then silence arrived. A severe vascular disease altered the course of her life completely, gradually eroding her hearing and, with it, her ability to concentrate long enough to write. The sentences that had once come effortlessly began to dissolve into silence, and for the first time, the woman who had always found her voice through words was left without one. What could have marked an ending instead became a transformation. During recovery, Marshall reached for paint, not with any grand ambition, but to fill the silence. The colors became her new language, a visual form of storytelling that … [Read more...] about WHEN SILENCE BECAME COLOR
November/December 2025
THE WEIGHT OF EMPIRE
The Yale Center for British Art in New Haven, Connecticut is currently presenting “Hew Locke: Passages,” a comprehensive survey of the British Guyanese artist's career spanning over 30 years. Located on the museum's second floor, the exhibition includes nearly 50 works showcasing Locke’s evolving visual language across media. From his earliest charcoal sketches to recent immersive pieces made from found and repurposed materials, “Passages” explores themes of storytelling, symbolism and history. The artist’s presence during the press review added valuable insight into the themes and context of the exhibition. Born in Edinburgh, Scotland, Locke moved with his family to Georgetown, Guyana in 1966, shortly after the country gained independence from Great Britain. This historic moment became a foundational influence on his work, sparking a lifelong inquiry into how national histories are … [Read more...] about THE WEIGHT OF EMPIRE
THE GEOMETRY OF STILLNESS
“Into the Abstract,” now on view at the Southern Vermont Arts Center, is aptly named because it offers an entrée into minimalist-inspired abstraction. Visitors are invited to explore the parallels and contrasts between the works of Neha Vedpathak — an artist in her 40s, and Paul Gruhler, an artist in his 80s. Their art is installed separately in two galleries of the Center’s Elizabeth de C. Wilson Museum, as if the two galleries are in conversation with each other. Gruhler’s clean, crisp, color-saturated works are reminiscent of the iconic zip paintings of Barnett Newman, whose works evoked a spiritual sense of the sublime. The geometry of Josef Albers and the immersive fields of color of Mark Rothko are also echoed in Gruhler’s paintings. He is remarkably sensitive to color tones, experimenting to ensure his color relationships work harmoniously. This expertise is evident in the … [Read more...] about THE GEOMETRY OF STILLNESS
ONE BODY INFINITE MOTION
Sometimes we love what artists create because of its aesthetic beauty, sometimes its abstractions intrigue us with their ambiguity or sometimes its concepts message us, sometimes it catches hold of atime, place or memory. Other art, like Frances Bacon’s paintings, or the works of Egon Schiele or social realists like Bernece Berkman examine the human condition. Though she categorizes herself as a figurative expressionist, Laura Shabott’s work blends a bit of all these templates. Shabott herself is a life force and that force expresses itself in her originality, now in “You Only Get One Body,” an exhibition at the Cape Cod Museum of Art (CCMOA). “The whole show really is about drawing and painting the figure from life,” she explained. “When you work with different models they are all very unique — not just physically but energetically, and each model brings out a different kind of … [Read more...] about ONE BODY INFINITE MOTION
Welcome
“We’ll see.” That’s how several of the artists featured in this issue of Artscope Magazine responded to the question of what’s next in their careers and work projects. It’s a reflection of how life has been, not only around the arts community, but our country and world, a time of uncertainty, aware of the challenges that lay ahead. In putting together this issue, I looked for exhibitions in which artists put their feelings into their work, not only how this helped them deal with these uncertain times, but if it resulted in any art that we’ll return to the rest of our lives. The seeming need for greater community and social interaction has resulted in a few developments in how galleries present their work. In reviewing the Art League of Rhode Island’s “Truth Unveiled: Art as Reality, Illusion, and Insight” exhibition in Pawtucket, Suzanne Volmer points out that the organization was … [Read more...] about Welcome





