When you enter the “Weaving an Address” exhibition at the Umbrella Arts Center in Concord, Massachusetts, your gaze is directed to the central wall of the Allie Kussin Gallery. It’s there that Perla Mabel’s “Morir Soñando” hangs like the nave rosette window in France’s Chartres Cathedral. Mabel created this multi-media piece during Covid to find herself, and to “speak her truth without fear.” She told me that her art is her love language. A sunflower ornament, owned by her mother, tops her work like a perpetual sun. The black, purple and gold fabrics that she pieced together echo the materials in home altars that she grew up with. Mabel painted several self-portraits emerging and dreaming in this cave-like spiritual space. Curator Marla McLeod invited Mabel to display her work in the exhibit with only a month to prepare; the other artists were given a year’s notice. Happily, the power … [Read more...] about POWER AND RADIANT REVERENCE
May/June 2025
JO SANDMAN: YEAR OF THE SNAKE
Jo Sandman is a painter and multidisciplinary artist, now aged 93, who has exhibited nationally and internationally during her long career. Sandman attended the legendary Black Mountain College in North Carolina in 1951, where she studied with Robert Motherwell and Aaron Siskind, among others. At Maine’s Portland Museum of Art, Sandman’s 1998 suite of images, which make up “Skin Deep,” reveal these important early influences. At Black Mountain, Sandman experimented with painting, collage and interdisciplinary media of all kinds, including music and dance. Teachers there at the time included faculty member and poet Charles Olson, who had traveled in Central America and brought back information on then-untranslated Mayan glyphs, a system of writing in which representational images combine with abstract symbols to form words or syllables. The concept of glyphs took hold at Black Mountain. … [Read more...] about JO SANDMAN: YEAR OF THE SNAKE
DELIGHTFULLY OVERWHELMING
Alia Farid’s latest large-scale installation, “Talismans (Kupol LR 3303),” was created primarily with a material called Kupol LR 3303 which is a resin manufactured by the United Oil Projects (UOP). Farid collaborated with UOP in Kuwait to fabricate the material. The exhibition, curated by Meg Rotzel, the curator of exhibitions at Harvard Radcliffe Institute of Advanced Study, is on view through June 21 in the Harvard Radcliffe Institute’s Johnson-Kulukundis Family Gallery, located in Byerly Hall. Farid returns to Radcliffe after a year-long residency in 2023-2024 where she worked on “Amulets,” now on view in a large-scale outdoor exhibition at Stanford University. “Talismans (Kupol LR 3303)” is also presented in conjunction with additional work from Farid’s series in the United Arab Emirates’ Sharjah Biennial 16. “Talismans” features photographs selected from Farid’s maternal archive. … [Read more...] about DELIGHTFULLY OVERWHELMING
MANIFEST DESTINY
On January 10, 1975, the newly established Nesto Gallery at Milton Academy opened its inaugural exhibition, showcasing 35 works by 1969 Milton Academy graduate William Nesto. That exhibit would set the stage for decades of artwork, life-long friendships and impactful teacher-student relationships. Now, just over 50 years later, a multi-generational team of 10 current and former Nesto Gallery directors have assembled “Celebrating 50 Years of the Nesto Gallery,” a show that pulls 10 artists from the gallery’s half-century of solo exhibitions to present a thoughtful and robust cross section of visual art. It’s hard to talk about the Nesto Gallery without first acknowledging the space’s namesake, the Nesto family, specifically Anne Nesto, who provided a grant to help establish the gallery in memory of her husband, and William’s father, R. William Nesto. According to a statement by curator … [Read more...] about MANIFEST DESTINY
SPACE TO REFLECT
The “MATRIX” is an ever-evolving exhibition space at the Wadsworth Atheneum Museum of Art. Launched in 1974 through a grant from the National Endowment for the Arts, the space was envisioned as an experimental platform for contemporary art. Over the last five decades, “MATRIX” has presented more than 1,000 works by over 160 artists, many of them early in their careers. The gallery has consistently served as a site for work that is challenging, provocative and firmly grounded in the present, frequently asking viewers to reconsider the boundaries of art itself. In the current “MATRIX” exhibition, multidisciplinary artist and writer Steffani Jemison presents a richly layered inquiry into knowledge, perception and the symbolic language of the moment. The questions at the heart of this exhibition are: “How do we move? How are we moved by each other?” These questions serve as both a … [Read more...] about SPACE TO REFLECT
BETWEEN TWO WORLDS
I recently went to see artwork in the studios of Nora Valdez and Nirmal Raja in advance of their month-long solo exhibitions at Boston Sculptors Gallery. Both are mid-career artists whose work reflects focused and mature intention. Both are first generation immigrants. Raja is originally from Chennai, India, Valdez from Villa Mercedes, San Luis, Argentina. Although the artists are of singular vision, it is also true that their respective aesthetics loop through some of the same conceptual terrain — plying the immigrant experience and feminism. Both explore ideas of belonging, distance and time. In conversation, Raja and Valdez individually mentioned the feeling of being “between two worlds.” They are citizens of the United States but live with influences and strong emotional ties to their countries of origin. Running from May 8 through June 8, “Nirmal Raja: Grace and Grit” is the … [Read more...] about BETWEEN TWO WORLDS