Is the pandemic over? It looks like social behavior will be the determinant of that! So far, 2022 has been shaping up to be a memorable and celebratory artful year. Could the art world mark the ending of this global health crisis? All corners of the world are finally hosting biennials, triennials, retrospectives, art fairs, festivals, and the cherry on top is that traveling resumes. We are back in business, not business as usual... but something in between. For those who don’t have a magic carpet or cannot attend exciting and glamorous art events abroad, there is no shortage of local and regional options to experience the art world. Located eight miles from Boston in Watertown, the Dorothy and Charles Mosesian Center for the Arts presents, from May 5 to June 30, an exhibition that brings artists’ personal experiences, including fiction and non-fiction narratives, with political, … [Read more...] about DISPLACEMENT ACROSS CULTURES: SELF-REFLECTION & HEALING AT MOSESIAN CENTER FOR THE ARTS
May/June 2022
TRULY EXCEPTIONAL: ARGHAVAN KHOSRAVI’S POTENT PAINTINGS AT THE CURRIER
What do you think is the average time museum-goers spend looking at art? A study in 2001 at the Metropolitan Museum of Art indicated the average time spent looking at great works of art was 27.2 seconds. Fast forward to 2017, when the Art Institute of Chicago conducted the same study and found an increase to 28.63 seconds. I predict a current exhibition at the Currier Museum of Art in Manchester, New Hampshire, will skew the numbers of those studies. Upward. Iranian artist Arghavan Khosravi’s first museum exhibition — at the Currier — won’t be her last museum show. She creates surrealist images that explore themes of exile, suppression and empowerment. Her enigmatic compositions center on female protagonists and allude to the restrictions of human rights, particularly those of women and immigrants. Usually, I have no problem describing a piece of art — and its medium or … [Read more...] about TRULY EXCEPTIONAL: ARGHAVAN KHOSRAVI’S POTENT PAINTINGS AT THE CURRIER
POIGNANT REFLECTIONS: 400 YEARS OF METHODS AND TECHNIQUES AT RISD MUSEUM
Five exhibits are currently on display at the RISD Museum, “Drawing Closer: Four Hundred Years of Drawing from the RISD Museum,” “Trading Earth: Ceramics, Commodities, and Commerce,” “Striking Chords: Music in Ukiyo-e Prints,” “Variance: Making, Unmaking, and Remaking Disability,” and “Inherent Vice.” And each exhibition highlights a different aspect of the RISD Museum’s collection and mission as an institution. First, “Drawing Closer” brings together 67 works by European artists dating back to the 16th century that “consider how and why drawings were created, paying special attention to the materials they were made of and to the functions they served both in the artist’s studio and in the world outside it.” While each of the drawings in this exhibition is a masterful example of illustration, two in particular stuck out. First, Jane Ogden’s “Bluebells and Primroses with a Bird’s … [Read more...] about POIGNANT REFLECTIONS: 400 YEARS OF METHODS AND TECHNIQUES AT RISD MUSEUM
‘A PAINTING IS A PRACTICE’: KIRSTIN LAMB’S FLORAL REMIX AT THE TERZIAN GALLERY
Providence painter Kirstin Lamb’s early paintings were mushrooming accumulations of appropriated images referencing the history of domestic décor, portraiture and still life. Rendered in a style of artless caricature that masked her superior drafting skill, the encyclopedic scope of her imagery always suggested richer undercurrents. Lamb’s early paintings and drawings reflected the vanitas tradition of Dutch Master still life. She tossed in every kind of object or image that might grace a home or studio’s walls, complicating these collections with her own striped and dotted abstract designs and adding repetitive textilepatterns and floral displays copied from collected ephemera, historical compilations of home décor and references to domestic and feminine-identified crafts. These led to burgeoning 3D installations in the studio of individual works and groupings copied from her … [Read more...] about ‘A PAINTING IS A PRACTICE’: KIRSTIN LAMB’S FLORAL REMIX AT THE TERZIAN GALLERY
INSPIRATION AND ENCOURAGEMENT: DOVER’S ART CENTER BUILDS VIBRANT ARTS COMMUNITY
Located at a deep bend of the Cocheco River in the beating heart of burgeoning Dover, New Hampshire, is where you’ll find the historic Washington Street Mills complex. Over the past few years, something special has happened within this former textile mill, as the Seacoast Region city it calls home — the oldest permanent settlement in New Hampshire — has transformed into one of the fastest-growing communities in the state. This circa-1880s mill complex has sprung to new life through the efforts of a vigorous and varied blend of talented entrepreneurs. At the core of it all is a thriving artists’ colony anchored by a multifunctional creation, exhibition and performance space named The Art Center which is well-served by the boundless and infectious energy of its passionate owner, Rebecca Proctor. In the damp gray of early-April, as the New England spring struggled to find its … [Read more...] about INSPIRATION AND ENCOURAGEMENT: DOVER’S ART CENTER BUILDS VIBRANT ARTS COMMUNITY
WATCHING THE RIVER FLOW: KANNENSTINE’S ART PRESERVES OUR NATURAL SETTINGS
In 1970, Sally and David Laughlin of Woodstock, Vermont, had a bright, vastly unpopular idea: to clean up the Ottauquechee River, which had been polluted with runoff from local mills and, during more recent years, with raw sewage. Like many unpopular bright ideas, theirs turned out to be visionary. David Laughlin, a dentist by profession, shared in a 2018 interview with Tim Traver, for his book, Fly Fishing & Conservation in Vermont: Stories of the Battenkill and Beyond, “My office was right on the river, so every morning, I could see the river running yellow or blue depending on what the dyes in the Bridgewater Mill were that day. I knew the river was in trouble but had no idea how bad it was.” In the 1960s, a treatment plant had been constructed in Woodstock, but by 1970 most of the town had not been connected to the facility, and runoff went straight to the river. At … [Read more...] about WATCHING THE RIVER FLOW: KANNENSTINE’S ART PRESERVES OUR NATURAL SETTINGS