The first thing that strikes you upon entering the Hood Museum of Art’s new atrium is the sense of space and airiness, inviting exploration of what lies beyond in numerous galleries and classrooms. The prominent entrance to the new and expanded Hood, with its large black-and-white mural and white walls, opens directly onto the Dartmouth College Green. It offers an inviting space where people can meet and where performances and other events can take place. Perhaps most importantly, it sets the tone for all that is new about the Hood, which reopened on January 26 after major renovation and expansion. The new museum, adding to the original 1985 Charles Moore building, is designed to bring together Dartmouth’s academic and research activities while emphasizing the college’s vast art collection, one of the largest of its kind in the country with over 65,000 works representing a variety … [Read more...] about A PLACE FOR ACTIVE ENGAGEMENT: EXPANSION ALLOWS THE HOOD SPACE FOR DIALOGUE
March/April 2019
RODIN; MODERNIST GENIUS, 1840–1917: DYNAMIC WORKS PROVE SCULPTOR’S LASTING GREATNESS
Two men, Saint John the Baptist and Honoré de Balzac, separated by 2000 years, by different cultures and languages, by geographical location and physical appearance, are brought to life by one of the world’s greatest sculptors, Auguste Rodin. The bronze sculptures of St. John and Balzac are exhibited at the Cantor Gallery of the College of the Holy Cross along with many other works by the famous French sculptor. Great art has longevity and Rodin’s works are as powerful now as they were when he first put his hand into a lump of clay, gouging and pushing the wet mass into portrait-likenesses of intimate friends, nude female models or imagined personalities like St. John. The key to powerful and lasting art is universality and emotional truth. In great art, we recognize the humanity, the alertness and the fragility of individuals. Rodin’s most famous examples of these attributes are “The … [Read more...] about RODIN; MODERNIST GENIUS, 1840–1917: DYNAMIC WORKS PROVE SCULPTOR’S LASTING GREATNESS
DEATH, DESTRUCTION, REGENERATION: MATT BARNEY’S TEMPORARY FORTIFICATION AT YALE
Sculptor and filmmaker Matthew Barney has been pushing boundaries for many years now — and his deeply complex multi-media exhibition, “Redoubt,” created during the years of 2016–2019, promises to take audiences on yet another far-ranging conceptual ride. The exhibition trains its lens on winter in Idaho’s deeply rugged Sawtooth Mountains, a place where one still encounters elk and Dall sheep as well as a pack of wolves that have been reintroduced to the wild. Through film and objects, including four monumental sculptures, his narrative surrounding a mythic wolf hunt gradually emerges, asking viewers to contemplate stories drawn from classical mythology as well as archetypal ideas about humans versus nature that have dominated the Western landscape. Barney, who grew up in Idaho and has long been drawn to the Sawtooth region, has once again collaborated with composer Jonathan Bepler, … [Read more...] about DEATH, DESTRUCTION, REGENERATION: MATT BARNEY’S TEMPORARY FORTIFICATION AT YALE
WELCOME: FROM BRIAN GOSLOW
Welcome to the 79th issue of Artscope Magazine, which celebrates our 13th anniversary. It features our annual special section in which we’ve asked our writers which artists they may have wanted to write about over the past year but the chance hasn’t presented itself. This year’s “13 for Our 13th” features a wide variety of New England artists that work in landscape and light, sculpture and color fields, marquetry and performance art, assemblage and mathematically-based constructions, documentary photography, and oil, glass and ceramic — and “heavy metal” nutcrackers. Some of these artists’ work will be on view as part of regional exhibitions in the months ahead, others can be seen in their workspaces during open studio weekends and others are regularly showcased in galleries and showrooms. One of the most pleasurable aspects of overseeing Artscope over the years has been following … [Read more...] about WELCOME: FROM BRIAN GOSLOW
LOCAL CONNECTIONS: PIENE’S ETERNAL FIRE LIGHTS UP FITCHBURG
In 1983, German-born Otto Piene purchased a huge piece of property in Groton, Massachusetts, located approximately 40 miles northwest of Boston. He converted his new home into an “art farm” and residence where the ground- and sky-breaking internationally recognized avant-garde artist turned former grain silos into art installations and barns into a studio and workshop and the surrounding land into a test field for his inflatable “Sky Art” creations. “Fire and Light: Otto Piene in Groton, 1983-2014,” on view through June 2 at the Fitchburg Art Museum (FAM), features many of the fire gouache on paperboard, oil and fire on canvas, tempera gouache on paper paintings and detailed sketchbooks Piene created during that time period — as well as “Proliferation of the Sun,” a 35-minute multimedia production originating in 1966 that was about to be reintroduced to the world just as Piene passed … [Read more...] about LOCAL CONNECTIONS: PIENE’S ETERNAL FIRE LIGHTS UP FITCHBURG