“Art as a form of communication takes over where language leaves off.” This assertion by glass artist Jeffrey P’an crystallizes his belief in art’s power. Art, he feels, “is very well equipped to communicate things that are not usually said in words.” From his studio/factory/store in the heart of Mystic, Connecticut, P’an is communicating his interpretations and reactions to life, nature and music through his glass creations. His art is desired by a growing list of collectors all over the world. Working with a diverse palette of colors and textures, P’an’s artistry distinctively makes glass the star. “What I try to do is create an ever-changing world with the transparency.” His techniques for blending and layering geometric shapes and patterns result in designs of luminous acuity that accentuate, rather than overpower, the crystalline character of the glass. A vase becomes a medium … [Read more...] about JEFFREY P’AN: AN AESTHETIC INSTINCT THAT CANNOT BE TAUGHT
March/April 2019
STELLA JOHNSON: EXPLORING GENERATIONAL FAMILY AND FRIENDSHIP BONDS
Photographs by Stella Johnson that focus on her 11-year immersive relationship with Greece are featured at the Leica Gallery in Boston Park Plaza Hotel March 7 though April 21. Johnson’s exhibition, titled “ZOI,” means life and coincides with the release of her book of the same name published by Wild Greek Press in Watertown, Massachusetts. To prepare for this profile, I spoke with Johnson who was in Oaxaca, Mexico, where she is engaged in a photographic exploration that has similarities to “ZOI” in the sense that her dialogue emerges out of friendships and it has developed over time. Johnson, a second-generation Greek-American, saw and experienced strength of family as an immutable and cohesive social element in Greece. In most of the countries in which she has worked, Johnson has lived among the populace and immersed herself in their culture. As a photographer, she considers herself … [Read more...] about STELLA JOHNSON: EXPLORING GENERATIONAL FAMILY AND FRIENDSHIP BONDS
JULIA JENSEN: CAPTURING NORTHERN LIGHT IN ALL ITS VARIATIONS
When I moved from Manhattan to a secluded mountaintop house in Vermont, my wonderment at the measurelessness of the landscape surrounding the house was boundless. At night, it was an endless universe of black space but in the morning light, even in April when snow covered the ground, there emerged at the edge of the distant woods the soft nuanced greens of willows and the soft reds of new growth on maples. A still-frozen stream far in the distance was the sole interruption, a meandering silver stroke spanning the snowy vastness. Recently, I set out to visit Northern Daughters Gallery in Vergennes, a cool community that boasts several top-rated chef-owned bistros, bars, patisserie shops and even a chocolatier. My interest was in seeing more of Julia Jensen’s large-scale semi-abstract landscapes that I had seen a year ago. Her paintings have a way of staying with you, long after you … [Read more...] about JULIA JENSEN: CAPTURING NORTHERN LIGHT IN ALL ITS VARIATIONS
XYLOR JANE: AN EXTRAORDINARY ARTIST WITH A NATIONAL REPUTATION
Through the ages, thinkers and mystics have recognized that numbers speak to the order of things, but artistic visual expression of this discreet order has been historically intermittent. Mathematical constructs such as the Fibonacci Sequence and the Golden Ratio appear in a broad spectrum of natural features, including snail shells, beehives, pine cones and our spiral galaxy; yet, their alignment with pure mathematics remains mysterious and for many, sacred. Greenfield, Massachusetts-based artist Xylor Jane follows in the footsteps of da Vinci, Dürer, Dali, Juan Gris and Le Corbusier in bringing the magic of numbers into visual form. Jane’s selected paintings of “Counterclockwise,” on exhibit at the University Museum of Contemporary Art at UMass Amherst, incorporate the perfection of mathematics, coupled with the drama of human interpretation. Pointillism defines much of Jane’s … [Read more...] about XYLOR JANE: AN EXTRAORDINARY ARTIST WITH A NATIONAL REPUTATION
JULIE A. DEROSA: ASSEMBLING HAPPINESS PIECE BY PIECE
Julie A. DeRosa’s mixed-media sculpture, “How to Be Happy No Matter What Happens,” arrives in our physical reality at a poignant time in which the condition of happiness has lost its natural variable state of being, and instead is an idealized commodity to be constructed, purchased and, therefore, faked. Of the sculpture’s conceptual origins, DeRosa wrote, “Over the years, my thoughts on happiness have evolved quite a bit, and I get angry at the ‘happiness industry’ that prescribes all these shortcuts and environmental ways to be happy, yet avoids and ignores the deeper work one needs to do to figure out happiness. I also have come to resent that our society makes it seem as if we should be working to attain 24/7 happiness.” “How to Be Happy No Matter What Happens” is, formally, an assemblage sculpture built up from discarded, found and vintage materials, some considered relics, … [Read more...] about JULIE A. DEROSA: ASSEMBLING HAPPINESS PIECE BY PIECE
BECCI DAVIS: RECONCILING PAST ERASURES THROUGH DIRECT ACTION
Emerging artist Becci (pronounced Becky) Davis explores race and gender identity issues through performance art. I liked the idea of inviting Davis to my studio so we could have a conversation about her work, share art perspectives as colleagues and discuss the trajectory of her career. She was still reeling, in a good way, from the opportunities and responsibilities afforded to her as a recipient of multiple artist awards in 2018 and was in the midst of finishing up an intense work cycle that brought to fruition a number of interactive projects completed roughly over the span of a year. Davis received the New Genres Individual Artist Fellowship from the Rhode Island State Council on the Arts and she won The Emerging Artist Award from the Saint Botolph Club Foundation, Boston in 2018. She also received a Providence Public Library Creative Fellowship and RISD Museum’s yearlong Artist … [Read more...] about BECCI DAVIS: RECONCILING PAST ERASURES THROUGH DIRECT ACTION