Can you capture the future in a photograph? The answer, of course, is no. You can, however, detail individuals on the edge of it. This is seen most strikingly in war photography where people living on a pinhead simultaneously grapple with an untenable reality, a chaotic past and an encroaching future more acutely than us who wander through galleries or scroll our phones. Lebanese-born American/Palestinian photographer Rania Matar, in her new exhibition “Where Do I Go?,” attempts to get as close to photographing the future as she can, not by divination, but by questioning. The show is the inaugural exhibit at the new RKG x SEA-DAR Project Space in Boston’s SoWa District. Robert Klein Gallery, the famed institution dedicated to showing photographs, has collaborated with the Boston-based construction company, SEA-DAR, to establish a new space to view some of the world’s greatest … [Read more...] about AFTER THE RUINS
July/August 2026
LEARNING TO LOOK AGAIN
This is a story about resilience, courage, talent and a Black man born in the segregated Deep South whose tenacious spirit succeeded in an arena not of music or sports, but the visual arts. Truly an exceptional journey. And an exceptional man. Richard Haynes, a 77-year-old artist who stands out in a myriad of artistic expressions — photography, drawing, painting — is the epitome of grateful. Spiritual. And humble. A model of how it can be done. But per real life, it doesn’t happen overnight, and it doesn’t happen without learning some hard lessons. Haynes, who resides in Portsmouth, New Hampshire, has an upcoming exhibition, “Learning to See,” at Brattleboro Museum & Art Center in Vermont. He’s a visual storyteller whose bright, daring images kindle a sense of connection that flies in the face of racial discrimination. His work has gained national recognition over the years and is … [Read more...] about LEARNING TO LOOK AGAIN
COLORING IN THE CRACKS AT THE ART COMPLEX
I began my day on June 14 by drinking a strong cup of coffee and watching a 1973 live performance of Steely Dan’s “My Old School.” That performance, featuring bright orange stage lights, sequin bandeaus and psychedelic ponchos, made me ask the question: Where did all the color go in the last 53-or-so years? Fortunately, that same day, my question was answered at the Art Complex Museum in Duxbury, Massachusetts. The answer came in the form of a single, solitary, drop of India Ink in the bottom left corner of artist Jan Lhormer’s piece “Blessed.” That drop, bright orange and looking as wet as the day it dripped, woke me up from an early-summer daze. Now, does that single drop of color negate the steady beige-ification of the world since 1973? No. But it cheered me up! “Blessed” is part of Lhormer’s “Earth & Sky — Invisible Worlds” solo exhibition on view through August 16. The … [Read more...] about COLORING IN THE CRACKS AT THE ART COMPLEX
A NATION IN THE FRAME
As Independence Day approaches, “America 250” seems to be everywhere, from event flyers in local coffee shops to patriotic displays lining grocery store aisles. Beyond the celebrations and marketing campaigns, museums and cultural institutions across the country are commemorating the nation's 250th anniversary through thought-provoking exhibitions. Among the most compelling is “Framing American Democracy” currently on view at the Wadsworth Atheneum of Art in Hartford, Connecticut. Rather than a single exhibition, “Framing American Democracy” unfolds as a series of interconnected installations throughout the museum. On the first floor, “Contemporary Artists Reflect” offers reflections of the United States on a national scale and remains on view through September 13. Also featured on the first floor is “Rebel, Revolt, Resist,” which examines the enduring legacy of people of African … [Read more...] about A NATION IN THE FRAME
CORNERED: GRACE HOPKINS
Artist and gallery director Grace Hopkins was raised in a world of painters by her father, artist and Guggenheim Fellow Budd Hopkins, and her mother, arts writer, renowned critic and museum curator, April Kingsley. Hopkins uses the tools of photography to create images that are relevant, provocative and have the impact of paintings. “I zoom into the marks on the world to find those elements that elevate the greatest paintings: surface, texture, shadow, light, and color,” she said. Artscope Magazine Cape Cod correspondent Laura Shabott talked with Hopkins at the Berta Walker Gallery in Provincetown, where she is the gallery director, about her current one-person show, “Circuits,” on view there through July 18. While they talked about her fascinating life, Hopkins was behind the desk working the computer like a ninja. IN YOUR CURRENT SHOW AT BWG, THE WORK IS CIRCULAR, SCULPTURAL FORMAT … [Read more...] about CORNERED: GRACE HOPKINS
Welcome
Welcome to our Summer 2026 issue, With hundreds of story options to choose from each issue, the reality that we can’t cover everything is always personally disappointing; we look at every email sent to us and try to share as much of the information as possible through our magazine, Artscope Online at artscopemagazine.com as well as on our social media pages on Facebook, Instagram and Bluesky while perusing the same looking for story ideas. Nothing helps us more in that department than receiving a request for coverage a few months prior to two shows opening with a variety of images and information on the artists and their work. Jackie Reeves, whose “Larger Than Life – Drawings In Time” is showing at the Cape Cod Museum of Art and reviewed here by Lee Roscoe, and Jan Lhormer, whose “Earth and Sky” oil paintings can be seen through mid-August at the Art Complex Museum, which Sawyer … [Read more...] about Welcome






