At the respectable age of 88, the annual Fitchburg Art Museum’s (FAM) juried “Regional Exhibition of Art and Craft” is a highly anticipated, competitive and well attended event. Boundaries are tricky for artists in general and FAM blurs the concept of a rigid geographic region to include members of other arts organizations including LexArt (the Lexington Arts & Crafts Society) and ArtsWorcester. As a result, this exhibit represents artists from 58 towns. This year’s juror, Gabriel Sosa, deputy director of the Essex Art Center in Lawrence, Massachusetts, selected a stunning array of 109 works that FAM’s new curator, Emily Mazzola, wanded into place like a Harry Potter wizard. Each is placed to be seen without interruption but also in combinations where color, material, gesture, surface treatment or shape may be echoed. Like the Everly Brothers close harmonies, Mazzola’s visual … [Read more...] about BRILLIANTLY PLACED IN FITCHBURG: DEL GUIDICE ENHANCES MASTERFUL 88TH REGIONAL SHOW
July/August 2024
THE WIDER WORLD OF SCRIMSHAW: COURTNEY M. LEONARD BREACHES NEW BEDFORD WHALING HISTORY
Fascinating! Stunning! Eye-Opener! It has been years since I visited the New Bedford Whaling Museum and I was “blown out of the water!” to use an old maritime cliché. Two new exhibits, Courtney M. Leonard’s “BREACH: Logbook 24 | Scrimshaw” and the “The Wider World of Scrimshaw” were the reason for my visit, but it was the main collection itself that immediately intrigued me. Visitors are greeted by two enormous whale skeletons hanging ominously overhead, suspended from the ceiling. If those giant bones don’t get your attention, underneath them is a strange large pink object about five feet high with round cylindric openings pointing in every direction. It is a plastic replica of a real blue whale heart, made in Australia, weighing 660 pounds, installed in 2018. If your museum is housed in a set of small rooms in a small building, make every wall-inch count. Pulling myself away … [Read more...] about THE WIDER WORLD OF SCRIMSHAW: COURTNEY M. LEONARD BREACHES NEW BEDFORD WHALING HISTORY
YOU CAN’T TAKE IT WITH YOU: SCULPTOR MADELEINE LORD GOES COLD TURKEY
For over two decades, I depended on scavenging and collecting steel scraps for my sculptures in an enormous metal waste facility south of Boston. Early on Saturday mornings, they allowed outsiders to dump their demolition loads for a fee. I would be there to cherry pick for a removal fee. I loved this place because the metal was beautifully chewed and crunched by dinosaur size cranes with T-Rex jaws. But a year ago, after two decades, I decided to stop this, cold turkey. This meant that I would eventually run out of material and stop welding sculptures. I will miss walking through puddles with shimmering oil rainbows and ooze, searching in mountains of shrapnel sharp detritus for treasure. Like finding rare blue sea glass on the beach, these metal shards were the genome of my welded steel sculptures. I have been loading mud-crusted, oil-soaked metal into a variety of cars … [Read more...] about YOU CAN’T TAKE IT WITH YOU: SCULPTOR MADELEINE LORD GOES COLD TURKEY
PRESERVING A LEGACY: FRIENDS MAKE ROB MOORE PROJECT A REALITY
Rob Moore seemed to make it to every exhibition opening that he was invited to. By all accounts big-hearted, motivating and enthralling, Moore was a fixture in the Boston art scene from the late 1960s through to his death at 55 from AIDS-related complications on New Year’s Eve, 1992. A painter with a decisive eye and self-sure style, he worked as a teacher at MassArt for 24 years, influencing, mentoring and encouraging his students with limitless honesty and generosity. Around the 30th anniversary of Moore’s death, one of his former students, John Guthrie, began preparations for a retrospective at Boston’s Gallery VERY — which ran from May to mid-June 2024 — the first exhibition of Moore’s work since a posthumous showing at MassArt a year after his death. Beginning in earnest at the end of 2023, Guthrie reached out to friends and former students of Moore and collectors of his work … [Read more...] about PRESERVING A LEGACY: FRIENDS MAKE ROB MOORE PROJECT A REALITY
A HARMONIOUS MESHING: ART, SCULPTURE ENERGIZE WEST STOCKBRIDGE’S TURNPARK
TurnPark Art Space is a 16-acre sculpture park, gallery, event destination and architectural vortex situated in West Stockbridge in the Berkshires. There are many minds that have come together to bring TurnPark into fruition. It was created and manifested by Igor Gomberg and Katya Brezgunova in collaboration with architects Alexander Konstantinov and Moscow-based Ekaterina Vlasenko. The surrounding landscape, comprised of rolling hills, trails, snippets of wildflower habitats, serve to not only offer itself as a mooring for the gallery spaces and sculptures, but work in a partnership with the whole, becoming another interdependent art form. The landscape is interspersed with a performance platform, amphitheater style, as well as set-in stone topical designs within the grasses, and the trails meander in and out of sculpture areas. The light hits the sculptures acutely at important … [Read more...] about A HARMONIOUS MESHING: ART, SCULPTURE ENERGIZE WEST STOCKBRIDGE’S TURNPARK
CLEAR ABSTRACTION: PATRICK MCCAY’S MODERN LESSONS AT THE WHISTLER
Named after one of his college courses, “Patrick McCay: Explore, Exploit, Express: A Thematic Retrospective,” on view at the Whistler House Museum of Art in Lowell, Massachusetts through August 3, also features the work of three of McCay’s past students: David Drinon, Suzanne Hodge and Lucas Grondin. He’s currently a professor at the Institute of Art and Design at New England College of Henniker, New Hampshire. While the exhibition looks at the Irish-born, Scottish-American artist’s work of over 30 years, the show is intended to look at his various styles of paintings during that period as opposed to his tenure as an artist. Displayed in the museum’s Parker Gallery (which also includes an ongoing display of works by Lowell Art Association artists), the show is hung in a way that flows perfectly through those styles, with, the show’s press material suggests, a tip of the hat … [Read more...] about CLEAR ABSTRACTION: PATRICK MCCAY’S MODERN LESSONS AT THE WHISTLER