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Artscope Magazine | November/December 2021

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Exhibits

LUCIAN FREUD: THE SELF-PORTRAITS

// Artscope Online, Exhibits, Visual Arts

by J.M. Belmont

Two self-portraits by British painter Lucian Freud (1922-2011) are the first works one sees when entering the Museum of Fine Arts Boston’s "Lucian Freud: The Self-Portraits” exhibition. The most recent of the two shows Freud at close to 80 years old, while the other dates towards the end of the Second World War. The self-portrait of the older Freud is a delicious blend of pink and greys that faintly mellows his face. In the one in which he is young, his image is amateur, flat and everything is just ever so slightly out of proportion. His left hand is far larger than the right. His eyes are not level to one another and his mask-like facade is reminiscent of the skulls engraved on colonial tombstones. The exhibit consists of 40-odd self-portraits, ranging from his time in various art academies to shortly before his death nine years ago, at the age of 88. The collection is filled with … [Read more...] about LUCIAN FREUD: THE SELF-PORTRAITS

Catherine Bertulli in Dressed at Danforth Art Museum at Framingham State University

// Artscope Online, Exhibits, Visual Arts

by J. Fatima Martins

“Dressed,” featuring artists Catherine Bertulli, Jodi Collella, Merril Comeau, Mia Cross, Nancy Grace Horton, and Marky Kauffmann, at the Danforth Art Museum at Framingham State University through December 29, is another must see exhibition created by curator Jessica Roscio Ploetz. From the curatorial statement, “Dressed broadly addresses materials, imagery, iconography and memory, each artist experimenting with the fluidity of form while acknowledging gendered constrictions placed on the body. To be “dressed” implies a range of situations and experiences. Dressed is about adornment and identity.” Beyond subject, what is important about this exhibition is that it hosts work that is material and process diverse grounded firmly in and exemplifying contemporary aesthetic trends that are influenced by and continue the blending of maximalist versus minimalist approaches. Beautiful … [Read more...] about Catherine Bertulli in Dressed at Danforth Art Museum at Framingham State University

Play on a Play: Cattelan does Beckett

// Art Basel Miami Beach, Artscope Online, Exhibits, Visual Arts

by Nancy Nesvet

The most talked about installation of the day at Art Basel Miami Beach 2019, was Maurizio Cattelan’s “Comedian” (2019, banana, duct tape, paper with text instructions) tacked to the wall of Galerie Perrotin’s booth with grey duct tape including instructions for installing it. Bought by Sarah Andelman, founder of recently closed Parisian concept store, Colette, it is accompanied by a certificate along with the banana and duct tape, including instructions for installing it. Publications from the print edition of the New York Post to the online Art Daily announced the trail of this new work from exhibition to sale (for $120,000 on December 4, during the private days of Art Basel). With Andelman saying, “It really reflects our time” reported by the New York Times on December 4, she and we neglect to acknowledge that this makes all of us artists, furthering the egalitarianism of a buyer … [Read more...] about Play on a Play: Cattelan does Beckett

ART BASEL MIAMI BEACH 2019 & ART WEEK MIAMI DAY TWO: INSPIRED ARTISTS ADDRESS A THREATENED WORLD

// Art Basel Miami Beach, Artscope Online, Exhibits, Visual Arts

by Nancy Nesvet

Our second day dawned bright and early on Miami Beach, the morning chill warming up as the day and the dizzying flow of art as we went from one place to another kept the dynamic duo going. It would also hold our first view of the main event, Art Basel Miami 2019, the lollapalooza of art fairs, during its First Choice VIP Preview. Pace Gallery had some great work on display including Fred Wilson’s “Oh! Monstuosa Culpa,” 2013, constructed of Murano glass and light bulbs, that could have been a ringer for Gerhard Richter’s black chandelier painting; an amazing relief sculpture/painting by Loie Hollowell, “Standing in Water,” 2019, oil, acrylic, medium and high density foam on linen over panel; and Lydia Benglis’ “Calypso,” 2017, cast, pigmented polyurethane, looking like a cracked sun that only added to the gothic and sense of impending climatic doom as Venice stands in water and … [Read more...] about ART BASEL MIAMI BEACH 2019 & ART WEEK MIAMI DAY TWO: INSPIRED ARTISTS ADDRESS A THREATENED WORLD

ART BASEL MIAMI BEACH 2019 DAY ONE: A SHOW FOR THOUGHT AND CONSIDERATION

// Art Basel Miami Beach, Artscope Online, Exhibits, Visual Arts

by NANCY NESVET

Kaveh Mojtabai, Nancy Nesvet and friends escaped the snowy north to land in chilly South Beach for a week of art gazing, talks and shows at Art Basel Miami Beach 2019 and the shows of Miami Art Week 2019. “The Art of Listening: Under Water,” sponsored by Audemars Piquet, maker of fine watches, featured the sound installation of Jana Winderen, a Norwegian environmental artist. In a large circular space, the quiet crowd listened intently for the sounds underneath Arctic Waters, disturbed by the dripping noise of glaciers melting and their gradual cracking. Fish swimming underwater, inundated by crashing ice into the Barents Sea, juxtaposed the sounds of underwater life recorded in the Miami Harbor, underlining the diverse places suffering the effects of climate change. The absence of visual stimuli only led to a more concentrated listening experience never experienced before, and a … [Read more...] about ART BASEL MIAMI BEACH 2019 DAY ONE: A SHOW FOR THOUGHT AND CONSIDERATION

ART BASEL MIAMI BEACH 2019 PREVIEW

// Art Basel Miami Beach, Artscope Online, Exhibits, Visual Arts

by Nancy Nesvet

Artscope Magazine’s presence at Art Basel Miami Beach 2019 is not the only enterprise growing there this year. Our growth to a booth in the magazine sector mimics that of the international art fair itself. Its latest addition is Meridians, the new sector located in the Grand Ballroom of the Miami Beach Convention Center, Art Basel Miami Beach’s home. With 33 monumental works inside and one outside, Meridians was created to house large-scale installations that Art Basel’s website admits, “can only fit in a museum or art warehouse.” Having reported for Artscope on Art Basels in Miami Beach and Switzerland for the past three years, on the last two Venice Biennales and the Cleveland Biennale, I agree that most collectors do not have room for these large works, so they must go to museums or art warehouses awaiting new owners, governmental or private. Because art collectors and museum … [Read more...] about ART BASEL MIAMI BEACH 2019 PREVIEW