On the evening of April 14, a large water main break in Boston’s South End flooded a huge part of the neighborhood, turning parking lots and the basement galleries at 460 Harrison Ave. into swimming pools. This week, Galatea Fine Art will reopen for the first time since that night with “Light from Above: Emerging Out of Isolation,” a two-month, 38 artists, exhibition that will run through October 31. A limited occupancy, social distancing and mask wearing, opening reception takes place this Friday, September 4 from 6-8 p.m. Current normal gallery hours will be Saturday and Sunday from noon-4 p.m. and by appointment. In gathering information for our September/October 2020 issue, managing editor Brian Goslow asked Galatea director Marjorie Kaye to share her thoughts on finally returning to the gallery, the work in the show and which art pieces initially grabbed her … [Read more...] about GALATEA FINE ART’S GRAND RETURN: LIGHT FROM ABOVE: EMERGING OUT OF ISOLATION
In response to the global COVID-19 pandemic, galleries and cultural institutions found themselves migrating online. The transition to virtual has been a mixed bag: some galleries made the move smoothly, while others have struggled. Many have upped their social media presence and outfitted their websites with new, interactive features. We have watched an entire industry expand beyond brick-and-mortar frantically, out of necessity. Michael Rose, the current gallery manager at Providence Art Club, found himself ahead of the virtual curve. “In the fall of 2019, I think I realized in earnest that in addition to my blog and other assets included on my freelance advising and appraisal website, I could use my platform to create virtual exhibitions.” As an appraiser and art historian, along with his work at the Art Club, Rose was in a unique position, “Because my day job is managing the … [Read more...] about WILL VIRTUAL EXHIBITIONS REMAIN ONLINE WHEN GALLERIES REOPEN?
One of four current National Association of Women Artists Massachusetts Chapter (NAWA MA) online exhibitions, “Floating Dreams” is poignant and peaceful — a welcome invitation to reflect and an engaging collection of works. The show explores, in tandem, the realms of the subconscious mind and the physical, tactile world. Full of pieces that one might not immediately associate with its theme, “Floating Dreams” challenges viewers to stay present and inquisitive among each contributing artists’ work. And this seems to be exactly what “Floating Dreams” is about: leaving ample space for interpretation; implying the slightly fantastical or subtly surreal; and allowing us to access our inner dreams, constant within us though scarcely recognized. In viewing the exhibition as a whole, the inspirational force of the natural world becomes clear. A few works feature obvious representations of … [Read more...] about BEST OF ONLINE SHOWS: NATIONAL ASSOCIATION OF WOMEN ARTISTS MASSACHUSETTS CHAPTER’S “FLOATING DREAMS” STRIKES A CHORD
Two self-portraits by British painter Lucian Freud (1922-2011) are the first works one sees when entering the Museum of Fine Arts Boston’s "Lucian Freud: The Self-Portraits” exhibition. The most recent of the two shows Freud at close to 80 years old, while the other dates towards the end of the Second World War. The self-portrait of the older Freud is a delicious blend of pink and greys that faintly mellows his face. In the one in which he is young, his image is amateur, flat and everything is just ever so slightly out of proportion. His left hand is far larger than the right. His eyes are not level to one another and his mask-like facade is reminiscent of the skulls engraved on colonial tombstones. The exhibit consists of 40-odd self-portraits, ranging from his time in various art academies to shortly before his death nine years ago, at the age of 88. The collection is filled with … [Read more...] about LUCIAN FREUD: THE SELF-PORTRAITS
“Dressed,” featuring artists Catherine Bertulli, Jodi Collella, Merril Comeau, Mia Cross, Nancy Grace Horton, and Marky Kauffmann, at the Danforth Art Museum at Framingham State University through December 29, is another must see exhibition created by curator Jessica Roscio Ploetz. From the curatorial statement, “Dressed broadly addresses materials, imagery, iconography and memory, each artist experimenting with the fluidity of form while acknowledging gendered constrictions placed on the body. To be “dressed” implies a range of situations and experiences. Dressed is about adornment and identity.” Beyond subject, what is important about this exhibition is that it hosts work that is material and process diverse grounded firmly in and exemplifying contemporary aesthetic trends that are influenced by and continue the blending of maximalist versus minimalist approaches. Beautiful … [Read more...] about Catherine Bertulli in Dressed at Danforth Art Museum at Framingham State University
The most talked about installation of the day at Art Basel Miami Beach 2019, was Maurizio Cattelan’s “Comedian” (2019, banana, duct tape, paper with text instructions) tacked to the wall of Galerie Perrotin’s booth with grey duct tape including instructions for installing it. Bought by Sarah Andelman, founder of recently closed Parisian concept store, Colette, it is accompanied by a certificate along with the banana and duct tape, including instructions for installing it. Publications from the print edition of the New York Post to the online Art Daily announced the trail of this new work from exhibition to sale (for $120,000 on December 4, during the private days of Art Basel). With Andelman saying, “It really reflects our time” reported by the New York Times on December 4, she and we neglect to acknowledge that this makes all of us artists, furthering the egalitarianism of a buyer … [Read more...] about Play on a Play: Cattelan does Beckett