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artscope magazine: July/August 2007
Art Goes Wild: Innovation with Native Plants
Niki Sarantos
Pulp Function
New Art Collective: Emerging Curators Select Emerging Artists
Out of the Blue Gallery
Robert Henry: Triptych Paintings, Elspeth Halvorsen: Constructions, Sky Power: Large Abstract Paintings, Selina Teriff: Drawings
Lalie Schewadron: Synthesis
Joel Janowitz: the Monotypes
A World in Grosz Disarray: Works on Paper by George Grosz
Michael Kenna: Hokkaido
Jane Deering Galleries
Somerville Madonnas: Photographs of Religious Iconography
Jessie Morgan: New Paintings
Ron Rosenstock: Hymn to the Earth
Varujan Boghosian - A Survey: Collage, Watercolors, & Sculpture
Inside/Outside/Small/Tall
Still Life - Wild Life
Sleight of Hands: Contemporary Hooked Rugs
Making it New: The Art and Style of Sara and Gerald Murphy
Summer Preview: Four Bigh Higway Highlights in the Little State of Rhode Island
The Forest Hills Cemetary Educational Trust and Contemporary Sculpture Path
Summer Theater on the Coast
Sharp Lines and Mystyc Shadows: The Vision of Two Physicists
artscope Capsule Previews
Edward Hopper at the Museum of Fine Arts
CURATOR’S CORNER - Carol Troyen on the MFA Boston's Hopper Exhibition
Out of the Blue Gallery
James Foritano

106 Prospect Street
Cambridge, MA

Clara Angelina Diaz’s solo exhibition “Mixed Dreams: New Creative Abstracts” started the month of June on the blue wall that serves as the Out of the Blue Art Gallery’s exhibition space. From there, a few of her pieces will probably join the paintings of the 40 to 50 artists which make a changing kaleidoscope of the walls of this small, box-like gallery.

Out of the Blue is a neighborhood art gallery just down the street from that confluence of avenues and diversity that is Central Square. It also has roots in a number of local coffee shops (the 1369 Coffee House) and restaurants (Brookline Lunch, Middle East Café, All Asia Cuisine & Cocktail Bar and the Harding House) that cluster around the square and exhibit on their walls those painting which would overflow the limited spaces of Out of the Blue.

As a neighborhood gallery, much of their publicity comes from the buzz of its frequent openings, classes, readings, and, not the least, the vibrant sidewalk presence created by their eclectic show-windows.


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