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artscope magazine: July/August 2007
Art Goes Wild: Innovation with Native Plants
Niki Sarantos
Pulp Function
New Art Collective: Emerging Curators Select Emerging Artists
Out of the Blue Gallery
Robert Henry: Triptych Paintings, Elspeth Halvorsen: Constructions, Sky Power: Large Abstract Paintings, Selina Teriff: Drawings
Lalie Schewadron: Synthesis
Joel Janowitz: the Monotypes
A World in Grosz Disarray: Works on Paper by George Grosz
Michael Kenna: Hokkaido
Jane Deering Galleries
Somerville Madonnas: Photographs of Religious Iconography
Jessie Morgan: New Paintings
Ron Rosenstock: Hymn to the Earth
Varujan Boghosian - A Survey: Collage, Watercolors, & Sculpture
Inside/Outside/Small/Tall
Still Life - Wild Life
Sleight of Hands: Contemporary Hooked Rugs
Making it New: The Art and Style of Sara and Gerald Murphy
Summer Preview: Four Bigh Higway Highlights in the Little State of Rhode Island
The Forest Hills Cemetary Educational Trust and Contemporary Sculpture Path
Summer Theater on the Coast
Sharp Lines and Mystyc Shadows: The Vision of Two Physicists
artscope Capsule Previews
Edward Hopper at the Museum of Fine Arts
CURATOR’S CORNER - Carol Troyen on the MFA Boston's Hopper Exhibition
Sharp Lines and Mystyc Shadows: The Vision of Two Physicists
Britt Beedenbender

Cultural Center of Cape Cod
307 Old Main Street

South Yarmouth

Through July 29

In this evocative and intellectually engaging exhibition, scientific investigation and aesthetic interpretation merge. This joint exhibition of the sculptural works of Fielding Brown and the photographic prints of Paul Wainwright offers up abstracted realities that invite analysis and contemplation.

Brown holds a PhD in experimental physics from Princeton University and has been creating sculptures in wood and multimedia since his retirement from Williams College six years ago. Wainwright, who holds a PhD in experimental physics from Yale University and was a research scientist at Bell Telephone Laboratories, began creating photographs more than 40 years ago as a way to connect to others. Less than two years ago the artists met through the Cambridge Art Association. Recognizing their shared backgrounds and the complementary nature of their work they began discussions about a joint exhibition.


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