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artscope magazine: July/August 2007
Art Goes Wild: Innovation with Native Plants
Niki Sarantos
Pulp Function
New Art Collective: Emerging Curators Select Emerging Artists
Out of the Blue Gallery
Robert Henry: Triptych Paintings, Elspeth Halvorsen: Constructions, Sky Power: Large Abstract Paintings, Selina Teriff: Drawings
Lalie Schewadron: Synthesis
Joel Janowitz: the Monotypes
A World in Grosz Disarray: Works on Paper by George Grosz
Michael Kenna: Hokkaido
Jane Deering Galleries
Somerville Madonnas: Photographs of Religious Iconography
Jessie Morgan: New Paintings
Ron Rosenstock: Hymn to the Earth
Varujan Boghosian - A Survey: Collage, Watercolors, & Sculpture
Inside/Outside/Small/Tall
Still Life - Wild Life
Sleight of Hands: Contemporary Hooked Rugs
Making it New: The Art and Style of Sara and Gerald Murphy
Summer Preview: Four Bigh Higway Highlights in the Little State of Rhode Island
The Forest Hills Cemetary Educational Trust and Contemporary Sculpture Path
Summer Theater on the Coast
Sharp Lines and Mystyc Shadows: The Vision of Two Physicists
artscope Capsule Previews
Edward Hopper at the Museum of Fine Arts
CURATOR’S CORNER - Carol Troyen on the MFA Boston's Hopper Exhibition
Making it New: The Art and Style of Sara and Gerald Murphy
Greg Morell


Williams College Museum of Art

15 Lawrence Hill Drive

Williamstown, Massachusetts


July 8 through November 11

Picasso, Cocteau, Hemmingway, Diagalev, F. Scott Fitzgerald, Leger, Cole Porter, Archibald MacLeish, and Man Ray, all shared a friendship with a wily and outlandish American couple, Sara and Gerald Murphy.

The Murphys were cultural bees buzzing across the Atlantic as champions of American Jazz and lovers of the new, innovative, excitingly different, fashionably chic, and the provocative that percolated in the salons, studios, and bistros of Parisian France in the ‘20’s.

These mavens of the modern were reputedly the inspiration for the American couple maligned in “Tender is the Night,” one of Fitzgerald’s last novels. Wealthy, iconoclastic, stylish, living on the fringe in the south of France and breaking all the rules, Fitzgerald’s fictional couple mirror the real-life Murphys.


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