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artscope magazine: July/August 2007
Art Goes Wild: Innovation with Native Plants
Niki Sarantos
Pulp Function
New Art Collective: Emerging Curators Select Emerging Artists
Out of the Blue Gallery
Robert Henry: Triptych Paintings, Elspeth Halvorsen: Constructions, Sky Power: Large Abstract Paintings, Selina Teriff: Drawings
Lalie Schewadron: Synthesis
Joel Janowitz: the Monotypes
A World in Grosz Disarray: Works on Paper by George Grosz
Michael Kenna: Hokkaido
Jane Deering Galleries
Somerville Madonnas: Photographs of Religious Iconography
Jessie Morgan: New Paintings
Ron Rosenstock: Hymn to the Earth
Varujan Boghosian - A Survey: Collage, Watercolors, & Sculpture
Inside/Outside/Small/Tall
Still Life - Wild Life
Sleight of Hands: Contemporary Hooked Rugs
Making it New: The Art and Style of Sara and Gerald Murphy
Summer Preview: Four Bigh Higway Highlights in the Little State of Rhode Island
The Forest Hills Cemetary Educational Trust and Contemporary Sculpture Path
Summer Theater on the Coast
Sharp Lines and Mystyc Shadows: The Vision of Two Physicists
artscope Capsule Previews
Edward Hopper at the Museum of Fine Arts
CURATOR’S CORNER - Carol Troyen on the MFA Boston's Hopper Exhibition
Somerville Madonnas: Photographs of Religious Iconography
Franklin W. Liu

Paradise Lounge Gallery
967-968 Commonwealth Avenue

Boston


Through July 20

Three years ago when Josh Michtom took a meandering walk in his neighborhood in Somerville, he saw countless lawn statues of the Holy Mary, Jesus and Joseph nestled in people’s yards. Fascinated by the abundance of these religious icons, he has repeatedly snapped away with his digital camera, amassing a collection of 241 photographs. Twenty-eight of these sacred images are currently presented in “Somerville Madonnas, Photographs of Religious Iconography.”

The photographs are presented with a down-home charm, as one would see flipping through a family photo album; they are precious personal memories preserved. Such was Michtom’s intention; the photos do not strive for the sensitivity and a mythical symbolism that one would expect to see in an Ansel Adams or Robert Mapplethorpe photograph hanging in the permanent collection of major museums.


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