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artscope magazine: July/August 2012
Welcome Statement: Brian Goslow, managing editor
cornered: A CONVERSATION WITH BRUCE MACLEISH
Tides of Provincetown: 200 Years of Cape Cod Art
Women of Walker
Bao Lede: Calling from Far Mountain
Sean Thomas
Down on the Farm
Present/Future: A Showcase of Emerging Artists
Lights, Camera...Click: Photography in Contemporary Art
Nancy Colella: Beach Peeks
Refined Technique
Made in America
Living Treasures of North Carolina Craft
Man-Made Quilts: Civil War to Present
Rodrigo Nava: Visible Force
Janis Sanders
Transcending Nature: Paintings by Eric Aho
Living the Process: Rubin Marroquin
Luke Cavagnac and Art walk Easthampton
Kennebec’s Community Supporting Arts Project
Wanderlust: New Bedford
Capsule Previews
Lights, Camera...Click: Photography in Contemporary Art
Franklin W. Liu


Lanoue Fine Art

125 Newbury Street

Boston, Massachusetts

Through July 9



This exciting group show illuminates the diverse, innovative approach of five exceptional and imaginative multi-media artists who use photography as a root inspiration in catapulting their unique visions into evocative art, with each turning eidetic camera-imagery into refulgent reinterpretations of reality.



Luciana Abait, born in Buenos Aires, Argentina, now lives and works primarily in California. The camera-inspired context of her work, along with that of Eric Zener, shows images immersed in a watery environment, but that is the only external contextual commonality between their works…



Zener said he is an adventurer and self-taught artist; his BA is from the University of California, Santa Barbara. His art offers a visceral, exuberant escapism to viewers through his application of photography, silver or gold leaf, lithographic pigment and resin on panel, evoking an unapologetic, instant gratification that lifts viewers from tedium…



Marybeth Rothman encapsulates the notion of individual renewal as well, albeit taking a strikingly different, fictional, absorbing, retro-narrative approach…



Instead of imaginary people, June Stratton’s “Musicians” are kinetic portraits of the essence of violinists, trumpeters, pianists and conductors of the Savannah Philharmonic Orchestra. These works are nothing like traditional oil portraits…



Pamela Stretten’s work is largely autobiographical; the images are cropped close-ups of herself, using deconstructed parts of her torso, back and face as a vehicle to drive social awareness and reform…






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