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artscope magazine: July/August 2012
Welcome Statement: Brian Goslow, managing editor
cornered: A CONVERSATION WITH BRUCE MACLEISH
Tides of Provincetown: 200 Years of Cape Cod Art
Women of Walker
Bao Lede: Calling from Far Mountain
Sean Thomas
Down on the Farm
Present/Future: A Showcase of Emerging Artists
Lights, Camera...Click: Photography in Contemporary Art
Nancy Colella: Beach Peeks
Refined Technique
Made in America
Living Treasures of North Carolina Craft
Man-Made Quilts: Civil War to Present
Rodrigo Nava: Visible Force
Janis Sanders
Transcending Nature: Paintings by Eric Aho
Living the Process: Rubin Marroquin
Luke Cavagnac and Art walk Easthampton
Kennebec’s Community Supporting Arts Project
Wanderlust: New Bedford
Capsule Previews
Kennebec’s Community Supporting Arts Project
Taryn Plumb


And their stolid, steadfast Depression-era inhabitants are evoked in one of the most iconic pieces of 20th century art, Grant Wood’s “American Gothic.”



Farms have long been an influence for artists – from the 19th century French countryside to the thick-of-the-Depression American Midwest. And this summer, they’re once again serving as muse through a unique, months-long collaboration in central Maine.



The Kennebec Valley Art Association in Hallowell and the Kennebec Local Food Initiative in Gardiner have paired 14 artists with 13 farms through a project called “CSA: Community Supporting Arts.” Over several months, local artists have been visiting partner farms (all of which have Community Supported Agriculture, or CSA, programs) to take in everything — landscapes; buildings; caretakers; feathered, furred and four-legged inhabitants; crops bountiful or blighted; struggles and successes — with a goal to create a series of works by the end of the summer.


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