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artscope magazine: July/August 2012
Welcome Statement: Brian Goslow, managing editor
cornered: A CONVERSATION WITH BRUCE MACLEISH
Tides of Provincetown: 200 Years of Cape Cod Art
Women of Walker
Bao Lede: Calling from Far Mountain
Sean Thomas
Down on the Farm
Present/Future: A Showcase of Emerging Artists
Lights, Camera...Click: Photography in Contemporary Art
Nancy Colella: Beach Peeks
Refined Technique
Made in America
Living Treasures of North Carolina Craft
Man-Made Quilts: Civil War to Present
Rodrigo Nava: Visible Force
Janis Sanders
Transcending Nature: Paintings by Eric Aho
Living the Process: Rubin Marroquin
Luke Cavagnac and Art walk Easthampton
Kennebec’s Community Supporting Arts Project
Wanderlust: New Bedford
Capsule Previews
Made in America
J. Fatima Martins


Chabot Fine Art Gallery

379 Atwells Avenue

Providence, Rhode Island

Through August 11



Thoughtfully curated and beautifully arranged by Chris Chabot, the exhibition “Made in America” presents a diverse group of nationally exhibiting artists, all of whom work primarily in well-established, traditional modern modes including collage, abstraction, assemblage sculpture and wood design, portraiture and landscape. The exhibition theme explores an American patriotic sensibility in an elegant and fluid manner, and the collection features bold, skillful arrangements evoking the tone of strength, accomplishment, cooperation and renewed freedom. The group includes Lee Chabot, Ken MacDonald, Kelli Berry, Brian Hibbard, Domine Vescera Ragosta, Robin Wessman and Jim Grabowski. Each artist created several thematically specific works that visually communicate their understanding and appreciation of American life.



While depicting well-recognized American iconography and popular subjects, as expected, the selected artists push their work into the contemporary arena by touching on the esoteric and commenting on the serious, yet never alienate the viewer, as is often done in many contemporary exhibitions. This is an exhibition of traditional art by artists whose dedication to their craft is evident in the technical quality of the final pieces. Important cultural, economic and political dialogue is on display in “Made in America” in a manner that is compelling, yet respectful and welcoming.

Bold and colorful billowing sails arranged as powerful geometric shapes dominate Lee Chabot’s compositions; these monumental and optimistic symbols of adventure and freedom are the signature characteristics of his regionalist paintings of sailing vessels on the Atlantic Ocean. Although his work, as he described, is mostly influenced by traditional landscape, his new images depict life on Narragansett Bay and Newport’s seacoast, referencing America’s seafaring culture and its continued prominence. Skillfully blending the rules of realism and abstraction, focused on the dynamism of color theory and geometry, Chabot recreates engaging ocean scenes documenting action-packed activities specific to the Atlantic geography.


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